Tsk tsk. Slap my wrist. I’m pretty slack about putting website listings here on the blog, and I can only apologise. Here are some edited highlights (but there are plenty more already listed and more to come before Christmas!). Personal favourites are the original 1970s Chelsea Girl platform shoes, the black lace 1930s evening dress and Erte-printed John Bates for Jean Varon dress…
1970s
Inspirational Images: Jean Shrimpton in Foale and Tuffin
1970s, british boutique movement, david bailey, Foale and Tuffin, Inspirational Images, jean shrimpton, VogueInspirational Images: Gina Fratini in Quadriptych
1970s, british boutique movement, Gina Fratini, harpers and queen, Inspirational Images, james wedgeInspirational Images: Breakfast in Bed
1970s, Antiquarius, Arthur Elgort, Inspirational Images, Vignettes, Vogue
An apple a day keeps the doctor away: Eating natural food does you more good, as the experts tell you and you knew all along. Read Arabella Boxer’s “Country Food”, page 195. Flowered chiffon nightdress with lace, about £10, from a range at Maria’s stall Vignettes at Antiquarius.
Photographed by Arthur Elgort. Scanned by Miss Peelpants from Vogue, October 1974
Mild Sauce: For Two Pins
1970s, Betty Jackson, charles jourdan, chelsea cobbler, christian dior, Inspirational Images, james wedge, janet reger, Janice Bell, mary quant, Meriel McCooey, mild sauce, miss selfridge, quorum, Sacha, sunday times magazine, underwear, Vintage EditorialsAnother glorious underwear editorial by the always saucy, always perfect Mr James Wedge.
Photographed by James Wedge. Scanned by Miss Peelpants from The Sunday Times Magazine, October 1978
Inspirational Editorials: A Touch of Something Delicious
1970s, Bombacha, british boutique movement, chelsea cobbler, christopher mcdonnell, Electric Fittings, gauchos, Inspirational Images, janice wainwright, jeff banks, katharine hamnett, Mary Graeme, Orte, Palmer Smith, Reldan, Rodier, Sacha, tuttabankem, Vintage Editorials, Vogue, wallis
Plum panne velvet skirt with rose pink appliqued flowers by Orte for Bombacha. Boa and beaded chiffon blouse also from Bombacha. Plum shoes by Sacha.
This is possibly one of the most perfect editorials I’ve seen in Vogue. Unshowy, basic, starkly-lit, but the clothes are mouthwatering. Plus, I am delighted to spot a pair of much loved (and much worn recently) velvet culottes from Wallis from my own wardrobe. It just goes to show, with a little bit of patience you can sometimes turn the dream into a reality…
Photographed by Palmer Smith. Scanned by Miss Peelpants from Vogue, November 1974.

Grey/green spotted velvet skirt, waistband flowered salmon and turquoise. Deep salmon pink chiffon blouse. Both by Orte for Bombacha.

Black flowered culottes and blouse by Wallis. Black ankle boots by Richard Smith for The Chelsea Cobbler.

Clockwise from top left: Paisley suit by Jeff Banks. Shirt by Rodier. / Paisley suit and cream blouse by Rue de La Paix by Reldan. / Rose print velvet by Kadix. Silk shirt by Katherine Hamnett for Tuttabankem / Bluebird printed skirt suit and blouse by Christopher McDonnell.
Guy Day: The New Cue Shop
1970s, Antonio, Cue, harpers and queen, Illustrations, Mensday, menswear, Vintage AdvertsDavid Silverman: Revealed at last!
1970s, british boutique movement, david silverman, website listingsMany, many months ago, I had a wonderfully exciting email from a gentleman called John Offenbach.
Under a couple of listings I have found for David Silverman, you say ‘I wish I knew who David Silverman was..’ well, he was my dad, and he died at the age of 44, thirty years ago.
Needless to say, I was gobsmacked. After all this time, and all my grumbling about not knowing anything about him, here it was! With John’s permission, I am able to share a little information about the man whose clothes continue to make many vintage-lovers very, very happy.
“His business was in Great Titchfield Street in the Sixties and Seventies which as you know was London’s garment district. He was successful, his first business was called Marlborough Dresses which he sold … and he followed that up with David Silverman Dresses. He was a good friend of Steven Marks and as I understand it, lent Steven some desk space for him to start up Steven Marks Coats before he launched French Connection.
Dad was interested in all things visual. He could paint a likeness, and we would often talk about typography and advertising. He chain-smoked Gauloise cigarettes and liked to wear a cashmere roll neck jumper.
He told me that in younger days he had an underground game of cards which travelled around London and eventually got the attention of the Krays. (I don’t know if this is true) but it had to be wound down as it got out of hand, and he told me he needed a body guard for a while.”
I’m not sure it gets much more Sixties than roll neck sweaters, gauloises and The Krays… He sounds like my kind of guy!
John was also kind enough to let me show you a photo of his father, but I would ask that it is not reproduced without permission.
To celebrate this victory in the face of anonymity, I have just listed a David Silverman dress over at Vintage-a-Peel:
…and also enclose photos of some other pieces I’ve had in over the years!
Clowning Around
1970s, album covers, clowns, haute naffness, interesting record sleevesThe Tight-Ass Suit
1970s, barbara daly, bus stop, Chris Trill, christa peters, cosmopolitan, Courtney Reed, Howie Diffusion, Inspirational Images, lee bender, Liz Smith, Midas, Pamela Frances, Pancaldi, Sacha, Stephen Marks, strawberry studio, Tatters, Vintage Editorials“Start squaring your shoulders, tightening your belt and walking on four-inch heels…”
A phenomenal editorial which feels very ahead of its time. This is really the birth of ‘Power Dressing’, from February 1979. There’s a curious juxtaposition of old and new, the old telephone and boudoir chair in the final photo suggest the origins of these suits in the Forties while the clunky ‘mobile phone’ is the signpost to the unknown future. Pre-Eighties and pre-Thatcher (just) – even pre-Miss Peelpants (also, just!) – there’s something quite charming about the modest silhouette here – which is really rather hard to equate with the horrors which were to come. These feel more in line with the New Romantic and Goth garments from the 1980s which I feel passionate about and choose to collect (like Sarah Whitworth, Symphony of Shadows etc), than with Yuppies and Dynasty, although you can just as equally see their genesis here.
Photographed by Christa Peters. Scanned by Miss Peelpants from Cosmpolitan, February 1979.








































