
(a.k.a My new tagline…)
Illustrated by David Wolfe.
Scanned from Vogue, November 1971.

Christmas is coming, so take a good long look at the new you and your clothes. Look for something sexy in black with lots of spangles, for diamonds are a girl’s best friend again.
Just one word from me: Perfection.
Hair by Ricci Burns. Fashion by Norma Moriceau.
Photographed by David Tack.
Scanned from 19 Magazine, December 1971




Every season there is one accessory that gives any outfit the right look. This time it’s the head scarf worn twisted, plaited, knotted and wrapped round the head and neck. Easy to do, use headsquares, scarves or pieces of fabric — especially effective if you find that you can match an outfit. Here are a few ideas.
From the left: 1. Two lengths of fabric (about 27 inches wide and a little longer than you need to tie round your head) twisted and then wrapped round each other; Liberty Lantana wool Foxglove and Andrea, £1.60 per yard each. Multiple knot necktie in liberty Worsted, Louise, £3.96 per yard. 2. Head covered with Liberty Varuna wool, Erte, £3.18 per yard; loose ends at back are tucked up neatly into the folds. Plait is made with one strip each of Liberty’s Erte, Louise and Foxglove, wrapped round head; and wide gypsy knot at neck, made like a bow-tie with ends pulled through is in Liberty Varuna wool, Charlotte, £3.18 per yard. 3. Plait is two pieces of fabric twisted together; Liberty Varuna wool, Strawberry and Charlotte, £3.18 per yard. Windsor tie knot at neck is also in Liberty Varuna wool, Strawberry at £3.18 per yard. Shirts made to order at Coles, £9.85. Moroccan silver jewellery from Medina Arts. Transparent Gel Face Make-Up, Sun Bronze Air Spun by Coty, 60p.
Ahead of the times is certainly how I’d describe Caroline Baker’s work in Nova. I’m very much looking forward to finally getting my hands on a copy of Iain R. Webb’s new book Rebel Stylist: Caroline Baker – The Woman Who Invented Street Fashion (to which I’m proud to have contributed some scans!).
Fashion by Caroline Baker
Photographs by Harri Peccinotti
Scanned from Nova, November 1973.

Looks like a brilliant band of dragonflies speeding down the mountain. Looks where the ac-tion is. And how. With shapes very shapely, military and zippy. Fabrics super stretchy, quilted and warm.
In honour of the late, great Barney Wan, art editor and illustrator at Vogue in the Sixties and Seventies who sadly died last week, here is a superb editorial on ski fashions illustrated by the man himself. There is something so ahead of its time about the combination of these illustrations and the layout.
Illustrations by Barney Wan.
Scanned from Vogue, November 1967.






There is a licence to touch all the clothes on these pages. There is not a single trad, scratchy, thornproof tweed among any of the frankly tactile silks, angoras and flannels of autumn. Jerseys and pearls and sensible shoes were once the uniform of the WI. Now, (well) kept ladies whose fingers smell of “Cabochard” rather than cabbage, are pressing their flannel bags, having their pearls restrung and are wearing them with shirts so unbuttoned they could catch pneumonia – and heels high enough to rise above the muddiest farmyard. They are taking to pleated kilts, and cashmere sweaters so tight they’d enliven the dullest game of backgammon. Dinner dresses are back in style, and I do mean back down as far as you can go. Properly and provocatively dressed, a weekend in the country might be more fun than you think.
Hair arranged for all pictures by Carl of Molton Brown.
Fashion by Deirdre McSharry.
Photographed by John Kelly.
Scanned from Cosmopolitan, October 1972.








Photographed by Annette Green.
Scanned from Vogue, September 15th 1971.
We’ve tried to capture the golden richness and mellow nuances of a well-preserved old oil painting, and create our October face with the new Moody Hues make-up from Revlon’s Natural Wonder collection. Face tone should be warm and tinged with a hint of tan, and we used foundation colour ‘Bisque Beige’, 66p., dusted over very lightly with translucent pressed powder in the ‘Medium’ shade, £1.02. We rouged the cheeks with Cheek Shine in ‘Red’, £1-32. Pursuing the same rustic-toned theme we chose ‘Soulful Plum’ mascara and lashed it on both top and bottom lids, 85p. Eyes are a muted melange of ‘Tortoiseshell’ Eyeshadow Stick, 66p., and the same shade in Lid Lights, the powder version, fading to complementary ‘Minty Green’ powder shadow just under the brows, £1.10 each. We dabbed over the eyelids with ‘Brown Shine’ cream blusher for extra gloss and softness, £1.32. Lips are outlined in ‘Bracken Brown’, 62p.
Model is Ingmari Lamy.
Make-up was applied by visagiste Jean Duval of Revlon, Paris.
The beautiful décolleté dress with huge winged sleeves is in black with a yellow, red and blue feather print, from Quorum, £24.
‘Forties-style hair was dressed by Tina of the Jean-Louis Davide Salon in Paris.
Photographed in the apartment of Karl Lagerfeld, the designer, by Francois Lamy.
Scanned from 19 Magazine, October 1971.