Clothes of the future by Antony Price at Plaza. Photographs by Neil Kirk.
Hair by Trevor Sorbie. Jewellery designed by Valerie Robertson.
Scanned by Miss Peelpants from Cosmopolitan, October 1979.
So today, I went to pick up an enormous job lot of magazines I bought on eBay. It’s a very mixed bag, but included some early Cosmopolitans (which always get me rather excitable…). Flicking through a few tonight, what should fall out of the October 1972 copy, but bloody junk advertising. Pah! Typical! But, wait, Seventies junk advertising is no ordinary advertising. It was the specially made Smirnoff guide to seduction (Complete and unabridged!) – “Elements of all the best seductions as discovered by Cosmopolitan for Smirnoff” with six top models who “reveal their personal approaches to the art“. Isn’t it glorious? Best of all, this is the kind of ephemera which falls out of a magazine and we just throw away, but somehow this survived…
Photographer and garments uncredited. Scanned by Miss Peelpants. Believed to date from October 1972.

“He’s a shade younger than I am, but he’s determined to close the generation gap. Luckily I’m not in the least bit ticklish”.
Your second oyster tasted much nicer than the first. The second time you drank champagne the bubbles did not make you sneeze… As Jackie Collins, the writing Collins sister puts it: “The second marriage is definitely more fun. The first time you marry very young; the next time you know what you are involving yourself in.” Joan, the actress Collins adds: “In my case it’s the third time around. And that’s better still. ” Alice Pollock, the designer, is contemplating taking the plunge again – hence this Second Time Around fashion – “It’s cool to marry again, providing you do it well. ” Paulene Stone, the beautiful redhaired model who married Laurence Harvey in the New Year – and after a long courtship – said: “The second marriage? Oh, it’s a lovely feeling. I was so glad when it finally happened.” (Honest lady!) As is Mr Harvey who describes re-marriage as: “The triumph of hope over experience.” And to all the hopeful ladies who are contemplating love or marriage for the second time, these beautifully experienced clothes are dedicated.
All clothes by Alice Pollock at Quorum. Fashion by Deirdre McSharry. Photographed by Norman Eales. Modelled by Zazie.
Scanned by Miss Peelpants from Cosmopolitan, May 1973.

“It’s so restful spending the evening with a man you know well. I just let him get on with his Proust.” Shoes by City Lights

Puff sleeve sweater from Harrods. Small turquoise Acrilan bib sweater at Stop the Shop. Both by John Craig. Khaki ribbed bermuda shorts by Donald Davies. Tapestry clog boots by Jan Jensen.
A perfect winter look.
Photographed by Elisabeth Novick. Scanned by Miss Peelpants from Vogue, February 1971.

Dusty pink puff sleeved sweater over a beige linen sweater. Both by Harold Ingram. Thick purple wool trousers at Biba. Striped socks, Ruskin at Kensington Market. Knit cap by Margaret Howell at The Sweet Shop. Rose in glass pin, Marie Middleton at Chelsea Antique Market. Jacquard sweater by Toto at branches of Crowthers. Mushroom beige sweater underneath by Harold Ingram. Royal blue cashmere shorts, McGregor of Dublin. Over the knee socks by Donald Davies.

Vest and pullover both by Alice Pollock at Quorum. Pink knitted shorts by Alistair Cowin at Grade One. All clogs from Mayfair Market. Puff sleeved sweater in stripes of tuqouoise, pink and navy, acrylic tibbed dark blue polo neck undeneath, dark blue knitted trousers rolled up. All by John Craig at Stop the Shop.
For some reason, I have shied away from posting about my collection much in recent years. I suppose it’s always been somewhat fluid; things come and go when times are hard or when something better comes along. But recently I acquired something which had always been a bit of a ‘holy grail’ for me, and it reminded me of exactly why I love fashion history, collecting and researching.
One of the most important books on my road to total geekery was Marnie Fogg’s Boutique: A ’60s Cultural Icon. Amazon kindly (and terrifyingly) informs me that I purchased it exactly ten years ago. Although clearly not comprehensive, something I am now realising is probably impossible, it was my main gateway into understanding the boutique phenomenon as a whole. I already knew many of the designers – and was delighted to see how much space was dedicated to John Bates – but several were new names to me. One of these was Georgina Linhart. Another graduate of St Martin’s College of Art and Design, Linhart set up her label in 1964 and, while she was frequently featured in the top magazines of the period, her business only ran for ten years. She later worked for Quorum, Jaeger, Wallis and Chelsea Girl. All four of which are favourite vintage labels chez Vintage-a-Peel.
The more time went on, the more I realised how rare examples of her work must be these days. My eBay search was empty 99% of the time, and only occasionally turned up magazine features and a couple of jackets. The most distinctive dress pictured in Fogg’s Boutique book was ‘Glitterbug’ (see above). A sequined halterneck mini dress, gossamer light and substantial in its insubstantiality; so quintessentially of its time, the epitome of the permissive age.
So my heart was in my mouth when Glitterbug turned up on eBay a couple of months ago. It was slightly out of my price range at the time, and the recent events in my life had forced me to re-evaluate what was important (and worth getting into debt for). So I sat and watched it. Every day I would log into eBay, with one eye shut, and check if anyone had bought it. Every day it was still there, but my nerves were getting beyond frazzled. So the day I finally felt marginally less broke than normal, was the day I logged in and put in a cheeky best offer. I am impossibly grateful to the seller for accepting it and making my collector dreams come true. It has been a long time coming, and it has come a long way from the USA, but Glitterbug is finally in my collection. Plus, it fits me – which I’m pretty sure it wouldn’t have done ten years ago. What are the odds?
There aren’t many accessories shoots worthy of scanning – the majority tend to be fairly static and unimaginative. So kudos to Andreas Heumann for this gorgeous set of pictures which manage to do justice to the contents.
Photographed by Andreas Heumann. Scanned by Miss Peelpants from Vogue, September 1973
Play at being a sparkling sexy Forties’ star. Outshine them all in this silver waistcoat and matching turban from Bus Stop. Wear it with a slinky black velvet or satin pants. Glitter up your eyelids and put a sprinkling of litter on your cheekbones. Bring your hair forward in curls under the turban, pop on a dark plummy lipstick, and you’ll really look like a super Forties’ star.
Photographed by Alain Walsh. Scanned by Miss Peelpants from Petticoat, December 1971
I think it’s fair to say that us Brits went a bit Snoopy-crazy in 1976, from what I’ve read and seen, and this adorable editorial is the perfect example of the post-modern appropriation of childhood cartoon figures by fashionable adults in the Seventies (see also Mr Freedom and Miss Mouse). Of course, there are clothes from Miss Mouse and Lee Bender’s Bus Stop – which is similar to the notorious ‘Andy Pandy’ dungaree outfit worn by Sarah Jane Smith in Doctor Who.
Photographed by John Greenaway. Scanned by Miss Peelpants from 19 Magazine, April 1976.