sheridan barnett

Sheridan Barnett and Sheilagh Brown

1970s, gael mckay, Inspirational Images, manolo blahnik, Neil Kirk, ritz magazine, Sheilagh Browne, sheridan barnett, The Purple Shop, yvonne gold, zapata

Clothes available from Sheridan Barnett and Sheilagh Brown.

Shoes available from Zapata.

Jewellery available from The Purple Shop.

Model is Gael McKay.

Make-up and styling by Yvonne Gold.

Photographed by Neil Kirk.

Scanned from Ritz, no.15 1978.

The White of May

1970s, Adrian Mann, Bilbo, bus stop, che guevara, granny takes a trip, Herbert Johnson, Inspirational Images, lee bender, manolo blahnik, pablo and delia, Peter Knapp, quorum, Rose Bradford, Screaming Mimi, sheridan barnett, simon massey, stirling cooper, The Purple Shop, Vintage Editorials, Vogue, yves saint laurent, zapata
Left: White cotton edged with red, lots of frills tied up with bandanna bows. By Rosie Bradford, about £15, at Quorum; Che Guevara. Fine white straw, £10, Herbert Johnson. White ribbed gloves, Kir, 75p. Red and white striped canvas shoes laced onto a high wooden platform, £12.50, Manolo Blahnik for Zapata. Right: Three deep cotton frills and a halter bodice edged and tied in red. By Sheridan Barnett for Simon Massey, £9.95. Small white straw, £8.50, Herbert Johnson. Peppermint earrings and clips by Adrien Mann, about £1, at Marshall & Snelgrove. White block and string shoes, £7.75, Manolo Blahnik for Zapata. Helanca gloves, Kir, 75p. Hat pins, from a selection at The Purple Shop.

more of it, less of it, what there is of it, frilled.

Preview of new white shapes you’ll be seeing when the sun’s hot: all cut out, cropped or split, beginning with flamenco frills piped in with red.

Well, it may not be May any more but this editorial feels perfect for the current weather. And those Manolo Blahnik for Zapata shoes? Pass the smelling salts…

Hair by John at Leonard.

Photographed at the Serpentine Gallery, Kensington Gardens

Photographed by Peter Knapp.

Scanned from Vogue, May 1972.

Left: Small cotton broderie anglaise blouse under the shelter of a big frilled collar, with a thin gabardine skirt split front and back. Blouse, Stirling Cooper, £4.25, at Peter Robinson. Skirt, Screaming Mimi, £6.50, exclusively for Granny Takes a Trip. White Openwork Helanca gloves, Kir, 80p, at Dickins & Jones. White shoes, £7, Bilbo. Hat, £10, Herbert Johnson. Right: Buttoned padded halter bodice, edged and buttoned in scarlet. White pleated Colonial cotton shorts, buckled each side. Bodice by Rosie Bradford, about £7, at Quorum ; Che Guevara. Shorts, £5.95, Bus Stop. White patent shoes, £16.50, Saint Laurent Rive Gauche. White straw, £11.50, Herbert Johnson. Hat pins from range, The Purple Shop.
Wide wide cotton trousers gathered on elastic, a gathered cotton halter top, the edge let go to frill. By Pablo & Delia, £18, at Browns. White peep-toe shoes, £7, detachable bow £1 extra, at Bilbo. Hat, £8.50, Herbert Johnson. Earrings, Adrien Mann. Laced cuffed Helanca gloves by Kir, 75p, at Derry & Toms

With Reference To The Past

19 magazine, 1970s, Browns, cacharel, coopers, Crochetta, Deco Inspired, edward mann, erica budd, gillian richard, Herbert Johnson, Inspirational Images, jeff banks, Ku Khanh, lord john, Norma Moriceau, Riva, Sheilagh Browne, sheridan barnett, terry de havilland, tuttabankem, Twomax, universal witness, van der fransen, Vintage Editorials, Virginia, Vivienne Lynn
Rust-coloured felt hat with rose trimming from a selection at Van Der Fransen. French Dresden blue shirt with pink and lilac floral print, by Jeff Banks, £6.50. Grey boucle cardigan with short puff sleeves and front fastening, by Crochetta, £6.50. Pale blue circular barathea skirt, by Sheilagh Brown at Coopers, £12. Scarf by Herbert Johnson, £3-15. Green straw hat with rose trimming, from Universal Witness, £5. Blue sweater with long sleeves and round neck, £2.45. Matching short-sleeved cardigan with wrap-over front, £3.45. Both by Erica Budd. Grey crepe Oxford bags with pleated front, by Tuttabankem, £17-50.

Ten years ago, the British woman was bound to her cardigan. Then, in a feverish review of fashion, the cardigan was shelved for the jacket. Now, it’s back in circulation, not as the rather insipid number of yesteryear, but renewed in a long wrap-around version — the sort you cuddle into when it’s cold outside, the sort you wear over dresses, jeans or even suits. Cardigans like this are the most practical knitwear created for ages and the Paris Collections, if they spell excitement to you, were full of them.

All jewellery in feature from a selection at Marie Middleton and Susan Marsh at Chelsea Antique Market. Gold-rimmed glasses from any good optician.

Modelled by Vivienne Lynn and unknown model.

Styling by Norma Moriceau.

Photographed by Ku Khanh.

Scanned from 19 Magazine, January 1973.

Dark green straw hat with pink velvet trim, from Universal Witness, £5. Pale green fine cotton shirt with floral printed pattern, by Cacharel at Browns, £7. Cream bouclé short-sleeved cardigan with very thin stripes, by Crochetta, £8. Pale green straw hat with green velvet trim, from Universal Witness, £5. Pale yellow fine cotton shirt with floral printed pattern, by Cacharel at Browns, £7. Yellow cardigan with two pockets on hips, by Twomax, £4.50.
Sweater and matching cardigan in blue tweed mixture with beige and brown trims, from Upstairs at Lord John, £25 the set. Camel barathea skirt with full front flap, by Sheridan Barnett at Coopers, £11.95. White shirt with black and yellow floral print, by Riva, £4-95. Grey cardigan with yellow stripe, by Virginia, £14. Grey wrap-over barathea skirt with pockets on hips, by Sheridan Barnett at Coopers, £11-95. Navy blue bag, from Biba, £5.85.
Green straw hat with pink velvet trim, from Universal Witness, £5. Pale blue flower-printed sleeveless blouse with cowl neck, £4. Brown flowered crepe skirt, £6. Both from Van Der Fransen. Pink wool and angora cardigan, by Crochetta, £10. Pale green straw hat with green velvet trim, £5. Cream and brown printed short-sleeved blouse with two breast pockets, matching skirt with elasticated waistband, £11.60 the set. All by Universal Witness. Green wool and angora cardigan with ribbed waistband, by Crochetta, £10.
Brown felt pull-on hat with large brim, by Edward Mann, £2.90. Pink and violet print blouse with cape collar, by Van Der Fransen, £4. Long cream boucle cardigan with hip pockets and tie belt, by Crochetta, £13. Black jersey skirt, by Spectrum, £6.50. Black and white lace-up ankle boots, by Terry de Haviland, £15.99. Wool gloves, by Morley, 72p. Grey felt pull-on hat with large brim, by Edward Mann, £2.90. Blue and white spotted sleeveless blouse, with cowl collar, by Van Der Fransen, £4. Long white ribbed cardigan with hip pockets, by Twomax, £7.50. Long grey gored skirt, by Spectrum, £6.50. Black wool gloves from a selection at Browns.
Black cotton shirt with floral print, by Cacharel at Browns, £7. Camel cardigan with V-neck and thin white stripes, by Virginia, £15. Black jersey gored skirt, by Spectrum, £6.50. Cream jersey dress with scalloped Peter Pan collar, by Gillian Richard, £9.80. Long navy blue cardigan with round neck, by McCaul, £4. Navy blue bag, from Biba, £5.85.

Smart Things

19 magazine, alice pollock, british boutique movement, Digby Howard, Harri Peccinotti, Inspirational Images, manolo blahnik, ossie clark, quorum, sheridan barnett, Vintage Editorials, zapata

A 19 SPECIAL PREVIEW OF AN EXCITING DESIGNER’S COLLECTION

Sheridan Barnett, pictured above, is the young designer who gave Coopers such a good look and who has now joined the Quorum label, with Ossie Clark and Alice Pollock. At twenty-six, he has established himself as the most exciting designer in London, with a fabulous first collection for Quorum that left them clapping in the aisles. Women’s Wear Daily, the fashion bible of America, devoted an entire double-page spread to his collection, previously unheard of for an English designer. He designs with his girlfriend, a ballet dancer, in mind, and ladies like Grace Coddington, model Eija and Liza Minnelli: “Girls who are individual and chic, interesting, attractive and with oomph . .” and likes them to look alluring, classy and sexy. At the moment, his clothes are expensive but we are hopeful that, later on, they will be available in the cheaper Radley range as Ossie Clark’s clothes are. Meanwhile look out for similar lines.

My slightly belated tribute to the great Sheridan Barnett, who died in November. He is one of those many British designers of the time whose work doesn’t really get the attention he deserves; as you can see here his tailoring was exquisite.

All clothes by Sheridan Barnett at Quorum.

Shoes by Zapata. Hats by Digby Howard.

Hair by Ricci Burns.

Photographed by Harri Peccinotti.

Scanned from 19 Magazine, September 1973.

Look Back in Anger

1970s, Adrian Mann, Angela at London Town, Bermona, Bilbo, bus stop, fifties fashion, flair magazine, john kelly, lee bender, Mr Feed'Em, mr freedom, ravel, Sacha, sheridan barnett, simon massey, stirling cooper, Vintage Editorials

Call it nostalgia, admission of defeat, lack of inventiveness or what you will: the ugly fact is that there is a strong trend among designers to dig up the Fifties for a fashion revival. Those were the days of the A-line, the tulip dress, Lurex and pleated skirts. If you are disturbed at a Fifties revival, so are we. We think it a period in fashion terms best forgotten, with one or two exceptions. If you don’t favour the fashion but fancy the authentic ambiance you’ll get the right idea at Mr Freedom’s restaurant, Feed’em, where we photographed. Here, written about in the Fiftie’s style, are some of the up-dated Fifties fashions on sale now.

At the same time as the Thirties and Forties were being raided by British Boutique designers, so were the Fifties (or Fiftie’s as so spectacularly put here) and it’s pretty hilarious to see the cynicism by the writer here (possibly fashion editor Sarah Drummond) – who had presumably been a young woman then. The cyclical nature of fashion is nothing new and nor is the disbelief when it’s happening in your own timeline!

On another note, it’s always lovely to see some new-to-me shots inside the legendary Mr Feed’em restaurant!

Photographed by John Kelly.

Scanned from Flair, November 1971.

Crepe pencil skirt and pure wool knitted top that you can dress up or down as you please with a clever change of accessories. Button through fastening gives the skirt special new back interest. Skirt £6. Sweater, £4.50 both by Stirling Cooper. Seamed stockings 30p by Aristoc. Black suede and red patent peep toe shoes, Ravel, £5.50.
A flamboyant crepe de chine evening number, in an adventurous chintzy print with snazzy flounced skirt, £10.50 by Sheridan Barnett at Simon Massey. Black suede sandals with ankle straps, Bilbo, £7. Red beaded necklace, Corocraft, 49p. Purple and pink Perspex bangles, Adrien Mann, 30p each.
Smart-as-paint coat that captures all the intriguing fashion points of the season; with a generous fullness at the back. Created in a delightful brown and beige wool blanket fabric. Bus Stop £19.95. Brown leather boots. Sacha £8.99.
Neat ladylike costume in carefree Tricel jersey. The swirling skirt is a-flutter with knife pleats and the short fitted jacket has an optional tie. In an opulent new shade of plum and white, by Angela at London Town £20. Burgundy brimmed felt hat, Bermona, £1.70. Mulberry tights, Mary Quant, 75p. Multi strapped shoes, Mondaine, £11.99.

Mirror, Mirror

19 magazine, 1970s, Angela at London Town, Antiquarius, barbara trentham, Barbara Trentham, biba, bus stop, Chelsea Antiques Market, David Tack, hand tinting, Inspirational Images, lee bender, Margrit Ramme, mr freedom, Norma Moriceau, ossie clark, radley, ravel, Ricci Burns, Rose Bradford, Sacha, sheridan barnett, simon massey, Titfers, Vintage Editorials
Black satin beret, by Titfers, £8.50. Black satin blouse with shooting stars embroidered in beads, £6.95; half-mast trousers, £4.95, both by Lee Bender at Bus Stop. Diamante star brooch on beret, by Paul Stephens, 75p. Dangly fake diamond earring from a selection at Marie Middleton, Chelsea Antique Market. Fake diamond necklace from a selection at the Purple Shop, Antiquarius. Black satin beret with rhinestone stars, by Titfers, £8-50. Black satin ‘Superstar’ zipper jacket and trousers, by Angela At London Town, £17. Dangly fake diamond earring, from a selection at Marie Middleton, Chelsea Antique Market. Art Deco wall mirror, £6 and black and silver hand mirror, from a selection at Antiquarius. Lipstick and make-up by Biba.

Christmas is coming, so take a good long look at the new you and your clothes. Look for something sexy in black with lots of spangles, for diamonds are a girl’s best friend again.

Just one word from me: Perfection.

Hair by Ricci Burns. Fashion by Norma Moriceau.

Photographed by David Tack.

Scanned from 19 Magazine, December 1971

Floral print, crepe de Chine backless dress with halter neck, by Sheridan Barnett at Simon Massey, £8.75. Black sequin snood, from Crocodile, £4. Sheer black tights, by Elle, 65p. Black suede shoes, by Ravel, £6.50. Diamante clip on velvet band, from a selection at Marie Middleton, Chelsea Antique Market. Diamante bracelet, £3.45. Ring, 60p. By Paul Stephens. Black fur fabric jacket, £15.95. Floral-printed, crepe de Chine dress with black bodice, £12-75. Both by Sheridan Barnett at Simon Massey. Sheer black tights, by Elk, 65p. Black suede shoes, from Sacha, £5.99. Diamante slides, 30p. each. Crescent moon diamante slides, 75p. each. Rings, 60p. each. All by Paul Stephens. Choker, from a selection at Marie Middleton, Chelsea Antique Market. Garter, from Crocodile, £1.50. Mirrors, from the Purple Shop, Antiquarius.
Black satin beret, by Titfers, £8.50. Floral printed rayon blouse with batwing sleeves and knitted waist, cuffs and collar, by Lee Bender at Bus Stop, £6-50. Two-tone panelled satin skirt, by Mr Freedom, £6.25. Sheer black one-size tights, by Elle, 65p. Black suede peep-toe shoes with red patent butterfly, from Ravel, £6.50. Black velvet beret, by Titfers, £4. Satin spot blouse with knitted rib trim and zipper fastening, by Lee Bender at Bus Stop, £6.50. Two-tone satin skirt, by Mr Freedom, £6.25. Sheer black one-size tights, by Elle, 65p. Black suede shoes with bow, by Sacha, £5.99. Purse from Q.9 at Antiquarius, £2. Small star brooch and crescent moon brooch, 55p. each, both by Paul Stephens. Diamante bracelets on wrist and ankle, by Paul Stephens, £3.45 each.
Little black knee-length dress in ribbed crepe with satin insets and neck tie, by Ossie Clark for Radley, £13. Black veiling net, from all leading department stores. Sheer black tights, by Elk, 65p. Black suede shoes with red patent trim, by Ravel, £6.50. Diamante bracelet, £3.45. Ring, 60p. Both by Paul Stephens. Moss crepe bolero, in shocking pink with black spots, over bonded-crepe halter-neck dress with spotty trimming, by Rosy Bradford for Quorum, £15.50. Sheer black tights, by Elk, 65p. Black suede shoes, by Sacha, £5.99. Diamante bracelet, by Paul Stephens, £2.

Patricia Roberts Knitting Patterns

1970s, jap, Joanna Jacobs, knitwear, manolo blahnik, Margaret Howell, Patricia Roberts, rolph gobits, Sheilagh Browne, sheridan barnett, Wendy Dagworthy, zapata

Patricia Roberts designs exclusive hand knits worn by the famous and sold in the most prestigious fashion boutiques in Europe and America.

In 1976 she opened a knitting shop at 60 Kinnerton Street, London S.W.1., selling her own brand of hand knitting wools called “Woollybear Yarns”.

Such was the success of these pure natural yarns dyed in beautiful flattering colours, that buyers from prestige storesthroughout the country were quick to include them in their ranges.

1978 sees the first of Patricia’s magazines to be published independently. All the designs are knitted in Patricia’s “Woollybear Yarns”.

For the first time knitters will have the opportunity to knit these patterns in the luxurious and inexpensive yarns, for which Patricia’s designs are intended.

Happy Knitting!

Possibly some of the loveliest photographs I have ever seen in a knitting pattern booklet, but perhaps unsurprising given the designer is Patricia Roberts and the photographer Rolph Gobits.

Art Direction by Desmond Serjeant.

Hair by Smile.

Make-up by Mary Vango.

Models: Joanna Jacobs, Kelly, Jane Rochelle, Kevin Hand, Helmut.

Photographed by Rolph Gobits.

Scanned from Patricia Roberts Knitting Patterns, 1978.

“Harold and Maude” – Trousers by Jap, shirt by Sheilagh Brown and Sheridan Barnett.
‘Fruit Machine’ – Paisley print shirt and trousers by Wendy Dagworthy. Black trousers by Victor Herbert.
‘The Whisperers’ – Her skirt and jacket by 11342; his trousers and shirt by Margaret Howell; her shoes by Zapata.
‘Jigsaw’ – Trousers by Patricia Roberts.
‘Blithe Spirit’ – Skirt by Sheilagh Brown and Sheridan Barnett. Shoes by Zapata.
‘Gentleman Prefer Blondes’ – Shirt by Wendy Dagworthy. Trousers by Daily Blue. Shoes by Walkers.
‘Kaleidoscope’ – Blue shirt by Margaret Howell; check shirt by Paul Howie. Skirt by Jap.
‘A man…’ – Shirt and trousers by Margaret Howell.
‘…and a Woman’ – Trousers by Jap, shirt by Sheilagh Brown and Sheridan Barnett.
‘Midnight Lace’ – Trousers and skirt by Sheilagh Brown and Sheridan Barnett. Shoes by Zapata.
‘John & Mary’ – His shirt and trousers by Margaret Howell. Her trousers by Daily Blue, her shirt by Wendy Dagworthy.
‘Two for the Road’ – Shirt and trousers by Margaret Howell.
‘Some Like it Hot’ – His shirt and trousers by Margaret Howell. Her trousers by Jap, shirt by Sheilagh Brown and Sheridan Barnett.
‘Ninotchka; – Shirt by Sheilagh Brown and Sheridan Barnett, trousers by Jap, Belt by Mulberry Company.
‘A Touch of Class’ – Shirt by Margaret Howell; Waistcoat by Patricia Roberts; skirt by Michiko.
‘Joey Boy’ – Trousers by Margaret Howell.
Patricia Roberts photographed by Rolph Gobits.

“So many things are now mass produced, that there is a growing belief in individuality. Hand knitting is an expression of this freedom, which anyone can enjoy.”

The Long Wait

1970s, David Tack, forties fashion, ingrid boulting, Inspirational Images, nostalgia, Paradise, sheridan barnett, Tony Berkeley, Tony Berkley, Vintage Editorials

Remember those Joan Crawford, Bette Davis, Hollywood weepies where men were heroes and women were fluttery, feminine creatures who stayed at home, controlling the tremble in their lower lips when the boys went off to war? Well, the best of the Joan Crawford era has finally hit town, and few designers have caught on to the ‘Forties look as successfully as Sheridan Barnett of Tony Berkeley. A talented twenty-three-year-old, he is one of the newest designers to emerge in London. He obviously likes women to be women as his clothes are beautifully cut and styled and are entirely feminine. He has a keen eye for line and simple detail which he carries through in his choice of fabric. All the dresses photographed (available from the Way In at Harrods) are in Tricel and show how important shape has become again. The clothes are seductive with the emphasis on simplicity and style …

Model is Ingrid Boulting.

Photographed by David Tack.

Scanned from 19 Magazine, July 1970.

Black patent shoes by Paradise. Artificial cherries from John Lewis.

Cosmo Girls: José Fonseca

1970s, alice pollock, cosmopolitan, Inspirational Images, José Fonseca, Michael Berkofsky, ossie clark, Penny Graham, quorum, sheridan barnett
José at play relaxing at the Meridiana restaurant Long wrap dress made in crepe de Chine by Sheridan Barnett for Quorum.

José Fonseca is the co-owner of Models One, a busy model agency with top names like Marisa Berenson and Lauren Hutton on the books.

“As a child, I loved fancy dress and I still like breaking the fashion rules. I go to the office in clothes that can take me to a party afterwards—I just don’t know how to wear casual clothes perhaps because I hate my bottom! I feel more like a woman in long skirts than in pants or jeans. Ever since Ossie Clark made his first mid-calf skirt I have been trailing along—Ossie-style. I wear a lot of black because it always makes me feel fantastic. I like the anonymity of black and the way you can use it as a foil for jewellery and scarves. I went mad on sequins last winter. I bought jackets, berets, even a gold sequin ‘Twenties theatrical outfit—I like to sparkle. I wear a lot of make-up as I feel I can hide behind it. My hair used to be straight but I wanted a change so I had it cut and curled and then permed. But I’m going to grow it out.”

This is a part of a larger feature with ‘real’ Cosmo women putting fashion to the test, but this is definitely my favourite one.

Fashion by Penny Graham.

Photographed by Mike Berkofsky.

Scanned from Cosmopolitan, March 1974.

José at work in a black crepe and satin top and long skirt by Alice Pollock. Ivory beads and silver belt were found in an antique market.

Satin Goes To Blazers

19 magazine, 1970s, Angela at London Town, Ann Reeves, biba, bus stop, Copper Coin, crowthers, hard rock cafe, Harri Peccinotti, Hope and Eleanor, Inspirational Images, jeff banks, lee bender, mr freedom, Ronnie Stirling, sheridan barnett, stirling cooper, Titfers, Vintage Editorials

gone to blazers 1

Purple satin blouse by Ann Reeves. Green satin jacket and matching green satin Oxford bags both by Sheridan Barnett for Copper Coin. Belt from Bus Stop. Rainbow brooch by Cash Graphics.

The original St Laurent satin blazer would cost you around £50, but otherwise they are available from about £10 and probably only you will know the difference. The best ones are from Bus Stop… very Joan Crawford, complete with ‘Forties’ shoulder pads. One thing’s for sure… you must have at least one in your wardrobe. They look particularly good worn over jeans and T-shirts, but if you want to look smart, wear them with matching trousers, a skirt, or over a printed dress.

Dreamy editorial which uses the brand spanking new Hard Rock Cafe on Park Lane in London as its backdrop.

Opened on 14th June 1971, by Isaac Tigrett and Peter Morton, its original decor was less memorabilia, more American-diner-transported-to-London. Sensing a gap in the market for musicians playing in London but unable to get a decent burger etc, within a decade they were expanding into the international chain it is now. The original is the only one I’ve ever visited, and it maintains a lot of its authentic charm – as long as you avoid the busy times. Oh how I wish I could time travel back to this era though.

This isn’t the first HRC-based photoshoot I have scanned, and I’m sure it won’t be the last. Its authentic-feeling interiors, much like Brighton’s seafront, seemed to lure photographers and models like moths to a flame.

Photographed by Harri Peccinotti.

Scanned from 19 Magazine, September 1971.

gone to blazers 2

Crepe shirt by Ronnie Stirling at Stirling Cooper. Jade green satin blazer with black check (has matching pleated skirt not shown) from Mr Freedom. Panda brooch from Susan Marsh, Chelsea Antique Market.

gone to blazers 3

Blue denim hat by Titfers. Yellow satin blouse by Jeff Banks. Green satin jacket with red buttons by Sheridan Barnett for Copper Coin. Elvis brooch by Cash Graphics. Parrot brooch from a selection at Hope and Eleanor.

gone to blazers 4

Long sleeved white satin blouse with bow at neck by Ann Reeves. Single breasted red and white striped blazer by Angela at London Town. Sunglasses from Biba. Hand brooch from Hope and Eleanor.

gone to blazers 5

Blue and red printed rayon crepe dress and blue satin blazer with red buttons, both by Lee Bender at Bus Stop.

gone to blazers 6

Black rayon shirt with floral print and tie belt. Black satin double breasted blazer with self buttons and padded shoulders, both by Lee Bender at Bus Stop. Aeroplane brooch from Cash Graphics.

gone to blazers 7

Red and white spotted cotton button through dress by Lee Bender for Bus Stop. Royal blue satin blazer from Crowthers.

gone to blazers 8

Red cotton hat from Titfers. Long sleeved white rayon blouse with sail boat print by Lee Bender at Bus Stop. Double breasted blue satin blazer with red buttons by Sheridan Barnett for Copper Coin. Sunglasses from Biba.