
Hit looks from Bill Gibb: fashion on the drawing-room stage starring net and ribbons and flowers.
Photographed by Barry Lategan.
Scanned from Vogue, March 15th 1977.


Hit looks from Bill Gibb: fashion on the drawing-room stage starring net and ribbons and flowers.
Photographed by Barry Lategan.
Scanned from Vogue, March 15th 1977.


Now you can be spot on by wearing corduroy. This material used to be an essential part of every girl’s wardrobe, but for years it’s been a plain Jane fabric and most unfashionable. This spring, however, cord has made a spectacular comeback, particularly in coordinates. Colours are sludgy, shapes are trim, and it’s a nice, casual fabric that wears well and is flattering. Buy a jacket, then choose skirts and trousers to match—and you’ll have a whole new wardrobe that can cope with the vagaries of the English spring.
Photographed by Roger Charity.
Scanned from 19 Magazine, February 1973.







Short, shiny waves, tight to the head and crowned in a slippery sequin beret add the ritzy touch to oyster satins and champagne silks—daring dresses, glamorous enough for anybody’s Rolls.
Brunette model is Therèse.
Photographed by Brian Downes.
Scanned from Honey, December 1971.




Because it’s Christmas. Give yourself time. Time for you and those you love. Time to remember a neglected relative with a telephone call, a lonely neighbour with a visit more meaningful than the automatic instant greeting card. Time too, to think of perfect strangers in other countries, struggling against hardships we can barely imagine. Could be this is the time when a donation to one of those organisations which try to help is truly the spirit of Christmas, A spontaneous flowing of compassion and care from the unknown to the unknown.
Photographed by Frank Horvat.
Scanned from Vanity Fair, December 1970.

Because it’s Christmas. You’re going to forget, for once all the dreary practicalities of life. You’ll have no connection with the girl in the bus queue, wet winter mornings, tiresome clients, ceaseless telephone battles, budgets & diets, mortages and shopping. You’re going to experience the womanly spelndour of long, sumptuous gowns, shaped from luxurious stuffs – rich brocades, painstaking tapestries, beautiful braids; the whole piled into pattern on pattern so that the woman we know we could become emerges from grubby little Cinderella with a nonchalant elegance – relaxed, seemingly pampered and so obviously desreving a custom-made Prince Charming.
And because it’s Vanity Fair, it’s quite a long and endearingly meandering editorial on a loose theme which I will divide into a few different parts. Today, the glorious work of Bill Gibb for Baccarat, photographed so exquisitely I want to live in these images.
Photographed by Frank Horvat.
Scanned from Vanity Fair, December 1970.

Be the star of the office party, look chic for cocktails or choose from the ‘Fifties, ‘Sixties and ‘Seventies to stun everyone around. We’ve picked lots of exciting clothes for you to wear at whatever Christmas festivities you are invited to. Go on — take our advice — make a dramatic entrance.
Hair by Carol at Molton Brown.
Photographed by Graham Hughes
Scanned from 19 Magazine, December 1975.



If you have never felt silk next to your skin, Berlei recreates that sensuous feel with a new range of bras called Light Touch. They are made in a luxurious material, Qiana. Silkier than silk, Light Touch gives you that ’30’s feeling; soft, saucy and sure. Price’s candles echo that mood beautifully, with their subtle, caressing light shimmering around you.
A stunner of an advertorial, sadly with no photographer credit, for Berlei bras with a stunning Seventies-does-Deco aesthetic. Which, in turn, signposts something rather more familiar from later Seventies into Eighties imagery. Whoever this photographer was, I think they were very ahead of the curve (if you’ll pardon the pun!).
Scanned from Vogue, October 1st 1973.

