Christmas Decoration

19 magazine, 1970s, barbara daly, David Anthony, Hair and make-up, Inspirational Images, leonard, Vivienne Lynn

Fantasy and theatre is the theme – lots of colour and glitter the focal points … Fantasy can run the whole gamut, but we like the feel of a ‘Thirties-type Hollywood pin-up pic, the soulful tragi-comic look of a clown or even a glamorous ‘Twenties flapper girl. Take your pick, and choose your own Christmas decorations.

An idea we captured from the realms of Erte, the artist and designer of the ‘Twenties – true theatrical fantasy, ideal for all your Christmas parties, a look which you can create yourself following our instructions.

Hair and the silver sequined skull cap with front forehead curl, was dressed by John at Leonard. To do this style yourself, use sequin strips (available on a card) and wrap them first round the head in a skull cap shape, making sure they sit flat, close an neatly. Leave a small strand of hair free and set it into a little curl. Then, take single hair strands, as we have done, and intertwine them with a sequin strip, like a plait.

Model is Vivienne Lynn.

Make-up by Barbara Daly.

Photographed by David Anthony.

Scanned from 19 Magazine, December 1971.

A Room to Linger In

1970s, cosmopolitan, Harry Hartman, interior design, interiors, thea porter, Tim Street-Porter
Dishy model Michel Julien playing it cool in David Evers’ masculine bathroom.

The bathroom as an erogenous zone.

No room is more intimate than your bathroom. There is nowhere better to relax and get in the mood … to succumb to the sheer sensuality of soaking in scented water, indulging fantasies and anticipating future pleasures.

Your bathroom should be a place to feel beautiful in. to lacquer your toenails or finish a novel, henna your hair, water your plants or even paint a picture. No reason why it shouldn’t be your bathroom-boudoir-dressing-room-studio all in one. Even better if there’s room for a bed .. .

The bathroom is where you imprint your personality. Dare to be exotic with jungle prints, orchids growing in glass tanks. Or keep it cool with ice-white decor, stark modern art, a Japanese Bonsai tree.

Whatever your style, remember the importance of warmth, the comforting feel of thick pile rugs and heated towels. There’s no greater turn-off than getting goose pimples in a chilly cheerless bathroom. We photographed three highly individual bathrooms designed with great flair, and each styled perfectly for their owner’s lives. But all with a single thought in common—comfort.

The lure of the East for international fashion designer, Thea Porter. She designed her Mayfair bathroom with a Moorish interior in mind . . . wide built-in seats with heavily embroidered cushions. a little arch cut into the wall to display treasured objects. Thea doubles her exciting room as a studio, hangs her paintings around the walls.

If you want to please a man, model your bathroom on the one good-looking London businessman David Evers owns, with handsome polished mahogany fitted units, ivory backed brushes and green plants. David says the atmosphere reminds him of a St James’ men’s club.

The third is a fiery red hideaway, a fantastic design by Richard Ohrbach for New Yorker Cynthia Peltz. There’s more than a touch of the womb about this room—very comfortable after a hard day at the office …

Text by Joan Prust-Walters.

Photographs by Tim Street Porter.

Scanned from Cosmopolitan, January 1974.

Our model Carole Augustine looks very relaxed in Thea Porter’s bathroom which is just like a Seraglio.
Cynthia PeIlls bathroom is a warm hideaway. (Photographed by Harry Hartman).

A Peek at the Boutique: Howie

1970s, Boutiques, british boutique movement, harpers and queen, Howie, Howie Diffusion, Mensday, menswear, Mrs Howie, Steve Campbell

‘Casual clothes for men.’ The phrase used to mean T-shirts and jeans. But since Paul Howie opened his shop at 352 Fulham Road, SW10, the phrase has taken on a new meaning: ‘soft, comfy, easy-to-wear looks; clothes that you can just put on and look good in without trying’. That says it all. Nearly all the clothes are exclusive to Howie, but Paul (in the picture) wears a light brown tie-belted raincoat by Deardon & Fay; £68.

Photographed by Steve Campbell.

Scanned from Harpers and Queen, November 1974.

Brighten Up

19 magazine, 1970s, anello and davide, Anne Cossins, Dolcis, Feathers, Fenwick, Inspirational Images, John Stember, just looking, mr freedom, Pourelle, Rosie Nice, sally levison, stirling cooper, Vintage Editorials
Red hat in soft felt, from Feathers, 40s. Short crossover woollen top with navy trim has short sleeves, by Anne Cossins for Mr. Freedom, 6gns. Plain black jersey midi skirt, by Stirling Cooper, 90s. Blue and red choker, from Fenwicks, 10s.

Beautiful and gay knits are 19’s answer for post-summer blues; dazzling bright and eye-catching in an array of primary colours. The styles are the simplest possible—tiny tops with cross-over fronts and, for those who prefer the classic, pullovers in cleverly co-ordinated stripes. This style of knitwear is best worn with toning jersey skirts, preferably in a midi length, and trousers. To complete the kaleidoscope look, add brightly coloured shoes, stockings, a scarf or a choker.

Photographed by John Stember.

Scanned from 19 Magazine, October 1970.

Black crochet hat, by Sally Levison Originals, 65s. Short crossover pullover in bright colours has short black sleeves trimmed with red, by Anne Cossins for Mr. Freedom, 6gns. Black jersey skirt fastened up the side with metal buttons, by Stirling Cooper, £6. Black crochet choker, from Fenwicks, 15s.
Multi-coloured striped woollen pullover has long sleeves, 75s. Bright red jersey skirt, 90s. Both by Stirling Cooper. Black tights, by Mary Quant, 15s. Red leather bar shoes, by Anello and Davide, 58s.6d. Black woollen long-line pullover has red, blue and yellow stripes round the waist and elbow, 70s. Yellow jersey skirt, 90s. Both by Stirling Cooper. Bright red tights, by Mary Quant, 15s. Lime green bar shoes, by Anello and Davide, 58s.6d.
Bright blue and yellow vest-style woollen pullover has long sleeves and fastens with tiny buttons at neck, 70s. Bright red pants, 89s.6d. Both by Stirling Cooper. Buttercup yellow pullover with red trim has square neckline and short sleeves, 60s. Bright red jersey pants, £4 19s.6d. Both by Stirling Cooper.
Black, red and yellow short-sleeved pullover has a polo neckline, 75s. Black jersey, button-through skirt, £6. Both by Stirling Cooper. Red and blue woollen pullover has long sleeves which are trimmed with buttons, 75s. Plain black jersey midi skirt, 90s. Both by Stirling Cooper. Long blue silk scarf printed over with flowers, from a selection at Rosie Nice in Kensington Market.
Striped woollen pullover, by Anne Cossins for Mr. Freedom, 6gns. Vivid green skirt jersey, by Stirling Cooper, 90s. Tights, by Mary Quant, 18s.11d. Shoes, by Anello and Davide, 58s.6d.
Fine knit polo-neck pullover with long sleeves worn with matching knit trousers in tones of beige, with red and yellow stripes, by Pourelle, 14gns
Woollen long-sleeved pullover has stripes in yellow, green, blue, red and purple, by Anne Cossins for Mr. Freedom, 6gns. Navy blue jersey knickerbockers, from Just Looking, 5gns.
Light and dark grey pull-on woollen knit hat. Light grey pullover has polo neck and long sleeves. Sleeve-less pullover worn on top is in two-tone grey and has a rounded neckline. Matching midi skirt. 28gns. the set. All by Pourelle. Black leather boots with hooks and laces, by Dolcis, £10 19s. Black crochet hat, by Sally Levison Originals, 65s. Purple and lilac finely knit woollen pullover has matching midi skirt, by Pourelle, £18. Black tights, by Elbeo, 12s.11d.
Striped hat. ochre-coloured finely ribbed pullover and matching midi skirt with diagonal stripes in plum, purple, orange and ochre, 17gns. the set. All by Pourelle. Black leather boots with hooks and laces, by Dolcis, £10 19s.

Shaping Up

1970s, antony price, che guevara, gala, Inspirational Images, Karl Stoecker, manolo blahnik, sunday times magazine, Valerie Wade, Vintage Editorials, zapata
Main image: Crepe-de-chine two-piece, £20. Shoes by Zapata, 49 Old Church St, London SW3

One thing that designer Antony Price really understands is pattern cutting : “I can think of a shape and create an optical illusion — people’s figures don’t change, clothes make figures.” Price, who designed all these clothes, wants women now to start looking artificially female, but “in a sumptuous way — this time it’s bosoms, hips and tiny waists”. He admits to being influenced by the Fifties and his ex-showgirl sister who lives in Miami and looks like his idol Jayne Mansfield. “The Fifties were less extreme, taste was incorporated into everything.” He wants shoes tall and dangerous like his own cowboy boots, but insists that his clothes (available direct or mail order from Che Guevara, 23 Kensington High St, W8) are comfortable. “What’s more comfortable than swimming costume tops?”

So, so good. Model, designer and photographer are the most perfect combination. It even has Manolo Blahnik shoes for good measure.

Model is Gala Mitchell.

Story by Valerie Wade.

Photographed by Karl Stoecker

Scanned from The Sunday Times Magazine, February 13th 1972.

Shiny one-piece outfit, £18. Shoes, Zapata.
Flocked nylon cocktail dress, £20.
Cotton suit that owes its shape totally to the cut, £18.
Batman Cire dress/cape, £20. Six inch boots, £25.
Deep V-necked ruched nylon dress, £12.99. 5-inch silver shoes, £18.

Veiled lady, Garbo-style

1970s, barbara hulanicki, Barbara Hulanicki, barry lategan, biba, Inspirational Images, Make-up, pablo and delia, Vogue
A boa of black and white feathers, made especially for Vogue by Pablo & Delia, with make-up by Biba.

Photographed by Barry Lategan.

Scanned from Vogue, December 1970.

What a Rip Off

1970s, lothar schmid, Vogue, zandra rhodes

If you haven’t a rag to your name, there is now Zandra Rhodes’ jersey, ripped, slashed and blue’stitched into her personal view of punk. She calls it “conceptual chic”. In style she thinks it is the first time the seventies have shown themselves. It is no holds barred style.

Mean streak of black jersey, this page, and another, opposite T-shirt shape under ragged tunic. All with blue cotton stitching, chains, ball bearings, safety pins, random diamante. All from Zandra Rhodes ; The Zandra Rhodes Shop at Harrods. Jersey by Racine. Very high heel gold sandals, Manolo Blahnik for Zapata. Hair by Fabian at Jean Louis David.

Photographed by Lothar Schmid.

Scanned from Vogue, September 1977.

Knitwear’s Never Had it So Good

1970s, alice pollock, Annie Cossins, Crochetta, erica budd, Honey Magazine, Inspirational Images, John Craig, Kensington Super Store, knitwear, mary quant, Mike Magic, mr freedom, Syndica, Tony Moussoulides, Vintage Editorials
Emerald green pullover in pure wool, with multicoloured flying parrot, John and Molly Dove for Jasper, £8.40.

The knitwear industry has at long last pulled its needles out and has amazed us all with the most brilliant, zappy knits ever. One-colour sweaters have gone back where they came from—now you need at least three colours, and the brightest, most startling design you can find. Take your pick from oozing cream buns, bold geometric stripes and pyramids and all kinds of technicolour patterns—why leave parrots to the pet shops?

Photographed by Tony Moussoulides.

Scanned from Honey, August 1971.

Stripey rainbow knitted pure wool pullover, Annie Cossins, £5.95. Mr Freedom, Kensington Church Street, W8.
Mulberry and cinnamon Acrylic sweetheart sweater Janine at Harold Ingram, £2.25
Clockwise from top left: Brilliant block printed Acrylic mini sweater, Erica Budd, £3.90. / Hot orange wool boucle sweater with a cream cake motif, Crochetta, £8. / Scarlet heart patterned wool sweater, Annie Cossins, £5.95. Mike Magic, Kensington Super Store, W8 / Quartered Orlon jockey sweater, Erica Budd, £3.50. / Pyramid printed Acrylic sweater, John Craig, £4. / Zig-zag patterned Acrylic pullover, McCaul, £5. / Clingy bright blue wool boucle sweater with road sign motif, Crochetta, £8. / Lightning Superman printed Acrilan sweater, Syndica, £4.
Lazy daisy embroidered wool sweater in pink, navy and yellow. Mary Quant. £6.
Pure white wool sweater with scar:et and navy flower embroidered sleeves Alice Pollock, £7.
Pooh Bear mini Acrilan sweater in bottle green and canary yellow, Mary Quant, £3.

Lovely things in Leather

1970s, anello and davide, Barney Bosshart, Diego, Frances Stuart, Harpers Bazaar, Inspirational Images, pablo and delia

A new model — and her way of wearing knickerbockers : Frances Stuart, above, is a cousin of Sally Chrichton-Stuart, wife of the Aga Khan, though it is a bit mean to say so as she would rather her name were not connected with her family: she wants to make her own way as a model. She is 17, and although she has only been at it for 6 months has already been chosen as a model for Mary Quant’s latest collection — a perceptive choice if she looked as good as a Ginger Grouper as she does here in her currently favourite outfit: panne velvet skinny puff-sleeved jacket, low-necked to show off her choker, and knickerbockers teamed with shoes laced up above the ankle — a decorative alternative with chopped-off trousers to the ubiquitous boot. Red and mustard suede choker, centred with a bead, and the red and blue butterfly choker on her arm, are by Pablo and Delia. Suit, Diego, 12gns at Topaz, W1; Latters, Glasgow. Red shoes, £3 15s from Anello & Davide; Berkshire’s yellow tights. Hair Aaron at Sissors.

Lovely things in leather: Pablo and Delia, originally painters from Buenos Aires, only came to London from New York 6 months ago, but in that short space of time have made their name as the creators of fabulous scenic belts, chokers, wrist-bands, bags, and other leather accessories including berets — see the beautifully stitched and painted beret shown below, again worn, with another of their leather chokers, by Frances Stuart. Their leather works of art are at Browns, Thea Porter (for whom they make special items), Feathers, and The Shop in Sloane Street. In the future they are hoping to branch out and make other things, including dresses, staying on in London rather than returning to New York because they like it better: ‘it’s more human-sized’.

(Taken from Harpers Bazaar’s regular ‘Shopping Bazaar’ feature.)

Photographed by Barney Bosshart.

Scanned from Harpers Bazaar, September 1970.

Nifty Fifties

19 magazine, 1970s, antony price, che guevara, Emmerton and Lambert, Gamages, Inspirational Images, Mick Milligan, mr freedom, Phyllis Collins, Roger Charity, stirling cooper, Titfers, universal witness, Vintage Editorials
Yellow crepe blouse by Antony Price at Che Guevara, £5. Sky blue floral patterned skirt with plain blue panels, from Universal Witness, £6. Black bead necklace from a selection at Emmerton and Lambert. Sunglasses are the model’s own.

Rock around the tops that look as though they’ve come straight from the era of the hand-jive and Radio Luxembourg. That’s because our bright young designers have revived such golden oldies as the off-the-shoulder sweater and the shirtwaister blouse. So just add dirndl skirts, popper bead bracelets, swing out in hoop earrings, and we’ll see you later, alligator…

I am sorry to say that I don’t know the name of the model in this spectacular editorial, but I’m pretty sure that she’s the same model as in the video for Stuck in the Middle With You by Stealer’s Wheel. She of the gratuitous eclair-eating – and the most incredible platform shoes I’ve ever seen. It’s safe to say that I was captivated by her look in that video when I was a teenager (with an unhealthy fixation on watching VH1 rather than MTV). So if anyone knows her name, do let me know!

Edited to add, thank you to those who identified her as Jenny Gaylor, I’m eternally grateful.

Photographed by Roger Charity.

Scanned from 19 Magazine, October 1971.

Off-the-shoulder red and white striped woollen sweater, £4.50. Red crepe pencil skirt fastens down the back with large white buttons, £6. Both by Phyllis Collins at Stirling Cooper. White vanity case by Antler, £7.25. Cotton scarves, from Gamages, 35p each.
Black and white striped voile shirt with batwing sleeves and pintucks at the waist, by Antony Price at Che Guevara, £5. Violet satin skirt, from Universal Witness, £7.50. Black and white spotted cotton hankie, from Herbert Johnson, 40p. Button brooch, designed for Zandra Rhodes by Mick Mulligan.
Emerald green and white striped woolen sweater with ties at shoulders, £4.50. Matching satin jersey pencil skirt with buttons down the back, £6. Both by Phyllis Collins at Stirling Cooper. Hoop earrings by Adrien Mann, £1.50. Necklace by Funny Bijou at Titfers, £1.50. Silver bow ring by Mick Milligan at Mr Freedom.