Black felt cloche hat from a selection at Herbert Johnson. Black Courtelle blazer, long and lean with slightly padded shoulders, low wide lapels and plain white buttons, by Tony Berkeley, 10gns. Oxford bag-style Courtelle trousers with turn-ups, in black, rust and creamy beige, by Tony Berkeley, 6gns. Conker brown leather brogues, by Sacha, £7 19s.6d. Tapestry bag, from Biba, £5 10s. Snake-print luggage also from a selection at Biba.
Autumn clothes are now beginning to filter into the shops, and we must admit that this year’s crop is better than ever. The best of last season’s shapes remain with us—long, lean, fitted coats and jackets, midi length skirts and Oxford bags with turn-ups. The new lines are more startling, and heavily influenced by the ‘Forties. Shoulders are squared off, coats have Joan Crawford swagger backs or are shaped in at the waist with a single-button fastening. All hems cover the knee, and to be seen in a mini is almost sacrilegious now. Gaucho pants and knickerbockers are the new look for legs, and blouses with soft revers and yokes are back in vogue, worn with soft collars outside. Colours are black, brown, rust and cream, or a mixture of the four in plaids and jacquards. Shoes are becoming much finer with the exception of brogues and shoes with ankle straps. Large, soft leather shoulder bags are the perfect shape to complete the picture.
Photographed by Michael Berkofsky.
Scanned from 19 Magazine, August 1970.
Black felt cloche hat from a selection at Herbert Johnson. Courtelle swagger coat in black, rust and creamy beige, has a deep inverted pleat in the back, is fastened with plain white buttons, from Tony Berkeley, 13g ns. Brown leather brogues, by Sacha, £7 19s.6d. Black tights from a selection at Fenwicks. Bag, by Avril Gordon, £10. Tapestry bag, by Biba, £5 10s. Luggage, from Biba, 6gns. to £6 10s.
Soft felt khaki-coloured hat, by Herbert Johnson, 7gns. Black wool dress embroidered at waist and cuffs, by Mary Quant’s Ginger Group, £14 9s. Black lace-up shoes, from Anello and Davide, 75s. Tights from a selection at Fenwicks. Brown bag, by Avril Gordon, £8. Brown felt hat, by J.C.Brosseau from Feathers, 84s. Black wool dress with a split skirt is trimmed with heart-shaped buttons, by Mary Quant’s Ginger Group, £14 2s. Black suede belt with brown clasp, by The Wild Mustang Co., 65s. Beads, from Biba, 63s.
Brown felt hat trimmed with leather thongs, by J.C.Brosseau from Feathers, 84s. Cream crêpe blouse, by Tony Berkeley, 5gns. Brown jersey knicker-bocker suit with the jacket cut like a shirt, and matching tie belt, from Frocks By Post, £6 19s.6d. Brown suede brogues, by Mary Quant, £4 19s.11d. Brown sheer tights from a selection at Fenwicks. Beige felt hat, by J.C.Brosseau from Feathers, 84s. Black crêpe blouse, by Tony Berkeley, 5gns. Midi-length beige cardigan coat narrow cut with a top stitched yoke and matching trousers, from Frocks By Post, £9 19s.6d. Brogues by Sacha, 8gns.
Beige felt hat with a leather thong trim, by J.C.Brosseau from Feathers, 84s. Black wool long-sleeved dress is button-through at back and has a matching belt, by Mary Quant’s Ginger Group, £14 9s. Black leather shoes, by Anello and Davide, 75s. Black sheer tights from a selection at Fenwicks. Brown suede and patent leather shoulder bag, by Avril Gordon, £10. Black felt cloche hat from a selection at Herbert Johnson. Black crêpe long-sleeved blouse, 5gns. Slim-fitting Courtelle jacket in black, rust and creamy beige with patch pockets, 71/2 gns. Black Courtelle Gaucho trousers with turn-ups, 90s. All by Tony Berkeley. Grey patent lace-up shoes, by Mary Quant, £4 19s.11d. Black tights from a selection at Fenwicks.
Beige felt cloche hat from a selection at Herbert Johnson. Creamy crêpe blouse, by Tony Berkeley, 5gns. Long lean acrylic and wool jacket in grey and black, £7 15s., matching skirt, 85s. Both by Alistair Cowin for Grade One. Brown suede brogues, by Mary Quant, £4 19s.11d. Bag, from Biba, £5 19s.6d. Black crêpe blouse, by Tony Berkeley, 5gns. Acrylic and wool pinafore dress in grey and black, by Alistair Cowin for Grade One, £6 10s. Black shoes, by Mary Quant, £4 19s.11d. Tights from a selection at Fenwicks. Patent leather shoulder bag by Avril Gordon, £8. Luggage from a selection at Biba.
Beige crochet hat, from Fenwicks, 25s. Black crêpe blouse, 5gns. Courtelle pinafore dress in black, rust and creamy beige, £6 105. Slim-fitting black Courtelle coat has wide lapels and fastens with one white button at the waist, 13gns. All by Tony Berkeley. Black T-bar leather shoes, by Mary Quant, £4 19s.11d. Black sheer tights from a selection at Fenwicks. Long brown chiffon scarf, 10s. Brown tortoiseshell clip, 4s.6d. Both from Fenwicks.
Brown felt hat, by J.C. Brosseau from Feathers, 84s. Cream crêpe dress is gather-ed from a wide yoke and has a belt in suede, by Mary Quant’s Ginger Group, £13 15s. Brown suede brogues with fringed tongue, by Mary Quant, £4 19s.11d. Brown sheer tights from a selection at Fenwicks. Patent leather bag, by Avril Gordon, 8gns. Snakeprint suitcase, from Biba, £6 10s.
Felt hat. by Jean-Charles Brosseau from Feathers, £5.75 (£5 15s.). Crêpe shirt. by Jeff Banks. £6.30 (6gns.). Natural calico blazer has yellow braid edging and matching shorts, by Wallis, £7.95 (£7 19s.). Tights, by Mary Quant, 75p. (15s.). Artificial flowers from a selection at John Lewis. Photographed at the Purple Shop, Antiquarius, 153 Kings Road, London, S.W.3.
Yves St. Laurent’s ‘Blast From The Past’ award is taken by the blazer. Fashioned a la Dietrich, casual but smart, it looks especially good with shorts, hot-coloured tights and long knee-socks, or pleated skirts. The best choice is plain white, black or red; or hot checks and stripes.
A superb editorial, giving us an insight into the short-lived but legendary Hollywood Clothes Shop and The Purple Shop in Antiquarius (which I feel like I’m regularly crediting in other posts on here) and also designer David Mellor’s shop. It also has the unusual element of every price being given in new and old money – with decimalisation having been introduced in February of the same year. I’m surprised I don’t see this a lot more in editorials from 1971.
Modelled by Sue Baloo
Styled by Norma Moriceau.
Photographed by Michael Berkofsky.
Scanned from 19 Magazine, May 1971.
Denim hat, by Jean-Charles Brosseau from Feathers, £6. Cotton shirt in browns and blues, by Jasper, £4.48 (89s.7d.). ‘Forties’ rayon hopsack blazer, double-breasted with Square padded shoulders and two large pockets, matching shorts with turn-ups (sold as a three-piece with trousers), by Shubette, £13.95 (£13 19s.). Green tights, by Mary Quant, 75p. (15s.). White Orlon socks, by Sunarama, 59p. (11s.10d.). Blue mules with white thonging, by Ravel, £3.75 (75s.). Pretend watch-brooch from Universal Witness, 50p. (10s.). Photographed outside Green’s of Chelsea, fruiterer and florist.
Brown felt hat, by Jean-Charles Brosseau from Feathers, £5.75 (£5 15s.). Canary yellow cotton jersey shirt, £3.20 (64s.). Multi-coloured random striped cotton jersey vest, £1.38 (27s.7d.). Both by Erica Budd. Wine jersey blazer edged in turquoise, with turquoise shorts, by Clobber, £10. Blue over-the-knee socks, from Fenwicks, 50p. (10s.). Doggie brooch, from Universal Witness, 50p. (10s.). Ribbon on hat, from a selection at John Lewis. Photographed at the Hollywood Clothes Shop.
Felt hat by Feathers, £5.75 (£5 15s) Red jersey shirt with elasticised waist, £5.95 (£5 19s). Navy knitted cotton vest with red trim, £1.75 (35s). Madras cotton blazer, £9.50 (£9 10s). Shorts, £4.45 (£4 9s). All by Lee Bender for Bus Stop. Tights by Mary Quant, 75p (15s). Peep-toes by Ravel, £5.99 (£5 19s 10d).
Straw hat, from Biba, £1.25 (25s.). Spotted cotton voile shirt in red, yellow, blue and green, by Simon Ellis, £4.25 (85s.). Single-breasted blazer and shorts suit in black givreine, from Biba, £9.75 (£9 15s.). Sheer black tights, from Biba, 54 ½p. (10s.11d.). Crêpe scarf, from Biba, £2. Artificial flowers, from Biba, £1.05 (1gn.). Photographed at David Mellor, Ironmonger, London, S.W.1.
Brown felt hat, from Feathers, £5.75 (£5 15s.). Cotton oatmeal shirt, by Jasper, £3.98 (79s.7d.). Checked waistcoat in shades of tan with rust stripes, £5.25 (5gns.). Shorts, £5.25 (5gns.). Matching single-breasted tan blazer in washable Telenka with flap patch-pockets and belt, £10. All by Gladrags. Brown tights, by Mary Quant, 75p. (15s.). Long rust socks, from Feathers, £1.50 (30s.). Suede wedge shoes, by Ravel, £4.50 (90s.). Bright green satchel, by Baggage and General Holding Co. Ltd., £1.50 (30s.).
Denim hat, by Jean-Charles Brosseau from Feathers, £6. Spotted blouse, from a selec-tion at Van Der Fransen. Single-breasted rayon blazer suit by Elgee, jacket in blue and beige checks on white has padded shoulders and flap pockets, and comes with either plain white or matching shorts, 2_15.75 (15anq Navy tights, by Mary Quant, 75p. (15s.). White Orlon over-the-knee socks, by Sunarama, 59p. (11s.10d.). Navy mules, from Ravel, £3.75 (75s.). Pretend watch-brooch from Universal Witness, 50p. (10s.). Photographed at Parsons, Fulham Road, London, S.W.10.
Navy denim hat, by Jean-Charles Brosseau from Feathers, £5.75 (£5 15s.). Red cotton jersey shirt, £5.95 (£5 19s.). Red, navy and white jersey vest with side button fastening, £2.50 (50s.). White bonded jersey blazer, £7. Navy jersey shorts, £3.75 (75s.). All by Lee Bender for Bus Stop. Navy socks, from Fenwicks, 50p. (10s.). White sandals with cork soles from Ravel, £4.50 (90s.).
Red spotty blouse in burnt out crepe, worn over black, red and white printed Dycella skirt by Ian Batten at Sportaville. Red tights by Lovely Lady. Scarf by Jasper. Black leather t-bar shoes from Sacha. Bag and bangles from a selection at Jolly and Marsh. Sweetheart brooch from Universal Witness. / Red cloche hat by Titfers. Dress in three different prints by Van der Fransen. Tights by Mary Quant. Shoes by Sacha. Red gloves from Van der Fransen. Necklace and bangles from Jolly and Marsh, Kensington Market. / Little pink bows on a white moss crepe dress by Florrie Carr. Artificial flowers in hair are by Fogg and Wakefield.
The main attraction of this summer’s printed dress is their little-girl, Sunday-best quality. The star fabric is floral crepe-de-Chine, now beautifully revived, featuring softly shaped skirts, Peter Pan collars and puff sleeves.
Another flawless example of early Seventies nostalgia for the Thirties and Forties, which might seem frivolous or twee if it wasn’t in the talented hands of Mr Peccinotti.
Photographed by Harri Peccinotti.
Scanned from 19 Magazine, March 1971.
Multi coloured rayon crepe dress from a nearly new selection at Van der Fransen. Blue suede shoes by Mary Quant. / Calf-length crepe de Chine dress by Marielle. Black leather high heeled shoes from The Hollywood Clothes Shop. / Yellow sisal hat by Jean-Charles Brosseau. Crepe de Chine dress by Mary Quant. Lilac suede shoes by Mary Quant.
Brown cotton voile dress and tights by Mary Quant. White strappy sandals by Ravel. / Brown rayon jersey dress by Ian Batten at Sportaville. Beige suede slingbacks by Mary Qant. Scarf from a selection at Rosie Nice, Kensington Market. / Navy felt hat from Herbert Johnson. Navy spotted rayon crepe dress from Van der Fransen. Brown suede shoes by Sacha. / Lilac cloche by Edward Mann. Rayon georgette blouse and purple velvet skirt both from Crowthers. Mauve patent sandals from Ravel.
Brown printed georgette suit from Bus Stop. Green leather wedge heeled shoes from The Hollywood Clothes Shop. / Burgundy felt hat from Herbert Johnson. Black georgette suit from Bus Stop. Black three bar shoes by Sacha. / Green straw hat from a selection at Van der Fransen. Rayon georgette dress by Mary Quant. Green leather shoes from The Hollywood Clothes Shop. / Yellow hat by Jean-Charles Brosseau. Red, white and bloue dress by Ian Batten at Sportaville. Patent wedge sandals by Ravel.
Pale mustard puff sleeved dress by Biba. Brown patent two-strap shoes by Sacha. Scarf by Jasper. / Cream sisal hat by Bermona. Black tea dance dress with delicate white flowery print by Biba. White leather sandals by Ravel. / Navy felt hat from Herbert Johnson. Navy cotton dress by Harriet. Black shoes from The Hollywood Clothes Shop.
Long creamy cotton dress by Foale and Tuffin. Blue cotton paisley blouse and skirt by Foale and Tuffin. Embroidered woollen belt around head by Rosie Nice in Kensington Market.
Sunny Spain conjured up visions of hot summer days in picturesque surroundings, ideal settings for 19’s summer fashions. And we had a fantastic oppotunity when 4S Travel arranged a trip to Malaga and Torremolinos. We flew BUA Super Jet to stay at the Hotel Al Andalus, within easy reach of the mountains overlooking the Costa del Sol. Here we discovered quaint villages, sun-drenched and white-washed, their customs and dress crystallised in the past. No cars to be seen, only mules and donkeys. Our clothes echoed the feel of these places – colours stark black and white, brightened with touches of gayer hues, clean hot printed cottons, soft peasant blouses, sandals, light fishnet shawls, casual sun hats. The garments are easy to take care of, and enhance a tan – midi skirts that button to above the knee and give alluring glimpses of brown thigh, and large brightly printed squares of fabric which can be used as shawls, or skirts tied at the side.
Making me yearn for a proper holiday. The closest I’ll get is looking at this editorial whilst sitting on the balcony, trying to avoid all humans for the time being. I hope it brightens your day as well…
Blonde model is Willy van Rooy.
Photographed by John Bishop.
Scanned from 19 Magazine, July 1970.
Black velour towelling dress by Lee Bender for Bus Stop. Shawl by J. C. Brosseau from Feathers. Green and red snakeskin shoes by Terry de Havilland from Jolly Boy in Kensington Market. Belt bought locally.
Black and white cototn printed skirt and top by Tony Berkeley. Shawl from J. C. Brosseau. Shoes by Sacha.
White cotton skirt, blouse and bolero all by Annie for Rosie Nice in Kensington Market. Bright red and green dress by Foale and Tuffin. Black fishnet shawls by J. C. Brosseau from Feathers.
White towelling hat by Bermona. Dress by Sujon. Shoes from Ravel.
Dress by Tony Berkeley. White patent shoes by Sacha.
Dusty pink skirt and blouse by Ian Batten. Brown felt hat by J. C. Brosseau from Feathers.
Both outfits by Tony Berkeley. Both pairs of shoes by Ravel.
Dress by Foale and Tuffin. Snakeskin shoes by Terry de Havilland at Jolly Boy. Belt bought locally.
White midi skirt by Lee Bender for Bus Stop. Red and white silk rayon blouse by Annie for Rosie Nice. Mock snakeskin shoes by Dolcis.
Tawny shades of hazel and honey: Brown cloche hat, veiling, long brown and white cotton dress all from Biba. Shell ring from Hope and Eleanor. / Long brown and white cotton voile dress from Biba. Large brown crochet shawl by Catherine Buckley. Heart shaped ring from Hope and Eleanor.
Spring has taken on a romantic air – with light dresses, billowing skirts and full sleeves. The fabric for day is cotton, especially voile. For evening, crepe is a great favourite. The lines are seductive – wear low v-necks, hats with lots of veiling and an antique brooch. Find an old shawl or crochet your own. If you’ve time to hunt you needn’t spend much money.
Some of my favourite designers, my favourite looks, one of my favourite photographers and two of my favourite models: Charlotte Martin and Mouche. Perfection.
Photographed by Harri Peccinotti.
Scanned from 19 Magazine, April 1970.
Old Fashioned Prints in Pink and White: All clothes from Biba. Ivory brooch from The Purple Shop.
Caviar and Champagne dresses: Hats from J. C. Brosseau from Feathers. Veiling from Biba. Dresses by Tony Berkeley. Beige shoes found by our model in a junk shop.
Melange of navy, white and pink: Crochet hat from J. C. Brosseau. Short navy crepe dress from Tony Berkeley. Shoes from Ravel. Brooch and ring from The Purple Shop.
Art deco revived: Silvery lace hat from Feathers. Dress and coat by Lee Bender for Bus Stop. Black patent shoes from Ravel. / Beige lace pull on hat from Biba. Dress by Lee Bender for Bus Stop. Red leather shoes by Anello and Davide. Beads from Hope and Eleanor. Brooch from The Purple Shop.
Interludes of brown and white crepe: Hat from Biba. Dress by Tony Berkeley. / Hat from Feathers. Dress by Tony Berkeley. Both shoes by Ravel.
Burgundy wool suit from Bus Stop. Leather gloves from Biba. Leather and suede boots by Anello and Davide. / Burgundy wool trousersuit and hat from Biba. Boots by Anello and Davide.
Romantic white afternoon dresses: Dresses by Louis Caring. Hats from Biba and J. C Brosseau. Scarf from Emmerton and Lambert.
Nuances of delicate navy and white: Hat by J. C. Brosseau. Dress by Tony Berkeley.
One of a selection of hats designed by Andreas George that are decorated with anything from fake flowers, ribbons, plastic fruit to tiny furry animals. £7 from Alkasura, 304 King’s Road, SW3
Suddenly this summer the shops are selling masses of hats that before would have only been dug up for garden parties, weddings, sports days or camping it up. For years magazines and designers have shown their clothes with hats, but they don’t usually turn up in the street. Fashion editors often feature ‘picture hats’ like those on the previous page posed in some romantic setting or framing an immaculate new make-up, but one never actually sees them on a number 19 bus. Now hats have gone the way of all clothes; there are no rules; you can wear anything with anything. Any hat, whether it’s wide-brimmed and floppy with half a haberdashery department stuck over it, or a small crocheted cloche pinned with a bunch of plastic fruit, i fine with either nostalgic Forties’ dresses or a dirty old pair of jeans. And you can still wear it to a wedding if you want to.
Modelled by Jean Shrimpton.
Photographed by Hans Feurer.
Scanned from The Sunday Times Magazine, June 20th 1971.
Smooth straw hat with fake anemones, by Bermona, £2.85 from Dickins and Jones.Cotton cloche pinned back with a bunch of cherries if you like, £4.50 from Quorum. Check and spot crepe shirt £4.20 from Mr Freedom, 20 Kensington Church Street. White cotton shorts by Ritva £7.88 from Countdown, 137 King’s Road.Pink felt hat with bright harlequin pattern under the brim by Jean Charles Brosseau, £7 from Feathers, 43 Kensington High Street.Plain wide-brimmed panama hat, £2.85 from Liberty’s.
19 visualises a Summer Vamp, and make-up is geared for a seductive summer. Shades of Dietrich abound – lips are invitingly red, eyes are lowered and stained with yellows, greens, plums and browns… Our model’s hair was dressed by Jason at Jingles. For a romantic effect we covered it with a black fishnet shawl by J.C.Brosseau from Feathers.
The stunning model is Willy van Rooy, who also happens to be the model that my mannequin is based on. For more background on this connection pleaseclick here. Willy is also a very talented designer, so do check out her website http://willyvanrooy.com/ or follow her on Instagram.
Photographed by John Bishop.
Scanned by Miss Peelpants from 19 Magazine, August 1970.
Pink straw hat by Jean Charles Brosseau. Cotton satin jacket with floral design and spotted cotton pants both by Lizzie Carr for Plain Clothes. Shoes from Anello and Davide.
Photographed by Franz Gruber. Scanned by Miss Peelpants from 19 Magazine, May 1972
Black cotton voile shirt by David Silverman. Black and white cotton culottes by Angela at London Town. Blue leather peep-toe shoes trimmed in white by Bata.
Pink straw panama hat by Jean Charles Brosseau. Cotton smock and cotton trousers by Lizzie Carr for Plain Clothes. Shoes by Anello and Davide.
Liz Eggleston 