Inspirational Editorials: Fashion Spectacular

1970s, british boutique movement, bus stop, crowthers, Inspirational Images, John Craig, lee bender, Mirabelle, radley, Tim Marlborough
Left: Satin wrap top. Voile shirt worn underneath. Crepe trousers. Right: Cotton top. Satin trousers. All from Crowthers.

Left: Satin wrap top. Voile shirt worn underneath. Crepe trousers. Right: Cotton top. Satin trousers. All from Crowthers.

Haircuts aside, this editorial is all the things I love. Plus it’s kind of goofy, in a Mirabelle Magazine kind of way, which I find charmingly refreshing in amongst high serious Vogue and Nova photoshoots…

Photographed by Tim Marlborough.

Scanned by Miss Peelpants from Mirabelle, November 1970

Left: Velvet gaucho pinafore from Bus Stop. Jumper by John Craig. Right: Velvet pinafore. White cotton blouse. Both by Bus Stop.

Left: Velvet gaucho pinafore from Bus Stop. Jumper by John Craig. Right: Velvet pinafore. White cotton blouse. Both by Bus Stop.

Left: Crepe dress by Radley. Suede choker with snakeskin applique from Bus Stop. Right: Crepe dress from Crowthers.

Left: Crepe dress by Radley. Suede choker with snakeskin applique from Bus Stop. Right: Crepe dress from Crowthers.

Inspirational Editorials: Weekend Leave

19 magazine, 1970s, Badges and Equipment, Danielle Claire, edward mann, kangol, Lionel Fisher, Mary Graeme, ossie clark, pat cleveland, pelito galvez, Pelito Galvez, quorum, radley, Russell & Bromley, Sacha, sheridan barnett, strawberry studio
She: Felt hat by Edward Mann. Pink sweater and matching cardigan by Ossie Clark for Radley. Skirt by Danielle Claire. Scarf from Essenses. He: Army sweater from Laurence Corner. Cord jodhpurs from Badges and Equipment.

She: Felt hat by Edward Mann. Pink sweater and matching cardigan by Ossie Clark for Radley. Skirt by Danielle Claire. Scarf from Essenses. He: Army sweater from Laurence Corner. Cord jodhpurs from Badges and Equipment.

Featuring the beautiful Pat Cleveland…

Photographed by Pelito Galvez.

Scanned by Miss Peelpants from 19 Magazine, September 1975

She: Red beret by Kangol. White blouse with red velvet ribbon tie by Sheridan Barnett at Quorum. Grey fleck suit by Strawberry Studio. Snakeskin strappy shoes by Sacha. Scarf from Essenses. He: Army jacket and trousers from Laurence Corner. Boots from Badges and Equipment.

She: Red beret by Kangol. White blouse with red velvet ribbon tie by Sheridan Barnett at Quorum. Grey fleck suit by Strawberry Studio. Snakeskin strappy shoes by Sacha. Scarf from Essenses. He: Army jacket and trousers from Laurence Corner. Boots from Badges and Equipment.

She: Hat, sweater and scarf all by Lionel Fisher. Skirt by Danielle Claire. Shoes by Mary Graeme. He: Cream and black pin stripe shirt by Nostalgia. Jodhpurs and boots from Badges and Equipment.

She: Hat, sweater and scarf all by Lionel Fisher. Skirt by Danielle Claire. Shoes by Mary Graeme. He: Cream and black pin stripe shirt by Nostalgia. Jodhpurs and boots from Badges and Equipment.

She: Black felt hat by Charles Batten. Black skirt and cream coat both by Sheridan Barnett at Quorum. Black suede shoes by Russell and Bromley. Clutch bag from Boots. Black scarfr from BHS. He: Army jacket and trousers from Laurence Corner. Boots and kit bag from Badges and Equipment

She: Black felt hat by Charles Batten. Black skirt and cream coat both by Sheridan Barnett at Quorum. Black suede shoes by Russell and Bromley. Clutch bag from Boots. Black scarf from BHS. He: Army jacket and trousers from Laurence Corner. Boots and kit bag from Badges and Equipment

Inspirational Editorials: Maybe I was just born liberated

1970s, alice pollock, british boutique movement, Celestia Sporborg, Foale and Tuffin, Frank Horvat, Inspirational Images, just looking, kurt geiger, ossie clark, radley, ritva, stirling cooper, vanity fair
celestia sporborg by frank horvat vanity fair 1971 6

Stirling Cooper

This photoshoot, featuring the brilliantly named Celestia Sporborg, is another one of my all-time favourites, and one I have put off scanning for a long while because Vanity Fair is actually a rather painful magazine to scan. The gummed spine, with age, does not enjoy being flattened so it requires extra effort to maintain some kind of structural integrity. I couldn’t NOT scan though. I love these images. I love the blurriness, her natural facial expressions, the very domestic backdrop and, of course, the completely mind-blowingly fabulous clothes. I don’t know where to start. That Stirling Cooper above is just so modern. And the Radley playsuit, so very Glam. And the Ossie… Plus Alice Pollock, Foale and Tuffin and a Ritva sweater I sold on Vintage-a-Peel a few years back

It also identifies the shots from Vanity Fair’s Guide to Modern Etiquette, ‘Nice Girls Do’, which I posted about before. To contextualise this shoot, the entire June issue is dedicated to feminism and liberation. Certainly one of the main reasons I love Vanity Fair almost above all other magazines of the period is the fact that they would theme all the contents of an issue, including the fashion spreads.

Celestia Sporborg is now a casting director herself, with over a hundred film credits on IMDB. She married theatre and film producer Robert Fox (brother of James and Edward) in 1975 and they had three children together.

Photographed by Frank Horvat.

Scanned by Miss Peelpants from Vanity Fair, June 1971

celestia sporborg by frank horvat vanity fair 1971 3

Foale & Tuffin

celestia sporborg by frank horvat vanity fair 1971 4

Radley

celestia sporborg by frank horvat vanity fair 1971 5

Ossie Clark

celestia sporborg by frank horvat vanity fair 1971 1

Ritva

celestia sporborg by frank horvat vanity fair 1971 2

Alice Pollock

Inspirational Editorials: Splitting the Difference

1960s, 1970s, british boutique movement, bus stop, celia birtwell, Chelsea Antiques Market, Chelsea Drug Store, cherry twiss, christopher mcdonnell, hans feurer, Inspirational Images, king's road, lee bender, marrian mcdonnell, mary quant, ossie clark, quorum, radley, The Purple Shop, Vintage Editorials
Crepe skirt and printed chiffon blouse both at Quorum. Pink patent shoes at Elliott. Tights from Bus Stop.

Crepe skirt and printed chiffon blouse both at Quorum. Pink patent shoes at Elliott. Tights from Bus Stop.

If you are prepared to forsake the mini this summer for the midi or maxi, you will find that designers have compensated for covering the legs by boldly slashing the skirts at the front, the back and the sides. Photographed at The Chelsea Drug Store.

This is a fascinating editorial for a few reasons. Firstly it is photographed at the legendary Chelsea Drug Store, showing off the incredible interior to perfection. It singularly fails to credit Ossie Clark and Celia Birtwell with their garments for Quorum (an odd oversight given their fame at the time…). It is also a glorious insight into the mini/midi/maxi debate of 1970 and shows us the transition between late Sixties style and the early Seventies. The clothes are familiar as early Seventies, but the shoes are not yet platform and still stuck in a low block heel.

Photographed by Hans Feurer. Styled by Cherry Twiss.

Scanned by Miss Peelpants from The Telegraph Magazine (exact date unknown, Spring 1970)

Cream jersey dress at Marrian McDonnell. Gold sandals at Elliott. Onyx and silver ring from The Purple Shop.

Cream jersey dress at Marrian McDonnell. Gold sandals at Elliott. Onyx and silver ring from The Purple Shop.

Printed voile dress by Mary Quant. Suede granny shoes by Elliott. Victorian pendant at The Purple Shop, Chelsea Antiques Market.

Printed voile dress by Mary Quant. Suede granny shoes by Elliott. Victorian pendant at The Purple Shop, Chelsea Antiques Market.

Orange crepe dress at Bus Stop. Orange suede sandals at Elliott.

Orange crepe dress at Bus Stop. Orange suede sandals at Elliott.

Dress by Radley Gowns from Quorum. Shoes from Kurt Geiger. Victorian pendant from The Purple Shop.

Dress by Radley Gowns from Quorum. Shoes from Kurt Geiger. Victorian pendant from The Purple Shop.

Inspirational Editorials: Perfect Pyjamas by Peccinotti

1970s, alice pollock, biba, british boutique movement, caroline baker, chelsea cobbler, edward mann, Electric Fittings, Harri Peccinotti, Herbert Johnson, Inspirational Images, John Craig, katharine hamnett, marie france, nova magazine, ossie clark, quorum, radley, Sujon, Susie Craker, tuttabankem, universal witness, Vintage Editorials, Virginia, yardley, yves saint laurent
Pyjama suit by Sujon.

Pyjama suit by Sujon.

Photographed in Brazil with Yardley, whose Yardley McLaren team took part in the 2nd Grand Prix, 1973

Photographed by Harry Peccinotti. Styled by Caroline Baker.

Scanned by Miss Peelpants from Nova, May 1973

Drawstring neck top (part of a flared Pajama suit) by Ossie Clark for Radley. Compact mirror from Biba.

Drawstring neck top (part of a flared Pajama suit) by Ossie Clark for Radley. Compact mirror from Biba.

Crêpe de chine printed coat and plain crêpe bags from Electric Fittings. Rib sun top by John Craig. Pique sun hat by Edward Mann. Espadrilles at Ronald Keith.

Crêpe de chine printed coat and plain crêpe bags from Electric Fittings. Rib sun top by John Craig. Pique sun hat by Edward Mann. Espadrilles at Ronald Keith.

Dressing gown from Austin Reed. Silk blouse and baggy pants by Katherine Hamnett for Tuttabankem. Cobweb shoes at Chelsea Cobbler.

Dressing gown from Austin Reed. Silk blouse and baggy pants by Katharine Hamnett for Tuttabankem. Cobweb shoes at Chelsea Cobbler.

Crêpe de chine pyjama suit by Susie Craker. Panama at Paul Craig.

Crêpe de chine pyjama suit by Susie Craker. Panama at Paul Craig.

Sun top sweater by Virginia. Cotton baggy pants by Universal Witness. Hat by Herbert Johnson. Shoes by Yves Saint Laurent.

Sun top sweater by Virginia. Cotton baggy pants by Universal Witness. Hat by Herbert Johnson. Shoes by Yves Saint Laurent.

Crêpe and satin jacket top by Marie France for Quorum. Flared crêpe trousers by Alice Pollock for Quorum.

Crêpe and satin jacket top by Marie France for Quorum. Flared crêpe trousers by Alice Pollock for Quorum.

Inspirational Editorials: Fun with Snoopy!

1970s, anello and davide, british boutique movement, bus stop, Elle, Emesse, Herbert Johnson, Inspirational Images, John Greenaway, lee bender, mary quant, miss mouse, Miss Revolution, Night Owls, radley, rae spencer cullen, Riva, Vintage Editorials
Dress by Miss Mouse. Shoes by Anello and Davide.

Dress by Miss Mouse. Shoes by Anello and Davide.

I think it’s fair to say that us Brits went a bit Snoopy-crazy in 1976, from what I’ve read and seen, and this adorable editorial is the perfect example of the post-modern appropriation of childhood cartoon figures by fashionable adults in the Seventies (see also Mr Freedom and Miss Mouse). Of course, there are clothes from Miss Mouse and Lee Bender’s Bus Stop – which is similar to the notorious ‘Andy Pandy’ dungaree outfit worn by Sarah Jane Smith in Doctor Who.

Photographed by John Greenaway. Scanned by Miss Peelpants from 19 Magazine, April 1976.

Hat from Elle. Shirt by Riva. Dungarees by Bus Stop. Corduroy and leather shoes by Miss Revolution.

Hat from Elle. Shirt by Riva. Dungarees by Bus Stop. Corduroy and leather shoes by Miss Revolution.

T-shirt by Radley. Jumpsuit, tights and socks all by Mary Quant. Shoes by Miss Revolution.

T-shirt by Radley. Jumpsuit, tights and socks all by Mary Quant. Shoes by Miss Revolution.

Shirt by Emesse. Skirt by Miss Mouse. Sneakers by Miss Revolution.

Shirt by Emesse. Skirt by Miss Mouse. Sneakers by Miss Revolution.

Baseball cap, from Badges and Equipment. T-shirt by Radley. Bomber jacket by Emesse. Scarf by Herbert Johnson.

Baseball cap, from Badges and Equipment. T-shirt by Radley. Bomber jacket by Emesse. Scarf by Herbert Johnson.

Nightdress by Night Owls

Nightdress by Night Owls

snoopy4

Alice Pollock – Breaking into the big time

1970s, alice pollock, british boutique movement, ossie clark, petticoat magazine, quorum, radley, Richard Davis

Photograph by Richard Davis

Alice Pollock is twenty-seven. She and Ossie Clark are regarded as one of the most inspired pairs of designers in England. Their Quorum range can uually be counted on for style, originality and incredible appeal. Yet it wasn’t such a long time ago that they’d never even heard of each other and she had never even dreamed about designing clothes.

“Before Quorum I’d done lots of things but I suppose could mainly be called a film assistant. I worked with Tony Richardson and Orson Welles. I had this ambition to own my own company, so I formed one to make chairs. They weren’t very successful so I started designing clothes. I suppose they seemed more lucrative.

“That was when I got my first break. I’ve had several. All of them were terribly important. I couldn’t have done at all well without them. But the first break was getting the first range of clothes photographed by Queen. There were ten garments. It was marvellous publicity. It helped us get established and was tremendous. The next great break was meeting Ossie.

“A friend of a friend suggested we meet one day. He just walked through the door, a quiet, dark little man, nothing like the Ossie Clark we know today. I thought he was too much. We were like twins. That was incredible. But for ages we were living hand to mouth. Though Quorum had a good reputation we weren’t making it financially. But we were really lucky. Last year Ossie made a deal with Radley Fashions who took us over. that was another break. Things have been marvellous since then.”

Scanned from Petticoat, February 1970

Please do check out Vintage-a-Peel for pieces by Alice and Ossie.

Inspirational Images: How a Continental Sees You

1970s, Bernshaw, celia birtwell, cosmopolitan, Daniel Hecter, edward mann, Inspirational Images, Just Jaeckin, katharine hamnett, Kayser, laura ashley, ossie clark, Pierre Elegante, radley, Russell & Bromley, tuttabankem, Vintage Editorials

Time for a little flirtation. Dress by Ossie Clark for Radley.

Possibly one of my favourite, most lush photoshoots of the period by the legendary photographer (and filmmaker) Just Jaeckin. Scanned from Cosmopolitan, February 1974. That Ossie dress? I am largely speechless with desire… except for occasional gurgling sounds.

Lunch can be the nicest meal of the day... Dress and jacket by Daniel Hechter. Hat by Edward Mann. Russell & Bromley shoes. Photographed at Drones, 1 Pont Street, London SW1.

Be a liberated lady. Slip by Kayser.

Staying at home can be more fun that going out. Top and skirt from Laura Ashley. Man’s clothes all from Simpson’s, Piccadilly.

The lady loves to dance. Dress by Bernshaw, shoes by Russell & Bromley. Photographed at Bertie’s, 86 Brompton Road, London SW3.

Inspirational Images: Dress to decorate summer evenings

1970s, bus stop, caroline arber, celia birtwell, Gill Hutchings, Inspirational Images, lee bender, ossie clark, Pierre Elegante, quorum, radley, Simon Ellis, Sujon, Vintage Editorials, Vogue

Crepe dress by Simon Ellis, £8 15s

Photographs by Caroline Arber. Vogue, June 1970.

I wish summer would come. I wish my entire wardrobe consisted of these clothes. I wish every day could be a Caroline Arber kind of day…

Blouse by John Craig, £3 16s. Skirt by Pierre Elegante, £7.

Poppy red moss crepe dress with print by Celia Birtwell, by Ossie Clark for Radley, 11 gns at Quorum.

Dress by Gill Hutchings for Fair Lady, £4.

Blue-grey voile midi dress by Sujon, 7gns.

Rose and green jersey midi dress from Bus Stop, £6 15s

Tagged!

1970s, Illustrations, ossie clark, radley

There’s something special, something quite delicious about an original hang tag. It’s always best if it’s still attached to the garment in question but, if (like me) you would struggle to find the heart to remove it, buying a lovingly kept and preserved hang tag – for a long-since discarded frock – is almost as good.

I bought these tags completely separately on eBay, but they show the change from the early Ossie for Radley label (1969-72ish) to the more deco-inspired one (c.1973-74). And, while I’m very aesthetically pleased by the block brown and grey rectangles of the earlier one, I am completely besotted with the Forties-inspired illustration on the later one. This one was featured in Richard Lester’s Boutique London book, and I am happy to bring you a larger version to enjoy. Yum.

Scanned and owned by Miss Peelpants.