Illustration for a short story by Diana Winsor called District Line.
Illustrated by Holly.
Scanned from Honey, July 1974.

Summers may come and summers may go but denim never fails us.
Modelled by Joanna Jacobs and unknown model.
Photographed in Florida by Roelof Wennink.
Scanned from Honey, April 1976.







OUT OF THIS WORLD. Mary Quant put her soft pinks and blues together as they’ve never been seen before and created this brand-new Face in the Clouds look. She then offered this paintbox exclusively to Honey. In it is everything you need to get the look. If you went out and bought each individual item separately, you’d get a bit more make-up, but it would cost you over £4. Our paintbox is yours for only £1.70. So write off for it now. Once it’s yours you can do what you like. We tell you above how to get the look Maria has in the picture and, if you feel daring, colour the blue right over the bridge of your nose. Or juggle around with the colours as much as you like for a totally different effect—blue out your eyebrows and put lots of pink round your eye. Or just wear each colour separately. They’re beautifully angelic colours that reflect the summer sky. You can wear them anytime—sunrise to sunset. With this look, it’s back to the deliciously dreamy, hazy days of time past when colours were vivid, days were long and nights were romantic. Don’t miss out or you’ll regret it. You’ll never see this paintbox at this price again.
Photographed by Roger Stowell.
Scanned from Honey, May 1971.
“I love it when everyone stares” Connie Benjamin is 21, studying for extra O-levels, coping alone with a four-year-old daughter, existing on a meagre income, and spending £50 a time on exotic dresses from Swanky Modes in Camden Town.
“I just buy them for the fun of wearing them. I see something I like and ask them to make it up in my size. I’ve been going to Swankies for about a year now and must have spent at least £300, but they let me pay it off week by week. It’s worth it; everything I buy is made and designed especially for me so no one’s going to have the same. I never diet, I don’t need to, the dresses are made to fit me.
“When I walk into a soul club in one of my dresses, I love it when everyone stares. Mind you, some people ask me if I’ve got a sugar daddy or do something on the side—know what I mean?
“I like my clothes to be sexy because of my tits. I used to be embarrassed about them but not any more-I’ve discovered high-neck dresses make me look bigger anyway. One guy said I should be ashamed, flaunting myself, but I told him to lump it—it makes me feel great. I wouldn’t give up buying these clothes for anything. I’ve nothing else left to give up. Anyway I only have a ‘special’ made up once a month.”
The absolute joy of this excerpt from a larger article, especially for a Swanky Modes fan such as me. I would dearly love to know what happened to Connie Benjamin and her amazing Swanky wardrobe.
Photographed by Paul McNicholls.
Scanned from Honey, April 1976.

Photographed in Ricci Burns’s drawing room. Hair by Mr Ricci of Ricci Burns.
Photographed by Mike Berkofsky.
Scanned from Honey, January 1975.



DRAINPIPE TROUSERS, PATENT STILETTOS, LUMINOUS SOCKS COME ROCKING BACK
Wonderful to see the combination of Let It Rock, Wonder Workshop and Terry de Havilland in one shoot by Roxy Music cover photographer Karl Stoecker. I’m not the biggest fan of the original Fifties look, if I’m honest, but there’s just something magical about the way this revival scene bridges the Seventies from Glam Rock to Punk and New Wave.
If anyone can identify the male models (or indeed the female ones) let me know. I think Mickey Finn might be one of them (third image, hanging out of the right hand car door), and possibly Antony Price. Which would make sense with Stoecker as photographer.
Photographed by Karl Stoecker.
Scanned from Honey, January 1974.





Jackets are the brightest you’ve ever seen, with enormous checks and swirling swingy backs. They go with vivid sweaters and the widest possible Oxford bags, worn shorter than usual to reveal gleaming white lace-ups and tappy 46 two-tone shoes. What a way to get yourself noticed!
Second model from the left in the top image looks to be Ika Hindley.
Photographed by Peter Castellano.
Scanned from Honey, October 1972.




Illustration by Mick Brownfield.
Scanned from Honey, November 1974.