Turn winter into spring

1970s, barbara daly, Hair and make-up, Honey Magazine, Inspirational Images, Make-up, Robert Marin, Vivienne Lynn
Here is how to bring your face right out of its winter doldrums.

This is the time of the year when you’re caught in a sort of non-season. Not quite winter, not quite spring – and you’re not quite sure what to do with yourself.

So it’s a good chance for experimenting with the newest combinations of the latest brightest shades. But subtly: phasing your face out of winter into the sunshine colours of spring.

Colours to look for are clear greens, lemon yellow, pure blues, reds, marigolds and warm pinks. Textures are creamy: in face-shapers, eyeshadows and lipsticks. Foundation stays palish, and eyebrows tweezered thin. Lips are bow-shaped, outlined with Biba’s lip pencils. And eyes are wider than ever, with lots of clear colour and still no eyeliner unless it tones in with your eyeshadow.

Model is Vivienne Lynn.

Hair by Gordon at Vidal Sassoon.

Make-up by Barbara Daly.

Photographed by Robert Marin.

Scanned from Honey, March 1972.

Then how to bring it into the limelight and colour of spring.

Sunshine Supergirl

1970s, biba, Hair and make-up, Inspirational Images, Make-up, Sarah Moon, Vivienne Lynn, Vogue
Sunshine supergirl wears Biba’s new Apple Powder Tint around her eyes. Turquoise Powder Tint under brows, lashes dipped in Brown Roll-On Mascara; lips tinte with Sugar Lip Colour, outlined with Peach, shined all over with Peach Sticky Lip Gloss; skin smoothed with China Doll Foundation No. 2, dusted with Sugar translucent loose powder, cheeks given a hint of blush with China Doll Sugar Foundation available from March 31st. Crepe hat with flowers from Biba; hair by John of Leonard.

Model is Vivienne Lynn.

Photographed by Sarah Moon.

Scanned from Vogue, March 15th 1972.

How Sweet

19 magazine, 1970s, alkasura, Annie Cossins, Diane Logan, Doreen Hambling, Harri Peccinotti, Inspirational Images, Jasper, knitwear, Titfers, universal witness, Vintage Editorials, Vivienne Lynn
Red felt beret with navy pompon, by Titfers, £4.50. Cotton pinstripe shirt, by Jasper, £5.20. Prune and mushroom pink woollen vest, from Alkasura, £5.

Nice, nice knitwear in new shapes and intricate patterns that have that ‘just off Granny’s needles’ look that most of us couldn’t comprehend making ourselves. Easier to buy it, and well worth the price.

Model is Vivienne Lynn.

Photographed by Harri Peccinotti.

Scanned from 19 Magazine, November 1971.

Huge soft fur fabric beret, by Diane Logan, £6. Long-sleeved crew-necked sweater in an imaginative combination of rust, yellow and black, from Alkasura, £6. Black clip, from a selection at Universal Witness, 50p.

Brown felt beret with yellow pompons, by Titfers, £4.50. Spotted and striped wool jumper in wine and pink has puffed elbow-length sleeves, by Annie Cossins, £4.50. Brooch, from a selection at Universal Witness, 50p.

Red and blue tartan beret with red pompon, by Titfers, £4.40. Navy and red striped woollen sweater, £5.50. Canary smock has navy stripes, £8.50. Both by Doreen Hambling. Clip from a selection at Universal Witness.

Yellow and black tartan hat, by Titfers, £4.40. Navy blue wool sweater with white anchors and stripes, and short puffed sleeves, by Annie Cossins, £4.95.

Christmas Decoration

19 magazine, 1970s, barbara daly, David Anthony, Hair and make-up, Inspirational Images, leonard, Vivienne Lynn

Fantasy and theatre is the theme – lots of colour and glitter the focal points … Fantasy can run the whole gamut, but we like the feel of a ‘Thirties-type Hollywood pin-up pic, the soulful tragi-comic look of a clown or even a glamorous ‘Twenties flapper girl. Take your pick, and choose your own Christmas decorations.

An idea we captured from the realms of Erte, the artist and designer of the ‘Twenties – true theatrical fantasy, ideal for all your Christmas parties, a look which you can create yourself following our instructions.

Hair and the silver sequined skull cap with front forehead curl, was dressed by John at Leonard. To do this style yourself, use sequin strips (available on a card) and wrap them first round the head in a skull cap shape, making sure they sit flat, close an neatly. Leave a small strand of hair free and set it into a little curl. Then, take single hair strands, as we have done, and intertwine them with a sequin strip, like a plait.

Model is Vivienne Lynn.

Make-up by Barbara Daly.

Photographed by David Anthony.

Scanned from 19 Magazine, December 1971.

With Reference To The Past

19 magazine, 1970s, Browns, cacharel, coopers, Crochetta, Deco Inspired, edward mann, erica budd, gillian richard, Herbert Johnson, Inspirational Images, jeff banks, Ku Khanh, lord john, Norma Moriceau, Riva, Sheilagh Browne, sheridan barnett, terry de havilland, tuttabankem, Twomax, universal witness, van der fransen, Vintage Editorials, Virginia, Vivienne Lynn
Rust-coloured felt hat with rose trimming from a selection at Van Der Fransen. French Dresden blue shirt with pink and lilac floral print, by Jeff Banks, £6.50. Grey boucle cardigan with short puff sleeves and front fastening, by Crochetta, £6.50. Pale blue circular barathea skirt, by Sheilagh Brown at Coopers, £12. Scarf by Herbert Johnson, £3-15. Green straw hat with rose trimming, from Universal Witness, £5. Blue sweater with long sleeves and round neck, £2.45. Matching short-sleeved cardigan with wrap-over front, £3.45. Both by Erica Budd. Grey crepe Oxford bags with pleated front, by Tuttabankem, £17-50.

Ten years ago, the British woman was bound to her cardigan. Then, in a feverish review of fashion, the cardigan was shelved for the jacket. Now, it’s back in circulation, not as the rather insipid number of yesteryear, but renewed in a long wrap-around version — the sort you cuddle into when it’s cold outside, the sort you wear over dresses, jeans or even suits. Cardigans like this are the most practical knitwear created for ages and the Paris Collections, if they spell excitement to you, were full of them.

All jewellery in feature from a selection at Marie Middleton and Susan Marsh at Chelsea Antique Market. Gold-rimmed glasses from any good optician.

Modelled by Vivienne Lynn and unknown model.

Styling by Norma Moriceau.

Photographed by Ku Khanh.

Scanned from 19 Magazine, January 1973.

Dark green straw hat with pink velvet trim, from Universal Witness, £5. Pale green fine cotton shirt with floral printed pattern, by Cacharel at Browns, £7. Cream bouclé short-sleeved cardigan with very thin stripes, by Crochetta, £8. Pale green straw hat with green velvet trim, from Universal Witness, £5. Pale yellow fine cotton shirt with floral printed pattern, by Cacharel at Browns, £7. Yellow cardigan with two pockets on hips, by Twomax, £4.50.
Sweater and matching cardigan in blue tweed mixture with beige and brown trims, from Upstairs at Lord John, £25 the set. Camel barathea skirt with full front flap, by Sheridan Barnett at Coopers, £11.95. White shirt with black and yellow floral print, by Riva, £4-95. Grey cardigan with yellow stripe, by Virginia, £14. Grey wrap-over barathea skirt with pockets on hips, by Sheridan Barnett at Coopers, £11-95. Navy blue bag, from Biba, £5.85.
Green straw hat with pink velvet trim, from Universal Witness, £5. Pale blue flower-printed sleeveless blouse with cowl neck, £4. Brown flowered crepe skirt, £6. Both from Van Der Fransen. Pink wool and angora cardigan, by Crochetta, £10. Pale green straw hat with green velvet trim, £5. Cream and brown printed short-sleeved blouse with two breast pockets, matching skirt with elasticated waistband, £11.60 the set. All by Universal Witness. Green wool and angora cardigan with ribbed waistband, by Crochetta, £10.
Brown felt pull-on hat with large brim, by Edward Mann, £2.90. Pink and violet print blouse with cape collar, by Van Der Fransen, £4. Long cream boucle cardigan with hip pockets and tie belt, by Crochetta, £13. Black jersey skirt, by Spectrum, £6.50. Black and white lace-up ankle boots, by Terry de Haviland, £15.99. Wool gloves, by Morley, 72p. Grey felt pull-on hat with large brim, by Edward Mann, £2.90. Blue and white spotted sleeveless blouse, with cowl collar, by Van Der Fransen, £4. Long white ribbed cardigan with hip pockets, by Twomax, £7.50. Long grey gored skirt, by Spectrum, £6.50. Black wool gloves from a selection at Browns.
Black cotton shirt with floral print, by Cacharel at Browns, £7. Camel cardigan with V-neck and thin white stripes, by Virginia, £15. Black jersey gored skirt, by Spectrum, £6.50. Cream jersey dress with scalloped Peter Pan collar, by Gillian Richard, £9.80. Long navy blue cardigan with round neck, by McCaul, £4. Navy blue bag, from Biba, £5.85.

Take a Long Lean Look

1970s, Adrian Mann, Baggage and General, Dolcis, Electric Fittings, erica budd, gordon king, harold ingram, jeff banks, John Craig, Jon Elliot, Marcia Brackett, mary quant, nostalgia, petticoat magazine, Pierre Elegante, Roger Charity, Russell & Bromley, Saxone, van der fransen, Vintage Editorials, Vivienne Lynn
Left to right: Jon Elliott skirt, £8-30. Sweater with embroidered flowers, £325, Harold Ingram. Scarf, £1.50, Nostalgia. Kangol beret, £1.50. Bangles, 50p, Baggage & General. Quant tights, 40p. Russell & Bromley espadrilles, £7.99 ./ Zig-zag stripe silk dress, from Electric Fittings. Russell & Bromley shoes, £7.99. / Gordon King skirt, £5-50. Cream, cabled sweater, £3.10, John Craig. Kangol beret, £1.50. Scarf, £1.50, Nostalgia. Russell & Bromley sandals, £7.99.

Long-term plan for spring dressing: slither in slim shapes, go sleek in skinny skirts and slink thin in think-slim skintight tops.

Model is Vivienne Lynn.

Styling by Marcia Brackett.

Photographed by Roger Charity.

Scanned from Petticoat, March 23th 1974

Left to right: Pierre Elegante skirt, £7.85. John Craig pullover and matching cardigan, £4 and £5.15. Van der Fransen scarf. Kangol beret. Belt 35p, Woolworths. Russell & Bromley shoes, £7.99. / Gordon King skirt, £6. Mary Quant top, £5.75. “208” scarf. Kangol beret. Dolcis shoes, £4.99. / Gordon King skirt, £5.50. Mary Quant pull-over and matching cardigan, £4.50 and £5.75. Dolcis shoes, £4.99. / Gordon King skirt, £7. Erica Budd T-shirt, £3.
Left to Right: Jeff Banks navy and red dress with cream collar and cuffs, £20. Adrien Mann bracelets, £1 each. Scarf, £1, Van der Fransen. Strappy shoes, £5, Nostalgia. / Jon Elliott skirt, £6-80. Electric Fittings blouse. Van der Fransen scarf, £1. Bangles by Adrien Mann. Rope-soled shoes, £4.99, Saxone. / Jeff Banks dress, in maroon silk with flowers and lace trim, £21.50. Adrien Mann bangles, £1 each. Dolcis leather pumps on rope, £4.99.

Gingham Checks In

1970s, Acme Attractions, anello and davide, Crocodile, Dora Reisser, elisabeth novick, Gamba, Gina Fratini, hard rock cafe, jean junction, Lucienne Phillips, Over 21, quorum, radley, Rose Bradford, Vintage Editorials, Vivienne Lynn
White blouse and pantaloons, gingham pinafore and skirt, all by Gina Fratini, to order from Lucienne’s, 89 Knightsbridge SW1. Shoes by Anello and Davide.

Brigitte Bardot first glamorised gingham, mixing it with sex and broderie anglaise to set a devastating new trend. It’s back, showing every sign of being the big summer ’76 story, versatile enough to go from ingenue to sophisticate.

Always incredible to see Gina Fratini clothes being worn to their full effect, this time by lovely Vivienne Lynn, and also to see the Hard Rock Cafe in its earlier, less gimmicky life.

Hair by Kerry at Molton Brown.

Photographed by Elisabeth Novick.

Scanned from Over 21, April 1976.

Gingham dress by Rose Bradford at Radley and net petticoats from Quorum, 52 Radnor Walk. Scarf from Acme Attractions, patent pumps by Gamba. Photographed at the Hard Rock Cafe, Piccadilly, London W1.

For the final stage in our gingham story we photographed a “real” woman rather than just a model: actress Ruth Rosen. Ruth has recently been edifying and diverting us with her performances at major art exhibitions where she virtually brings the artist to life, presenting a one-woman show based on his life and works. Recent subjects have been Turner at the Tate Gallery and Burne-Jones at the Hayward. The next one will be Constable at the Tate. Look out for it…

Ruth wears Dora Reisser’s gingham waistcoat and culottes and pique blouse, all from Crocodile. Shoes by Chelsea Cobbler, scarf from Medina Arts. Ruth’s daughter, Doraly, wears a check shirt and dungarees from Jean Junction and cardigan by Jump for Jamie from Harrods. Hair by Nicky at Leonard.

A few eye-openers from Miners

1970s, Hair and make-up, Miners, petticoat magazine, Vintage Adverts, Vivienne Lynn

Scanned from Petticoat, 30th September/7th October 1972.

Playmates

19 magazine, 1970s, Inspirational Images, james wedge, jap, Jersea, Joseph, kenzo, swimwear, Vintage Editorials, Virginia, Vivienne Lynn, wigs
Green knitted playsuit with green and cream striped sides and halter neck top. Cream knitted playsuit with green trim. All by Jap for Joseph.

When it’s not a swimsuit but a playsuit that you want; when you’re not splashing, but lounging prettily under a beach brolly; if you have no wish to get wet, but still want to remain in the swim, these are definitely for you. But just make sure that you don’t get thrown in at the deep end!

Another work of genius by James Wedge, which I wonder might have been somewhat inspired by The Dolly Sisters? Modelled by Vivienne Lynn and another model I don’t recognise.

Wigs by Wigwham.

Photographed by James Wedge.

Scanned from 19 Magazine, July 1973.

Cream knitted bikini by Virginia. One piece cotton jersey swimsuit by Jap for Joseph.
Cream jersey wool playsuit trimmed in navy blue. Blue and white striped cotton jersey playsuit with long sleeves. Both by Jap for Joseph.
Grey knitted bikini by Virginia. Black and white cotton jersey and black shorts by Jer Sea of Sweden.

Put on your party face

19 magazine, 1970s, Hair and make-up, Inspirational Images, John Bishop, Make-up, Richard Sharah, Vivienne Lynn
Nothing is too daring, nothing too outrageous. In fact, the more the fantasy, colour and individuality you create, the better.

Model on the right is Vivienne Lynn. Hair is by Keith at Smile. Make-up by Richard Sharah.

Photographed by John Bishop.

Scanned from 19 Magazine, December 1976.