First-job salaries can present problems when you’re not used to juggling the rent around a new skirt or sweater. But there are ways—as you’ll see on these pages—of looking not just good, but positively great on a tight budget. Learn the rules of the “looking-good-on-a-little” game . . . remember that one pair of pants at £10+ will outlive two pairs that split whenever you sit down; that washable fabrics mean you’ll have no cleaning bills. Learn how to bleach and dye, starch and press properly—so you’ll be able to match vest tops and T-shirts to your new longer flowery skirts and keep them looking fresh. Invest in beautiful leather shoes: they last and look good if polished every day. Spend more on accessories —sometimes—than a new dress. Build your wardrobe around two or three colours—as crazy as you like—and find jolly extras to pull it all together. . . . This may be the summer you always wear a hat. Here is my choice of nine outfits . . . chic, very wearable and all cheap at the price. That’s fashion knowhow.
Bewitch: Try a bit of witchcraft, a bit of magical charm. Cast a spell or two with slinky black velvet, bedecked with sequins. Or glamorise in shiny coloured satins. But if you are going to bewitch you must…
Bother: to wear the same startling accessories. Wear strings of shiny necklaces, an interesting belt or sash. Tie a scarf the gipsy way, around your hips or head. For maximum effect shine your face with gold or silver powder.
And be wilder: in everything you wear.
Fashion by Sue Hone. Modelled by Madeline Smith and unknown model.
Floppy Treebark crepe trouser suit with wide straight trousers, waist sash and large frilled collar, by Foale and Tuffin.
Run barefoot through the grass or dance under the stars. Shades of Isadora Duncan* and free, flowing movement. Long, lithe limbs leaping through loose chiffon. Wild intensity in dramatic falls of fabric. The romance of long dresses, of floating frills in transparent fabrics is yours for the asking. Come, do a moonlight flit with us…. *Isadora Duncan. who moved in high society, and whose dancing shook Edwardian England, initiated free dance movement clad in clothes which emphasised her point. We can still thank her for the romantic-looking, drifting dresses inspired by the film revival of her life story — on release in the Autumn, starring Vanessa Redgrave.
Photographed by Al Vandenburg. Hairstyles by Derek Roe.
Scanned from 19 Magazine, August 1968.
Dress in yellow embroidered voile by Biba.
Transparent black and white spotted dress from Biba. Shoes by Ronald Keith.
Tight waist-skimming jacket and knee length skirt in yellow crepe by Foale and Tuffin. Orange shoes by Elliotts.
Flocked yellow full-skirted Dacron dress by Shelana.
Romantic white lawn dress by Gina Fratini. Silver shoes by Dolcis.
Dirndl skirt and bolero by Sportaville. Boots by Anello & Davide.
Currently inspiring me (as someone who doesn’t enjoy stripping off in the much-awaited heat…) is this photoshoot from Honey, April 1970. Pretty much perfection, as far as I am concerned. Astonishingly, there is no credited photographer for any of the photoshoots in this magazine, so I’m afraid they will have to remain anonymous…
Dress by Martha Hill.
Dress by Miss Impact.
Shirt by Aristos. Trousers by Gordon King. Skirt by Alan Rodin. Boots by Sacha. Hat by Herbert Johnson.
Harem pants and bare-midriff top by Angela at London Town.
Peasant shirt by Baltrik. Trousers by Clobber. Skirt by Alan Rodin. Boots from Anello & Davide.
Dress by Ricki Reed
Dress by Simon Ellis
Dress by Shelana. Boots by Dolcis. Hat by Herbert Johnson.