
Stretch out and take life easy in these comfy, great-to-wear American-style sweatshirts.
Photographed by Ian Stokes.
Dark haired model is Joanna Jacobs.
Scanned from Honey, August 1974.



Stretch out and take life easy in these comfy, great-to-wear American-style sweatshirts.
Photographed by Ian Stokes.
Dark haired model is Joanna Jacobs.
Scanned from Honey, August 1974.



An age-old game! However well-dressed you are, you’ll always wonder whether her dress-sense is better. Pretty and pastel; cool and chic. Which one’s you?
Photographed by Didier Duval.
Scanned from 19 Magazine, September 1972.




We’re Morocco-bound with a case full of the soft, sweet cottons you’ll be wearing this summer…
Hair by Kelly.
Photographed by Andreas Heumann.
Scanned from Over 21 Magazine, July 1976.







Don’t waste dresses like these by taking them someplace quiet. Give them all the freedom they want and a lot of personality and more besides. Just for once take something really special and show off!
Model is Lena Stengard.
Styled by Sue Hone.
Photographed by Jean-Claude Volpeliere.
Scanned from Petticoat, December 1970.




Take a dekko at the accessories screaming their brilliant way across these pages. Nothing quiet, tasteful or ladylike, about them. Hard shocking pinks grating with parrot green, brilliant turquoise, electric blue, and Elvis Presley metallics. Shooting adrenalin into your get-up, so that you go. Hardly the gear to wear if you want to be a lady spy and overlooked.
Photographed by Marc Leonard.
Scanned from Vanity Fair, January 1972.
Bit of a rescan from about ten years ago, when I only seemed to scan the Terry de Havilland boots and the Derber shoes. Anyway, the whole spread is a delight and deserves to be seen. Also, for the millionth time, no I’m not making up magazines. Vanity Fair was a UK publication of the Sixties and Seventies which got absorbed into Honey magazine in the early Seventies. It has nothing to do with the earlier or later American/International magazine of the same name. Presumably as a defunct magazine name in a different country there were no copyright issues. It was also a work of absolute creative bloody genius in this early Seventies period (see the category tag for other scans, including an editorial by Saul Leiter).
n.b. I have omitted the image alluded to further down in the black and white section but haven’t edited the word so you can see why I have omitted it. My apologies for any offence caused.











Sheridan Hamilton-Temple-Blackwood, thirty-five-year-old Marquis of Dufferin and Ava, is a film producer, art collector, sportsman (`I’m practically always on the tennis court or something’), and financial consultant to an American investment fund. Supremely relaxed and the possessor of a wonderful throwaway wit, Lord Dufferin readily admits to being interested in clothes . . . ‘I can’t pretend I spend hours thinking about what I’m going to wear, but I do give it some thought. All men dress for effect. It’s very much like keeping a diary : you pretend the diary’s for yourself, but deep down you hope someone is going to read it some day.
`I find shirts and ties constricting and I seldom wear them unless I’m going to a business meeting. My favourite clothes for day and evening, if I’m going to a party where one can wear what one likes, are open-neck shirts, pullovers — I have about twenty-five — and sports jackets on top.’
He prefers his clothes close-fitting — ‘loose fit does nothing for one’s shape’. The fabrics he’s keenest on are corduroys, denim, velvet and lightweight wool — all the year round. Colour plays the most important part in his ward-robe. ‘I don’t usually wear checks or that sort of thing; I like solid colours in simple contrast —combinations like red, white and black — or different shades of the same colour. I like white very much for summer, I dislike yellow and am not really wild about green.’ Lord Dufferin sees himself as an impulse buyer with a touch of extravagance, but his formula sounds like a good one for guarding against mistakes.
`I feel that if something is right and you really like it and know you’re going to wear it a lot, then you should buy it. But if there’s any doubt at all, forget about it.’ He remains loyal to certain shops. Browns, which ‘saves one the trouble of having to shop abroad’, is his great source for trousers, sports jackets and pullovers, though he occasionally finds some he likes at the Village Gate shops. At John Michael he buys ready-to-wear suits and shoes.
What he refers to as his ‘ordered city suits’ come from Wealeson & Legate. His ties (`the few I buy’) and other accessories come from Harvie & Hudson. All of his shirts he buys ready made up. His conservative ones come from Harvie & Hudson; his others from Deborah & Clare — buy tons of shirts from them. I like their Swiss cottons and their silk shirts which I wear a lot in the evenings and for the summer.
`I honestly think that most people’s taste, including my own, is strongly suspect, so I stick to very straightforward clothes. They should make their effect effortlessly : you should be aware that someone’s wearing something nice without actually thinking about it.
Interview by Lendal Scott-Ellis.
It has been a while since I did a ‘Mensday’ post, but I thought the wonderfully elegant Marquess was very worthy of one. He very sadly died in 1988 of an AIDS related illness but his brief life left a legacy of supporting and promoting both modern art and film.
Photographed by Norman Eales.
Scanned from Harpers and Queen, April 1974.

Showing your colours: Sonia Rykiel for France goes for all the pinks.
Photographed by Francois Lamy.
Scanned from Harpers and Queen, February 1975.

Here are the beginnings of a new silhouette and a new face, eyeliner, lipstick, not much mascara, a little rouge. Hair sleeked away somewhere. The hat: an uncompromising pillbox tipped over one eyebrow. Get used to it now, before anyone else.
Both hats by Karl Lagerfeld for Chloe, at Browns.
Veiling from John Lewis. Necklace, £6.75, Butler & Wilson.
Hair by Regis at Mods Hair, Paris.
Make-up by Moravetz.
Photographed by Guy Bourdin.
Scanned from Vogue, August 1972.

Fresh and pretty is the look you should aim for this summer, with maybe an inch or two of knee bravely peeping out from under floral prints on crepe de Chine or crisp cotton. Match your dress with brightly coloured tights and wear straw hats adorned with bunches of fruit and flowers, or a silk scarf and wedge shoes to complete your summer ensemble.
Photographed by Duc.
Scanned from 19 Magazine, June 1971.






Photographed by Patrick Hunt.
Scanned from Vogue, August 1971.