Biba’s getting bigger

1960s, anello and davide, art nouveau, barbara hulanicki, Barbara Hulanicki, biba, chelsea cobbler, Deco Inspired, Inspirational Images, interior design, interiors, James Fox, kensington high street, Liz Smith, Mensday, menswear, observer magazine, Steve Hiett, steven hiett
Lampshade, 12gn. Small satin cushions, 16s. 11d. each; large, 27s. 11d. Tablecloth, 70in. diameter, 5gn. Ostrich feathers, 18s. each. Satin material, 36in. wide, 9s. 11d. a yd.; thick felt, 54in. wide, 53s. 6d. a yd ; thin felt, 70-72 in. wide, 27s. 6d. a yd. Fringing : plain cotton, 5s. 6d. a yd ; in Biba colours, 8s. 9d. a yd. Glass goblets, 21s. 6d. each. Steak knife, steak fork, dessert knife, 33s. 6d. each; soup spoon, dessert spoon, 37s. 6d. each; bread knife, £2 10s.; carving set, 1Ogn. Soup cup, 14s. 6d. ; egg cup, 3s. 9d.; 7-inch plate, 4s. 9d.; 81-inch plate, 7s. 6d.; 10-inch plate, 9s. 6d. Satin night-dress, £3 15s. 6d. Mock ivory bead necklace, 34s.; rings, 1s. 3d. each.

Now there’s hardware and haberdashery, furnishings and fabrics, cosmetics and mens-wear, all carrying the Biba label. Their brave transition from dolly boutique to department store was made last week when Biba opened in Kensington High Street. Although a baby store compared with neighbouring Barker’s, Biba does boast marble floors, a carved gallery from the old St Paul’s school, and a commissionaire at the huge glass doors.

Faithful customers can still find among the familiar palm fronds clothes to wear themselves or put on their children, but everything is on a much bigger scale. Colour-matched underwear and tights are on sale in a special conservatory-style department, and there’s a complete range of Biba makeup and cosmetics, and many more accessories.

But what’s really new, are the clothes for men, and the things for the house.

There’s nothing simple or austere about a Biba home life. The girl whose idea of some-thing comfortable to wear around the house is a slinky satin dress chooses a plush back-ground and hardware that’s softly elegant. Cutlery is rich-looking in gilt and mother of pearl, or silver and ebony. China is white and gold, glasses are chunky goblets. Specially printed wallpapers and furnishing fabrics, plain satins, felts, braids and trimmings, have carefully matched emulsion paints, lamp-shades and cushions, all in a range of 15 colours. Biba are selling the raw materials so that you can make what you want of them. The clue to their own style is Art Nouveau, but the way you choose to use them will be your own.

Biba men’s clothes are worn in these pictures by James Fox, who can currently be seen in ‘Isadora’ and whose new film, ‘Performance’, in which he co-stars with Mick Jagger, comes out next month.

Mr Fox is long and slender and can have little problem kitting himself out elegantly, but the clothes he wears here, plus others by Biba in velvets and tweeds, all come in a size range bigger than most. So fatter men can have fun with clothes too, and at a reasonable price.

By Liz Smith.

Photographed by Steve Hiett.

Scanned from The Observer Magazine, 21st September 1969.

Biba 3 is definitely the Biba I’m most captivated by, I think possibly because it was edged out so quickly by the much bigger (and more Deco) Big Biba and yet was, I think, the perfect encapsulation of the aesthetic and the first time the ‘department store’ ideal was manifested. Basically, I wish there were more photos so I do try and scan them when I find them! It’s also nice to see the menswear getting a bit of attention for once.

Pure wool herringbene tweed trousers cut to curve over the foot 6gn.; matching buttoned jerkin, £5 10s. Pure silk shirt and tie, 6gn. Art Nouveau statue, £7 10s.; necklace, 34s.; veiling, 2s. a yd. Marbled patent shoes, 12gn., from the Chelsea Cobbler, 33 Sackville Street, W1. Vanilla coloured Imperial Russian cigarettes by Sobranie, 11s. 3d. for 25. Carved ivory cigar holder, £21 ; ivory chess men, part of a set, £80; both from W. Barrett, 9 Old Bond Street, W1.
White worsted wool jacket with safari pockets and belt, 15gn.; matching trousers shaped over the foot, 8gn. Brown and cream printed rayon shirt, 5gn.; matching tie, 39s. 6d. Co-respondent shoes, £5 15s. from Anello & Davide, 30 Drury Lane, London, WC2. Teacup, 5s. 6d.; saucer, 3s. 3d.,2) All Biba prices here are approximate.

Ossie invents summer… Patti wears it.

1960s, celia birtwell, david bailey, Inspirational Images, ossie clark, Pattie Boyd, pre-raphaelite, quorum, Vintage Editorials, Vogue
Yellow vibrations, sun crepe printed with black and green, cut out at shoulders, frilled like a waterfall down tight sleeves; 15 gns. All clothes by Ossie Clark at Quorum, 113 King’s Rd.

Look at summer through new eyes. Ossie Clark sees you in shepherdess smocks of voile, in long crepe dresses, reed-thin red or printed by Celia Birtwell. Pattie Boyd looks at it her way. All at Quorum.

Photographed by David Bailey.

Scanned from Vogue, June 1969.

I think this editorial might be one of the first I ever scanned, back in even my pre-blog days. I may have posted it on MySpace (don’t judge me, I feel ancient enough as it is). I’ve been meaning to properly rescan for years, but finally the time seemed right. It is the perfect combination of designer, model, photographer and a stunning use of Pre-Raphaelite imagery.

Cloud white voile, left, with apple green and peach, a shepherdess shirt, about £8 14s. 6d, matching skirt, about £10 8s. 6d to order.

Gentle beige smock, below, with crepe yoke, half sleeves above long voile cuffed sleeves; body beige, too, with olive and orange; 142 gns.

Flame red crepe dress, below, wrapped round and tied behind, with dragon fin sleeves, long and slender, a potent mixture of enchantment; 12 gns. Scarf by Celia Birtwell. High collar, £3 5s, from selection at London Docks, Munro Terrace.

A Legacy of Lace

1970s, art deco, Deco Inspired, Inspirational Images, janet reger, Linda Dagenais, meriel mccooey, Meriel McCooey, Sarah Moon, sunday times magazine, Vintage Editorials
Long beige slip in lace and crepe, £19.50; soft-lined crepe bra, £5.40.

It is not often that they auction old knickers at Christies, but earlier this year the celebrated wardrobe of Heather Firbank went under the hammer, and an integral part of the collection was her exquisite underwear. Heather Firbank, sister of the novelist Ronald Firbank, was famous for her unique, occasionally eccentric clothes, and though most of them now belong to the Victoria and Albert Museum, the highest bid for the underclothes came from the lingerie manufacturer Janet Reger and her husband Peter. They made copies of the pieces they bought, and tomorrow they will be on sale from Bottom Drawer, 33 Southwick Street, London W.2, and by mail order. They are expensive, certainly, but unfortunately the luxury of Twenties underwear no longer comes at Twenties prices. All accessories are from Maria Cavallos shop Dignetts, at Antiquarius, King’s Road, London S.W.3.

Model is Linda Dagenais.

Words and styling by Meriel McCooey.

Photographed by Sarah Moon.

Scanned from Sunday Times Magazine, November 17th 1974.

Oyster satin cami-slip, £25.00.
Black lace slip, £19-50; black lace camisole top, £28.50
Original cami-knickers from Heather Firbank collection (also shown on cover). The seam-for-seam copy costs £19-50.

Miners Movie Queens

1970s, art deco, Deco Inspired, Hair and make-up, Honey Magazine, Make-up, Miners, Vintage Adverts
Bring back glamour with Miners Movie Queens

An exemplary bit of Seventies-does-Deco, I’m sure you’ll agree.

Scanned from Honey, November 1974.

You know how good it feels (Part 1)

19 magazine, 1970s, art deco, Deco Inspired, Illustrations, Lyn Gray

Magic moments, happy moments, moments alone and moments together—you know how good all that feels. And nothing feels better than that touch of luxury when it comes your way unexpectedly. Just in case you don’t know, we want to prove it, by putting that touch of luxury within your reach. For us, the ‘Thirties, perhaps more than any other era, set the mood for elegance and glamour, and we’ve chosen all our prizes in styles and shades to capture that mood.

A series of eight blissfully brilliant illustrations accompanying a competition feature. There is also a stunning photograph which I will post tomorrow as I thought these deserved their own post.

Illustrations by Lyn Gray.

Scanned from 19 Magazine, July 1974.

One Hundred Years of The Liberty Look

1970s, art nouveau, Bevis Hillier, cosmopolitan, Illustrations, Inspirational Images, liberty, liberty's, Sumiko

(Illustrating an article on Liberty and their centenary by Bevis Hillier)

Illustration by Sumiko.

Scanned from Cosmopolitan, June 1975.

Art Can Be a Wearing Business

1970s, Alain Demange, allen jones, Blades, Browns, Carlton Payne, christa peters, David Hockney, Elizabeth Frink, Erica Crome, Erte, Jasper, Man-Shih Yang, Mensday, menswear, Murray Salem, New Man, Patrick Hughes, ritva, Simpson of Piccadilly, Vogue
Left To Right: Patrick Hughes’ numerical applique worn by Man-Shih Yang, 24, classical composer from Hong Kong. David Hockney’s applique, worn by Alain Demange, 21, French fashion designer. Elizabeth Frink’s bird applique, worn by Carlton Payne, 30, Jamaican jewellery and fashion designer. Allen Jones’ black leg applique, worn by Murray Salem, 21, Actor From Cleveland, Ohio. All appliques on Ritva sweaters, £40 each, at Blades. Velvet jeans, first three, New Man, £12, Browns: Right, by Jupiter, £10.50, Pant House.

A brilliant line-up of the now legendary Ritva jumpers, designed by four of the most well-known British artists of the time, and a series of shirts by Jasper with Erté prints. Menswear? Pah! I’ll take them all please!

Fashion by Erica Crome.

Photographed by Christa Peters.

Scanned from Vogue, December 1971.

Prints designed by Erte on pure slubbed silk shirts, Left to Right: Adam and Eve shirt worn by Murray Salem, in white and gold with red and green on midnight blue. Night and Day shirts: the frontview, Day, worn by Carlton Payne, in off white with golden yellow and brown sunflower, midnight blue collar and sleeve. Backview, Night, worn by Alain Demange, in midnight blue with swirls of white and bright blue stars and bats, orange, maroon and yellow owls. Black shirt With big cats in red with yellow eyes on the front and back, worn by Man-Shih Yang. Shirts by Jasper, £27, From Trend at Simpson. Velvet jeans, £12, at Browns.

Waiting For Your Sugar Daddy

1970s, anello and davide, Angela at London Town, Ann Reeves, art deco, charlotte martin, Deco Inspired, Inspirational Images, John Bishop, mary quant, michael chow, Norma Moriceau, nostalgia, ossie clark, Tony Berkeley, Tony Berkley, Vintage Editorials
Halter-necked backless midi dress. brown with red and white splodges. has a peplum waist. by Tony Berkeley. 9,gns. Grey tights by Biba. 10s 11d Metallic silver-pink T-bar shoes. by Mary Quant. E4 19s.11d. Photographed at the Boulestin Restaurant. 25 Southampton Street. Covent Garden. London. W C 2 (01-836 7061)

Every girl, if only once in her life, gets the opportunity to eat out at one of London’s smart restaurants. so when the time comes you may as well make the most of it. The main thing is not to feel intimidated by your surroundings. but to be very cool and nonchalant. as if you do it all the time. (No slumping down in your seat or staring around the room with your mouth open.) If you just don’t understand the menu. ask your escort or the waiter. don’t just point to something and hope for the best. Make sure your hair is clean and shiny. and please don’t have it set and lacquered (very uncool). Wear some-thing soft and romantic in crêpe or voile, that moves well when you walk. or a halter-neck dress with a low back to make the most of the remains of your summer tan. Make sure your dress length isn’t mini (it might be the only one in the room. and then they’ll all know you’re from out of town). Don’t spoil the effect of your midi with the wrong accessories—wear a pair of new Granny shoes with the higher heel and bar strap for added authentic ‘Forties’ glamour.

Ignoring the title (which I have, as always, left for posterity) this editorial is pretty damn perfect. On the cusp of what we more clearly think of as ‘Seventies’, just before platforms and the extremes of Glam, but turning its back very determinedly on the ‘Swinging Sixties’ and looking further back with nostalgic eyes. It’s also a delicious, possibly unique, snapshot of the most fashionable restaurants in London at the time.

Model is Charlotte Martin.

Fashion by Norma Moriceau.

Photographed by John Bishop.

Scanned from 19 Magazine, November 1970.

Cream satin hat from a selection at Feathers. Purple and cream chiffon dress. by Tony Berkeley. 15gns Purple tights. by Mary Quant. 15s Ankle-lacing shoes. by Anello and Davide. 75s. Photographed at Julies Restaurant. 135 Portland Road. London. W.11. (01-229 8331)
Brown panne velvet short-sleeved midi dress has a sweetheart neckline decorated with tiny bunches of flowers by Ossie Clark. for Radley. £14 10s. Photographed at Mr. Chows Montpelier Restaurant. 13 Montpelier Street. London. SW7 (01-589 0032)
Backless halter-necked brown and cream chiffon dress, by Tony Berkeley, £13 Aubergine tights. by Mary Quant, 15s. Metallic silver-pink T-bar shoes, by Mary Quant, £4 19s. 11d. Photographed at Prunier’s Restaurant, 72 St. James’ Street, London, S.W.1 (01-493 1373)
Multi-coloured triangle dress. by Ossie Clark for Radley, 12 19s 6d. Neutral tights. by Biba. 6s 11d. Ankle-lacing red shoes. by Anello and Davide. 75s. Photographed at Burkes Club, 10 Clifford Street. London, W.1. (01-734 1912) All the jewellery on these pages belongs to our model.
Purple crepe shirt-style calf-length dress. by Ossie Clark for Radley. £15 10s. Purple tights. by Biba. 10s 11d Black T-bar shoes. by Mary Quant. £4 19s 11d. Photographed at Chez Solange, 35 Cranbourn Street. London. W C 2. (01-836 0542)
Long purple crêpe dress with multi-coloured embroidery,-loosely tied at neck and sleeves, by Ann Reeves, 8gns. Neutral-coloured tights. by Biba. 6s. 11d Ankle-lacing purple shoes, by Anello and Davide, 75s. Photographed at the Garden Restaurant, 9 Henrietta Street, London. WC2 (01-240 0088)
Golden panne velvet top. teamed with a Bordeaux and gold skirt. decorated with butterflies. by Angela at London Town. 11gns Aubergine tights. by Mary Quant, 15s. Black T-bar shoes. by Mary Quant. £4 19s 11d. Photographed at Provans Restaurant. 306 Fulham Road. London. S W.10. (01-352 7343)

Meet the Keynote Kit Kids

19 magazine, 1970s, Illustrations, Keynote, psychedelia, Vintage Adverts

Very sadly the illustrator is uncredited, but incredible.

Scanned from 19 Magazine, October 1970.

Shades of Autumn

19 magazine, 1970s, art deco, celia birtwell, francois lamy, Hair and make-up, Ingmari Lamy, Inspirational Images, karl lagerfeld, Make-up, ossie clark, quorum, Revlon

We’ve tried to capture the golden richness and mellow nuances of a well-preserved old oil painting, and create our October face with the new Moody Hues make-up from Revlon’s Natural Wonder collection. Face tone should be warm and tinged with a hint of tan, and we used foundation colour ‘Bisque Beige’, 66p., dusted over very lightly with translucent pressed powder in the ‘Medium’ shade, £1.02. We rouged the cheeks with Cheek Shine in ‘Red’, £1-32. Pursuing the same rustic-toned theme we chose ‘Soulful Plum’ mascara and lashed it on both top and bottom lids, 85p. Eyes are a muted melange of ‘Tortoiseshell’ Eyeshadow Stick, 66p., and the same shade in Lid Lights, the powder version, fading to complementary ‘Minty Green’ powder shadow just under the brows, £1.10 each. We dabbed over the eyelids with ‘Brown Shine’ cream blusher for extra gloss and softness, £1.32. Lips are outlined in ‘Bracken Brown’, 62p.

Model is Ingmari Lamy.

Make-up was applied by visagiste Jean Duval of Revlon, Paris.

The beautiful décolleté dress with huge winged sleeves is in black with a yellow, red and blue feather print, from Quorum, £24.

‘Forties-style hair was dressed by Tina of the Jean-Louis Davide Salon in Paris.

Photographed in the apartment of Karl Lagerfeld, the designer, by Francois Lamy.

Scanned from 19 Magazine, October 1971.