
Queen cover image with model wearing a nightdress by Angela Gore.
Photographed by John Hedgecoe.
Scanned by Miss Peelpants from Queen, 17th July 1968.

Queen cover image with model wearing a nightdress by Angela Gore.
Photographed by John Hedgecoe.
Scanned by Miss Peelpants from Queen, 17th July 1968.

Gladrags printed shirt with cotton satin knickerbockers. Plastic and raffia choker by Adrien Mann. Gladrags cotton satin shorts with bib.
Just a quick glance at any of these new mid-year fabrics can lead to all sorts of sunny ideas. Will you take to squashysoft quilting or fall in love with countryside madras printed denim and shiny new satinised cotton? For the romantic there’s beautiful embroidered lawns and more than enough nostalgia in the turn-of-the-century jacquard crepes, woven on precisely the same machines as those of sixty summers past. All ready for you to wear tomorrow — or to keep aside for that long hot summer . . .
Photographed by Jean Claude Volpeliere.
Scanned by Miss Peelpants from Petticoat, April 1971.

Little bird print shirt and skirt from Biba. Suede wedge shoes from Sacha. Angora brim hat from Browns.

Blue quilted shorts and shirt, both from Feathers. Blue suede shoes by Sacha.

Clobber stars and stripes jacket at Stop the Shop. Bermona denim cap.

Gillian Richard printed dungarees, smock and matching hat from ’27’. Gillian Richard calico smock with matching dungarees from Snob and Irvine Sellars shops. Herbert Johnson hat. .

Angela smock dress at Stop the Shop.

Angela calico farmers smock worn with denim jeans, wellington boots and hat.

Dove grey crepe edge to edge jacket. Dove grey crepe mid-calf skirt. Pink silk shirt with finely pleated collar. All by Zandra Rhodes.
Zandra Rhodes has come up with a brand new collection for her brand new shop at 14a Grafton Street, W1. Using crepe and pure silk, in muted colours – grey, black and bois de rose, and always with her characteristic love of detail, she has produced immensely wearable clothes to see you through the day, and into the evening.
Photographed by Packy Cannon.
Scanned by Miss Peelpants from Harpers & Queen, July 1975.

Bois de rose pleated v-neck top and narrow silk cord tie-belt. Bois de rose wide crepe trousers with one lily type pocket in pleated crepe. Both from Zandra Rhodes. Peach leather sandals by Charles Jourdan.

Cream silk shirt with finely pleated collar. Bois de rose crepe mid-calf skirt with pockets in panels of finely pleated crepe. Both from Zandra Rhodes Sling back wedge sandals by Charles Jourdan.

Black finely pleated crepe v-neck top with cap sleeves and silk cord tie belt. Black crepe ankle-length skirt. Both from Zandra Rhodes. Shoes by Saint Laurent Rive Gauche.

Floor length black crepe dress with buttoned cuffs. From Zandra Rhodes. Shoes by Saint Laurent Rive Gauche.

Striped top and matching crepe cardigan. Cream crepe trousers, all by Jackie Ross at Jon Elliot. Clutch bag by Biba. Blue and white striped scarf from Essences. Beige straw hat by Diane Logan / Green,, white and black striped cardigan is a 19 Magazine knitting pattern. Long cream gored skirt by Brave New World. Cream strappy straw sandals from Chelsea Cobbler.
back to romance with nostalgia and nostalgic clothes in romantic settings. Long, flowing scarves, mysterious veils and soft, sensuous fabrics for Sunday strolls or super dates — a wardrobe for summer sentimentalists
Hair by Robert at Ricci Burns.
Photographed by Gian Barberis.
Scanned by Miss Peelpants from 19 Magazine, May 1974.

Green straw hat by Diane Logan. Green and cream printed crepe de chine dress by Gillian Richard. Cream knitted cardigan from Essences. Grey suede shoes from Bombacha. / Dark green chip straw ht by Diane Logan. Green and cream printed crepe de chine dress by Gillian Richard. Navy blue shoes from Bombacha.

Cream beret by Kangol. Halter top, matching white and blue silk knitted long cardigan. Matching calf-length knitted skirt all by Lison Bonfils at Joseph. Grey suede shoes from Bombacha. / Salmon pink beret by Kangol. Cream crepe sleeveless top with sequin motif. Matching below-the-knee culottes. Both by Jackie Ross for Jon Elliot. Salmon pink silky cardigan from Essences. Sandals from Chelsea Cobbler.

Brown felt hat from Nostalgia. Black and white crepe de chine dress by Jeff Banks. Cream cardigan by Essences. Shoes from Bombacha. / White suit with black pattern and reverse on cuffs and collar from Essences. Black suede shoes from Bombacha. Black scarf from Bus Stop.

Pink straw hat by Diane Logan. Crepe crepe jacket and matching mid-calf skirt by Bus Stop. Cream straw shoes by Chelsea Cobbler. / Black and tan cloche from Diane Logan. V neck top and matching crepe jacket and skirt all from Bus Stop. Straw shoes by Chelsea Cobbler. Scarf to match suit from Bus Stop.

Gillian Richard pinny. Van der Fransen sailor blouse. Biba espadrilles. Cotton blouse and animal print winceyette shirt, both by Richard Green at Lady M ships. Raffia beret, wire bracelet and cherries, all from Biba.
This is the freshest summer fashion story so far. The prettiest pastel shades with tiny nursery prints you must be happy in. These clothes do the most for a girl and whatever your shape you’ll find all manner of pants, aprons and shirts to match your own personality.
Photographed by John Carter.
Scanned by Miss Peelpants from Petticoat Magazine, June 1972.

Jasper shirt. Pants by Lizzie Carr for Plain Clothes. Biba beret.

Shirt by Lizzie Car for Plain Clothes. Canvas pants at Stirling Cooper.

Crochetta sweater at Knits and Leathers. Satin pants by Lizzle Carr for Plain Clothes. Edward Mann hat. Ankle strap shoes by Samm.

Satin bermudas and satin smock, both by Lizzie Carr for Plain Clothes. Rosebud vest from Bus Stop. Edward Mann hat.

Two silk prints in primary colours on beige. £69 at Liberty. Flower strewn hat by Christian Dior Chapeaux. Beige shoes by Andrea Pfister at Bata International. Necklaces and rings from Hope & Eleanor.
The new Liberty silks by Bernard Nevill are quintessential summer—sprigged or swagged with flower from the cornfield, the garden the riverbank, in primary colours on tinted grounds. For a hot sun day, a slate blue trellised blazer over a dress with sprigged pleats, for a sunshine evening, a dress of all sorts of flowers and paisley gathered into long skirt and round puff sleeves. The first look to make, the second to buy.
Prints from Liberty’s Chameleon range designed by Bernard Nevill.
Photographed by Barry Lategan.
Scanned by Miss Peelpants from Vogue, July 1971.

Quilted jacket and wildflower pleats, left: Slate and black blazer, Vogue Paris Original Pattern 2499, designed by Ungaro. Blue flowered beige dress with long sleeves, long torso. Vogue Pattern 2469. Panama hat, by Diorling, from Debenham & Freebody. Suede shoes by Pedro Garcia.

The gist of this editorial seems to be that only the tinest breasted ladies can wear the Ossies, but I have to respectfully and fundamentally disagree. The Ossie tunic on the cover was, along with some matching trousers, later chosen as The Fashion Museum‘s Dress of the Year 1969.
Blonde model photographed by Mike Berkofsky.
Brunette model photographed by Steve Hiett.
Scanned by Miss Peelpants from Honey Magazine, November 1968.

Fluffy frilly blouse by Quorum.

Tunic by Ossie Clark.

Red chiffon blouse by John Craig.

Ruffled black dress by Francis Ford.

Low, plungey-neck dress in red satin by James Moncur.

Black crepe sleeveless dress by Susan Barry.

Showerproof cotton drill jodhpur suit by Biba. Fake snakeskin hat by Herbert Johnson. Black crocodile boots by Anello & Davide.
Since PVC, macs have been exotic… now the real exotics are turning waterproof. Weekend Telegraph photographed some of the unlikely new water-shedders in Jamaica, beside the Rio Grnde and in the Land of Look Behind.
Photographed by Burt Glinn.
Scanned by Miss Peelpants from The Telegraph Magazine, July 1967.

A PVC zip-up jumpsuit by Hilary Floyd modelled in Dunn’s River, Jamaica. Watch by Old England.

Waterproof pigskin culottes by Cordoba Suedewear. Silk shirt by Annacat. Snakeskin waistcoat by Quorum.

Hand knitted bikini by Spotlight. Trenchcoat by Weathergay.

Showerproof cotton drill bermuda suit by Biba. Mock croc hat by Herbert Johnson.

Canvas jacket by Andre Ledoux for Sidwall.

Waterproof snakeskin brocade three-piece trouser suit by Susan Small. Crocodile Dior shoes by Charles Jourdan.

Terylene and cotton cloak and hood by Burberrys. Tricel jersey evening dress and scarf by John Bates for Jean Varon.

Cotton dress in a brown, gold and maroon Batik print with patchwork-look wrapover skit by Anne Tyrrell at John Marks. Bangles and beads by Adrien Mann.
Photographed by Roger Stowell.
Scanned by Miss Peelpants from Flair Magazine, January 1971.

The Black Arts: To keep you cool, at least, ,the newest version of the trad sexy look and black is still a winner – with see-through ‘n’ stripes. The set, less than a handful when taken off, is by Madeleine Foundations.Cobweb shawl by Bellino. Golden chain by Adrien Mann
…will your undies do you proud? Here are some sweet nothings to take his fancy.
There is nothing quite like Seventies underwear, especially Janet Reger, and this shoot is one of the best I’ve ever seen. From the model to the hair to the make-up to the styling…
Photographed by Jean-Claude Volpeliere.
Scanned by Miss Peelpants from She magazine, November 1970.

A little curve goes a long way: Purists’ purple silken set for a luxury touch. Push up bra is pre-formed and underwired. Hold you tightly waspie, laced and lightly boned, swing out rustling midi half-slip. All by Janet Reger. Tights by Quant. Plastic snake armband by Adrien Mann.

Booby trap Flowers are the only sure cover in this hardly-there veil of white. Nestle in this uncrushable bra-slip that’s looped with elastic at the top by Madeleine Foundations. Bare necessity briefs of stretch lace from Etam.

Build your love on a fine foundation: Soft and gentle set – new nude see-you-through shimmer bra and panties with stretchable lace cuffs by Abecita. Butterfly brooch by Adrien Mann.

News in brief: Don’t take any chances… Win his heart in these tiniest of compliments: brightly flowered pants of slightly stretch fabric, Marks and Spencer. Push up bra to have and to hold, Berlei.