
Scanned from Suede and Leather Wear by H. Dorothy Organ for Dryad, 1972.
Photographer and clothes are uncredited (“intended to provide the reader with ideas for their own designs”). The model is Pat Cleveland and the clothes are by Bill Gibb.

Scanned from Suede and Leather Wear by H. Dorothy Organ for Dryad, 1972.
Photographer and clothes are uncredited (“intended to provide the reader with ideas for their own designs”). The model is Pat Cleveland and the clothes are by Bill Gibb.

Scanned from Vogue, June 1973.

Photographed by Karl Stoecker.
Scanned from Honey, February 1972

Brown and cream should be seen. From top to toe it’s all the go!
Photographed by Harri Peccinotti.
Scanned from 19 Magazine, September 1973




Store Dummies I, 1976.
I think that these mannequins, used so artfully by Helmut Newton, might be the Willy van Rooy mannequin by Barway. Which also happens to be the mannequin I use for my vintage clothes!
Photographed by Helmut Newton for French Vogue.
Scanned from Model Girl by Charles Castle

Long cardigans, long skirts, long scarves add up to a rustic setting in a relaxed mood. A casual look forward to restful autumn days.
Photographed by James Wedge.
Scanned from 19 Magazine, August 1973







Whether you believe in star signs or not, this lovely editorial is certainly fun to browse. Pretty happy with my Cancerian Annacat dress, modelled by Stephanie Farrow, but greatly envy the Aries and Scorpio threads.
(Also, please don’t shout at me about the furs. I don’t like them either but it would be weird to leave out Leo and Aquarius. Just pretend they’re fake…)
Photographed by Guy and Elizabeth
Scanned from 19 Magazine, January 1969.












How does a really cool lady knock spots off the opposition? Sneakily. She discards her vibrant purples and blacks, climbs sweetly into pure white undies and, as innocently as a schoolgirl, demolishes all resistance.
While this editorial can’t quite work out how regressive or feminist it wants to be, I cannot fault the pom-pom platform shoes which are all by City Lights Studio (aka post-Mr Freedom Tommy Roberts and far too short-lived). I would definitely karate chop for those babies.
Photographed by Bill Klein.
Photographed at Pickett’s Lock Recreation Centre.
Scanned from Petticoat, December 1973





His eye for imagery and ability to create illusion is illustrated by his photograph of a ballet dancer in the role of Ondine for a calendar for ICI. ‘The girl was in the lake, surrounded by pale, pale blue and she was just coming out of the water.’ He photographed her in the lake at his mother’s house, Nymans, in Sussex, one freezing April morning. ‘I let off smoke bombs, but they didn’t work, so I lit some leaves to make blue smoke. I thought the poor girl would freeze to death, so I filled one of those thermos buckets with hot water, and put it just below water-level, and she was stood in the hot water – in gum boots; but you wouldn’t know it, because she was standing in the blue-lit haze.
Date unknown. Photographed by Snowdon.
Scanned from Model Girl by Charles Castle, 1977.

In the words of Noel Coward, every girl ought to be able to say the morning after, “I’ve been to a mah-vellous party.” A little champagne does not go amiss, but this winter the clothes alone will put a gleam in your eye. There are enough sequins, crystal beads and glittering fabrics to guarantee you are the star attraction. To clinch the deal, I’ve asked some of the most stunning party girls around to give their definition of what constitutes a marvellous party and to put the most dazzling party frocks to the test…
Fashion by Deirdre McSharry.
Photographed by Norman Eales.
Scanned from Cosmopolitan, December 1972.







