That’s what you’ll be in the latest Fifties-style suits and dresses.
Photographed by Peccinotti.
Scanned from 19 Magazine, September 1973.
Patricia Roberts designs exclusive hand knits worn by the famous and sold in the most prestigious fashion boutiques in Europe and America.
In 1976 she opened a knitting shop at 60 Kinnerton Street, London S.W.1., selling her own brand of hand knitting wools called “Woollybear Yarns”.
Such was the success of these pure natural yarns dyed in beautiful flattering colours, that buyers from prestige storesthroughout the country were quick to include them in their ranges.
1978 sees the first of Patricia’s magazines to be published independently. All the designs are knitted in Patricia’s “Woollybear Yarns”.
For the first time knitters will have the opportunity to knit these patterns in the luxurious and inexpensive yarns, for which Patricia’s designs are intended.
Happy Knitting!
Possibly some of the loveliest photographs I have ever seen in a knitting pattern booklet, but perhaps unsurprising given the designer is Patricia Roberts and the photographer Rolph Gobits.
Art Direction by Desmond Serjeant.
Hair by Smile.
Make-up by Mary Vango.
Models: Joanna Jacobs, Kelly, Jane Rochelle, Kevin Hand, Helmut.
Photographed by Rolph Gobits.
Scanned from Patricia Roberts Knitting Patterns, 1978.
The incredible swagger is back. We all know you’ve seen it before, hidden away in mother’s wardrobe, but forget the mothball version and look out for bold stripes, zig-zags and checks in bright primary colours. The difference is that these coats have neat tight-fitting shoulders and wide swirling skirts which swing when you walk-surprisingly flattering and easy to wear. So let the wind blow, all you need is a flash of panache and a splash of colour.
Photographed by Denis Peel.
Scanned from Honey, October 1971.
I was mainly scanning this spread because I’ve just listed a Zandra Rhodes dress which I think must be from the same collection over on Etsy, but thought I might as well put them here too – especially because of that iconic Bill Gibb photo (used for the cover of Iain R. Webb’s definitive book about Gibb, seemingly fetching a pretty penny on Amazon these days). These top-stitched jerseys were a signature look for her in this period and mine also has the Piero de Monzi label. Marc Bolan had a top version in various colours and levels of frilly extravagance.
(If you’re interested in the Zandra Rhodes dress, click here to view it on Etsy.)
Photographed by Clive Arrowsmith.
Scanned from Vogue, September 15th 1972.
Summer sundresses can go a long way. They’re so versatile – you can wear them for work and then dress them up for the evening with hats, scarves and jewellery. Here are some of our ideas.
Photographed by David Anthony.
Scanned from 19 Magazine, August 1975.
Intriguingly styled editorial from 1978, with the latter two images rather suggestive of the Westwood ‘Pirate’ collection that came a mere three years later. Also featuring some shoes by Manolo Blahnik under his ‘Zapata’ brand. I’m also surprised to see them still using the name ‘Jungle Jap’, which had been changed to Kenzo around 1976 I believe, but perhaps Jungle Jap was still the preferred name in the UK.
Clothes and Jewellery from Jungle Jap.
Shoes from Zapata and Jungle Jap.
Model Dagamar at Laraine Ashton.
Styled by Catkin Villiers.
Hair by Robert at Schumi.
Photographed by Graham Hughes.
Scanned from Ritz, No.18 1978.
Probably the greatest paint advert of all time, featuring model and singer Amanda Lear wearing clothes by Kansai Yamamoto from Boston-151. Shoes are by Zapata (aka Manolo Blahnik).
Scanned from Honey, November 1971
Poppy field morocaine dress with drawstring neck by Ossie Clark for Radley. Plaited suede sandals by Bata.
Flirty little crêpe dresses so irresistibly feminine you’ll never be alone for long.
Anyone who knows me at all will know that *I* cannot resist crêpe, never mind what a fella thinks. This is a stunning editorial, with a model I’m not sure I recognise from anywhere else – so do comment if you can identify her. Featuring two covetable dresses by Ossie Clark but also featuring two by the mysterious ‘Boobs’ boutique label (by designer Linda Warren). I have found mention of a ‘Boobs’ boutique in Edinburgh, but I think it might just be coincidence. Again, holler if you know anything!
Photographed by Roy A. Giles.
Scanned from Honey, November 1971.
Daring slash necked lemon and lime striped Dicel crêpe dress with paste brooch by Linda Warren at Boobs. Suede plaited shoes by Bata. Tights by Mary Quant.
Chocolate brown Dicel crêpe dress with wide accordian pleated sleeves gathered into deep buttoned cuffs by Linda Warren for Boobs. Scarlet and black scalloped shoes by Ravel. Red art deco compact from Universal Witness.
Skimpy jet black halter neck bonded moss crêpe dress with pink and black polka dot fluted bolero jacket by Rosy Bradford for Quorum. Scarlet glacé leather peep toe shoes from Zapata. Flocked red cherries by Adrien Mann.
Button-through bow-scattered gently flaring crêpe dress from Bus Stop. Black sude sandals by Bata.
Slippery satin dress with palm tree printed bodice by Ossie Clark for Radley. Scarlet leather peep toe shoes by Zapata.
The leopard cannot change his spots, And that’s the fix I’m in, So come an sit by me, my love, For some highly original skin. <<<<<<>>>>>> Fake-fur bikini and bangles from Biba. Boots by The Chelsea Cobbler.
Don’t give up – this could be the year when what goes on underneath could be your major investment.
Another extraordinary example of James Wedge’s wonderful work in the art of hand-tinting and further adventures in the world of Seventies-does-Fifties-pin up. Notable for including shoes and a petticoat from ‘Let It Rock’ which was Malcolm McLaren and Vivienne Westwood’s first shop in the Kings Road. The influence of rock and roll on and crossover between both glam rock and punk is perfectly encapsulated in this editorial, right slap bang in the middle of the Seventies.
Fashion by Liz Smith. Photographs by James Wedge.
Scanned by Miss Peelpants from Cosmopolitan, January 1975.
When I’m awakened from my slumber It does seem rather mean – It’s always the wrong number and never Steve McQueen. <<<<<<>>>>>> Satin bra and panties from Biba.
Watch out for life’s banana skins, And wear your prettiest slip, So you can say to passing men “I did enjoy my trip”. <<<<<<>>>>>> Bra by Gossard. Petticoat and stilettos from Let It Rock.
When I went in for Crufts with my doggy, I didn’t know how it would go, But it proves the importance of grooming – We’ve been voted the best in the show! <<<<<<>>>>>> Corselette by Janet Reger. Scarf from Femina Furs. Gloves and hat by Biba.
A girl can’t have too many furs, They give her an inner glow. But when it omes to trapping them How fur should a nice girl go? <<<<<<>>>>>> Bra, panties and suspender belt from Fenwick. Cape by Femina Furs. Mules from The Chelsea Cobbler.
If you watch the girls men watch, You’ll see, The girls they watch watch their weight like me. // Look me over closely, Tell me what you see. But if you kiss and tell, you rat, I’ll swear it wasn’t me. <<<<<<>>>>>> Essences camisole. Shoes by Terry de Havilland. Nightgown by Finewear. Shoes by Zapata.
A birthday gift for me, my dear? Come in and close the door. I do like them sending my presents, With a man from Securicor. <<<<<<>>>>>> Nightie and pantie set from Dorothy Perkins.
Men used to say I was forward, But I’ll tell you this, for a fact: Since I chose to look pure, and a little demure, I simply haven’t looked back. <<<<<<>>>>>> Abecita body stocking. Negligee by Martin Emprex. Glove and bag from Biba. Shoes by Let It Rock.
Shoes by Charles Jourdan
Photographed by Lester Bookbinder.
Scanned by Miss Peelpants from Over 21 Magazine, December 1975.
Shoes by Manolo Blahnik for Zapata.
Liz Eggleston 