Inspirational Images: Clothes in Camera

1960s, alice pollock, british boutique movement, Inspirational Images, jean varon, john bates, John Beale, Palisades, Prudence Glynn, quorum, wallis, woman's mirror
Left to right: Herringbone dress  by Quorum, Ansdell Street; Striped dress by Quorum. Large Onyx ring from Palisades. Shoes from Lennards; Three-coloured gaberdine dress by Wallis; Wool jersey dress by John Bates at Jean Varon. Low heeled shoes by Character.

Left to right: Herringbone dress by Quorum, Ansdell Street; Striped dress by Quorum. Large Onyx ring from Palisades. Shoes from Lennards; Three-coloured gaberdine dress by Wallis; Wool jersey dress by John Bates at Jean Varon. Low heeled shoes by Character.

Television is a terrific stimulus to fashion. What Cathy McGowan wears on Ready, Steady, Go! may be in your High Street dress shop a matter of days later in a mass-produced copy. And John Steed’s immaculate Avenger image has played its part in the male peacock revolution. For our television issue here is an ‘outside broadcast’ collection of action clothes.

Produced by Prudence Glynn. Camera by John Beale.

Scanned by Miss Peelpants from Woman’s Mirror, October 1965.

Inspirational Editorials: Class of ’70

19 magazine, 1970s, alice pollock, anello and davide, british boutique movement, bus stop, C&A, catherine buckley, erica budd, Foale and Tuffin, Inspirational Images, Jan de Villeneuve, John Bishop, John Craig, lee bender, medusa, quorum, ravel, Rosie Nice, Sacha, sally levison, Sharcleod, Travers Tempos, Vintage Editorials
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Left: Violet pullover from C&A. Black knickers by Erica Budd. Shoes from Sacha. Right: Lilac pllover and matching knickers both by Erica Budd. Blue shoes by Anello and Davide. Leather belt from Medusa. Scarf from Rose Nice in Kensington Market.

Autumnal perfection…

Photographed by John Bishop.

Scanned by Miss Peelpants from 19 Magazine, September 1970

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Black crochet hat by Sally Levison. Black jersey shirt by John Craig. Black gaberdine midi skirt by Lee Bender for Bus Stop. Shoes from Anello and Davide. Crochet shawl from Catherine Buckley.

Both knitted outfits by Alice Pollock for Quorum. Boots by Ravel. Scarves by Rosie Nice at Kensington Market.

Both knitted outfits by Alice Pollock for Quorum. Boots by Ravel. Scarves by Rosie Nice at Kensington Market.

Left: Dress by Gillian Richard. Hand-knitted Shetland wool shawl by Foale and Tuffin. Shoes by Ravel. Right: Petrol blue jumper from C&A. Rust jersey skirt by Mary Quant's Ginger Group. Blue lace shawn by Foale and Tuffin. Shoes by Anello and Davide.

Left: Dress by Gillian Richard. Hand-knitted Shetland wool shawl by Foale and Tuffin. Shoes by Ravel. Right: Petrol blue jumper from C&A. Rust jersey skirt by Mary Quant’s Ginger Group. Blue lace shawn by Foale and Tuffin. Shoes by Anello and Davide.

Sharcleod

Deep ochre wool hat found at a jumble sale. Tomato red and white long line pullover by Shar-cleod. Gaberdine skirt by Travers Tempos. Boots from Ravel. Silk scarf from a selection at Rosie Nice in Kensington Market.

Royal blue crochet hat found at a jumble sale. Blue and white flecked pullover and matching skirt by Erica Budd. Boots from Ravel.

Royal blue crochet hat found at a jumble sale. Blue and white flecked pullover and matching skirt by Erica Budd. Boots from Ravel.

Inspirational Editorials: Maybe I was just born liberated

1970s, alice pollock, british boutique movement, Celestia Sporborg, Foale and Tuffin, Frank Horvat, Inspirational Images, just looking, kurt geiger, ossie clark, radley, ritva, stirling cooper, vanity fair
celestia sporborg by frank horvat vanity fair 1971 6

Stirling Cooper

This photoshoot, featuring the brilliantly named Celestia Sporborg, is another one of my all-time favourites, and one I have put off scanning for a long while because Vanity Fair is actually a rather painful magazine to scan. The gummed spine, with age, does not enjoy being flattened so it requires extra effort to maintain some kind of structural integrity. I couldn’t NOT scan though. I love these images. I love the blurriness, her natural facial expressions, the very domestic backdrop and, of course, the completely mind-blowingly fabulous clothes. I don’t know where to start. That Stirling Cooper above is just so modern. And the Radley playsuit, so very Glam. And the Ossie… Plus Alice Pollock, Foale and Tuffin and a Ritva sweater I sold on Vintage-a-Peel a few years back

It also identifies the shots from Vanity Fair’s Guide to Modern Etiquette, ‘Nice Girls Do’, which I posted about before. To contextualise this shoot, the entire June issue is dedicated to feminism and liberation. Certainly one of the main reasons I love Vanity Fair almost above all other magazines of the period is the fact that they would theme all the contents of an issue, including the fashion spreads.

Celestia Sporborg is now a casting director herself, with over a hundred film credits on IMDB. She married theatre and film producer Robert Fox (brother of James and Edward) in 1975 and they had three children together.

Photographed by Frank Horvat.

Scanned by Miss Peelpants from Vanity Fair, June 1971

celestia sporborg by frank horvat vanity fair 1971 3

Foale & Tuffin

celestia sporborg by frank horvat vanity fair 1971 4

Radley

celestia sporborg by frank horvat vanity fair 1971 5

Ossie Clark

celestia sporborg by frank horvat vanity fair 1971 1

Ritva

celestia sporborg by frank horvat vanity fair 1971 2

Alice Pollock

Inspirational Editorials: Knockout Knits

1960s, Adrian Mann, alice pollock, biba, Bobby Cousins, british boutique movement, charlotte martin, Clarks, clobber, eric clapton, george harrison, Inspirational Images, Ivor Wahl, Jimmy Page, just looking, McCaul, petticoat magazine, quorum, ravel, Richard Shops, roger stowell, Rosalind Yehuda, Russell & Bromley, Sharcleod, Vanessa Frye, Vintage Editorials, way in
Knockout Knits Roger Stowell Petticoat March 29th 1969 Sweater and skirt by McCaul from Way In, SW1  Ribbed sweater and skirt by Bobby Cousins
Sweater and skirt by McCaul from Way In, SW1. Ribbed sweater with matching skirt by Bobby Cousins.

Featuring iconic model Charlotte Martin (who had romances with Eric Clapton, George Harrison and Jimmy Page). and some of the sweetest knits I’ve ever seen.

Photographed by Roger Stowell.

Scanned by Miss Peelpants from Petticoat, March 29th 1969

Blue-green knobbly suit by Clobber from Girl. Beige sling back shoes by John Smith. Dusty pink knitted dress with patterned from by Rosalind Yehuda from Vanessa Frye.
Blue-green knobbly suit by Clobber from Girl. Beige sling back shoes by John Smith. Dusty pink knitted dress with patterned from by Rosalind Yehuda from Vanessa Frye.
Knockout Knits Roger Stowell Petticoat March 29th 1969 Angora dress from Mary Farrin Boutique 67 South Molton Street Shoes from Russell and Bromley Two tone angora dress by Jandy Lesser Sandals Ravel
Angora dress from Mary Farrin Boutique, 67 South Molton Street. The 69 shoe from Russell and Bromley. Knee socks by Pex. Two-tone angora dress by Jandy Lesser. Sandals by Ravel.
Knockout Knits Roger Stowell Petticoat March 29th 1969 Cardigan by Things at Morley Skirt with matching waistcoat by John Craig
Cardigan by “Things” at Morley. Skirt from Richards Shops. Ravel sandals. Gored skirt with matching waistcoat by John Craig. Cream shirt from Ivor Wahl. Clarks shoes.
Both dresses by Clobber at Just Looking. Bracelet by Adrien Mann.
Both dresses by Clobber at Just Looking. Bracelet by Adrien Mann.
Apple green knitted waistcoat by Sharcleod, from Girl, Kings Road. Cream shirt and skirt by Ivor Wahl.
Apple green knitted waistcoat by Sharcleod, from Girl, Kings Road. Cream shirt and skirt by Ivor Wahl.
Cardigan with belt by Biba. Check wool skirt from Richard Shops.
Cardigan with belt by Biba. Check wool skirt from Richard Shops.
Caridgan by Alice Pollock at Quorum. Richard Shops skirt. Shirt by Sharcleod.
Cardigan by Alice Pollock at Quorum. Richard Shops skirt. Shirt by Sharcleod.

Inspirational Editorials: Perfect Pyjamas by Peccinotti

1970s, alice pollock, biba, british boutique movement, caroline baker, chelsea cobbler, edward mann, Electric Fittings, Harri Peccinotti, Herbert Johnson, Inspirational Images, John Craig, katharine hamnett, marie france, nova magazine, ossie clark, quorum, radley, Sujon, Susie Craker, tuttabankem, universal witness, Vintage Editorials, Virginia, yardley, yves saint laurent

Pyjama suit by Sujon.

Pyjama suit by Sujon.

Photographed in Brazil with Yardley, whose Yardley McLaren team took part in the 2nd Grand Prix, 1973

Photographed by Harry Peccinotti. Styled by Caroline Baker.

Scanned by Miss Peelpants from Nova, May 1973

Drawstring neck top (part of a flared Pajama suit) by Ossie Clark for Radley. Compact mirror from Biba.

Drawstring neck top (part of a flared Pajama suit) by Ossie Clark for Radley. Compact mirror from Biba.

Crêpe de chine printed coat and plain crêpe bags from Electric Fittings. Rib sun top by John Craig. Pique sun hat by Edward Mann. Espadrilles at Ronald Keith.

Crêpe de chine printed coat and plain crêpe bags from Electric Fittings. Rib sun top by John Craig. Pique sun hat by Edward Mann. Espadrilles at Ronald Keith.

Dressing gown from Austin Reed. Silk blouse and baggy pants by Katherine Hamnett for Tuttabankem. Cobweb shoes at Chelsea Cobbler.

Dressing gown from Austin Reed. Silk blouse and baggy pants by Katharine Hamnett for Tuttabankem. Cobweb shoes at Chelsea Cobbler.

Crêpe de chine pyjama suit by Susie Craker. Panama at Paul Craig.

Crêpe de chine pyjama suit by Susie Craker. Panama at Paul Craig.

Sun top sweater by Virginia. Cotton baggy pants by Universal Witness. Hat by Herbert Johnson. Shoes by Yves Saint Laurent.

Sun top sweater by Virginia. Cotton baggy pants by Universal Witness. Hat by Herbert Johnson. Shoes by Yves Saint Laurent.

Crêpe and satin jacket top by Marie France for Quorum. Flared crêpe trousers by Alice Pollock for Quorum.

Crêpe and satin jacket top by Marie France for Quorum. Flared crêpe trousers by Alice Pollock for Quorum.

Inspirational Editorials: Second Time Around in Alice Pollock

1970s, alice pollock, british boutique movement, City Lights, cosmopolitan, Deirdre McSharry, Inspirational Images, jackie collins, janet reger, joan collins, L'Odeon, laurence harvey, norman eales, paulene stone, quorum, sarah frearson, Vintage Editorials, Walter Steiger, Zazie

alice pollock cosmo may 73 norman eales 2

“He’s a shade younger than I am, but he’s determined to close the generation gap. Luckily I’m not in the least bit ticklish”.

Your second oyster tasted much nicer than the first. The second time you drank champagne the bubbles did not make you sneeze… As Jackie Collins, the writing Collins sister puts it: “The second marriage is definitely more fun. The first time you marry very young; the next time you know what you are involving yourself in.” Joan, the actress Collins adds: “In my case it’s the third time around. And that’s better still. ” Alice Pollock, the designer, is contemplating taking the plunge again – hence this Second Time Around fashion – “It’s cool to marry again, providing you do it well. ” Paulene Stone, the beautiful redhaired model who married Laurence Harvey in the New Year – and after a long courtship – said: “The second marriage? Oh, it’s a lovely feeling. I was so glad when it finally happened.” (Honest lady!) As is Mr Harvey who describes re-marriage as: “The triumph of hope over experience.” And  to all the hopeful ladies who are contemplating love or marriage for the second time, these beautifully experienced clothes are dedicated.

All clothes by Alice Pollock at Quorum. Fashion by Deirdre McSharry. Photographed by Norman Eales. Modelled by Zazie.

Scanned by Miss Peelpants from Cosmopolitan, May 1973.

alice pollock cosmo may 73 norman eales 1

“It’s so restful spending the evening with a man you know well. I just let him get on with his Proust.” Shoes by City Lights

alice pollock cosmo may 73 norman eales 3

“Well we got to Caxton Hall in time. I picked him up in my Porsche just in case.” Hat by Sarah Frearson. Pendant from L’Odeon.

alice pollock cosmo may 73 norman eales 4

Inset Above: “Who says brides don’t wear black?” / Above: “Second honeymoons are seriously underrated. I haven’t had so much fun since I saw Private Lives.” Suspender belt by Janet Reger. Shoes from Walter Steiger. His outfit at Simpsons.

Inspirational Editorials: Knits, socks and clogs

1970s, alice pollock, alistair cowin, biba, british boutique movement, Chelsea Antiques Market, crowthers, Donald Davies, elisabeth novick, Grade One, harold ingram, Harrods, Inspirational Images, Jan Jensen, John Craig, kensington market, Margaret Howell, Mayfair Market, moyra swan, quorum, stop the shop, The Sweet Shop, Toto, Vintage Editorials, Vogue

Puff sleeve sweater from Harrods. Small turquoise Acrilan bib sweater at Stop the Shop. Both by John Craig. Khaki ribbed bermuda shorts by Donald Davies. Tapestry clog boots by Jan Jensen.

Puff sleeve sweater from Harrods. Small turquoise Acrilan bib sweater at Stop the Shop. Both by John Craig. Khaki ribbed bermuda shorts by Donald Davies. Tapestry clog boots by Jan Jensen.

A perfect winter look.

Photographed by Elisabeth Novick. Scanned by Miss Peelpants from Vogue, February 1971.

Dusty pink puff sleeved sweater over a beige linen sweater. Both by Harold Ingram. Thick purple wool trousers at Biba. Striped socks, Ruskin at Kensington Market. Knit cap by Margaret Howell at The Sweet Shop. Rose in glass pin, Marie Middleton at Chelsea Antique Market. Jacquard sweater by Toto at branches of Crowthers. Mushroom beige sweater underneath by Harold Ingram. Royal blue cashmere shorts, McGregor of Dublin. Over the knee socks by Donald Davies.

Dusty pink puff sleeved sweater over a beige linen sweater. Both by Harold Ingram. Thick purple wool trousers at Biba. Striped socks, Ruskin at Kensington Market. Knit cap by Margaret Howell at The Sweet Shop. Rose in glass pin, Marie Middleton at Chelsea Antique Market. Jacquard sweater by Toto at branches of Crowthers. Mushroom beige sweater underneath by Harold Ingram. Royal blue cashmere shorts, McGregor of Dublin. Over the knee socks by Donald Davies.

Vest and pullover both by Alice Pollock at Quorum. Pink knitted shorts by Alistair Cowin at Grade One. All clogs from Mayfair Market. Puff sleeved sweater in stripes of tuqouoise, pink and navy, acrylic tibbed dark blue polo neck undeneath, dark blue knitted trousers rolled up. All by John Craig at Stop the Shop.

Vest and pullover both by Alice Pollock at Quorum. Pink knitted shorts by Alistair Cowin at Grade One. All clogs from Mayfair Market. Puff sleeved sweater in stripes of tuqouoise, pink and navy, acrylic tibbed dark blue polo neck undeneath, dark blue knitted trousers rolled up. All by John Craig at Stop the Shop.

Inspirational Editorials: Blouses on Wings

1970s, alice pollock, barry lategan, Bata, british boutique movement, Brosseau, che guevara, Hans Metzen, Inspirational Images, michael chow, platforms, quorum, Reflection, Screaming Mimi, Vogue

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Left: Jersey diamond by Hans Metzen. Red patent platforms by Bata. Hat by Brosseau. / Right: Black and white batwing by Hans Metzen. Platforms by Antonio at Bata International. Sailor hat by Brosseau.

How about that sleeve? Striped jerseys and white silks wider than they’re long.

Satin skirts, all pictures, by Screaming Mini at Reflection, Kensington High Street.

Photographed at Mr Chow’s Montpelier, Knightsbridge. Chess set with fake fur board at Harrods.

I’m always excited to see Alice Pollock anything, anywhere, but this spread features a blouse I have (except mine is in black) in the second image. There’s a good reason why vintage blouses get snapped up so quickly, and this photoshoot proves it…

Photographed by Barry Lategan. Scanned by Miss Peelpants from Vogue, April 1972

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Blouse by Alice Pollock, with fine faggoting instead of seams, at New Quorum and Che Guevara

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Blouse by Alice Pollock, at New Quorum and Che Guevara

Blouse by Alice Pollock, at Boston 151

Blouse by Alice Pollock, at Boston 151

The Cover Girl Look

1970s, alice pollock, Inspirational Images, John Adriaan, laurence harvey, paulene stone

Photographed by John Adriaan

Paulene Stone, this month’s cover girl*, is one of the last of the Great Glamour Girls. In the tradition of Katharine Hepburn, Rita Hayworth and Fiona Von Thyssen, she has had lots of exposure and most of the perks. Like her carpet-sweeping ranch mink, walk-in wardrobe, heated swimming pool and her dishy boyfriend, film star Laurence Harvey.

She’s come a long way from Brighton where, at sixteen, she won a model contest. But Paulene’s solid gold glamour takes work—lots of it. Swimming twenty lengths of her heated OUTDOOR swimming pool, for instance. Especially in winter, Paulene says. “Though I’m not your full sporty type . . . I never get my eyelashes wet.”

She tackles cellulite the tough way. with water massage. Four jets on each side, one at the back, this brisk Japanese water treatment really works, says Paulene. “Every dimple on my buttocks went.” Standing five foot nine inches in her Biba boots, American jeans and sweater—the model girl uniform- she weighs only 8 st. 12 lb. And l’ve seen her eat strawberry jam on bread for lunch, followed by a doughnut. Paulene has plenty of incentives, of course. Her boyfriend is one. “I hate to be outdone by Larry,” she says. He takes daily saunas. She skips this because it dried her skin. A built-in softener in the water tank, lashings of Fenjal and regular sessions with Nair depilatory on her legs, keep that milk-maid skin impeccable.

Paulene casts a cold eye on her skin in the clear light of a fluorescent tube, set in a mirror just above eye-level—very revealing. Like most enduring beauties she knows her flaws down to the last missing eyelash. On the current natural kick. most models have thrown away their false eyelashes. Not  Paulene. “I can’t NOT wear them, I have none of my own. Larry calls me: ’No Eyes’.” Putting her face together starts with Boots No. 7 foundation in a beige tint, spread very fine with a sponge. For pictures she adds a fluff of Germaine Monteil sheer powder which doesn’t add any colour. Estée Lauder’s brick coloured brush-on powder hollows her cheeks. She rings her eyes with Mary Ouant’s dark blue crayon, then adds Cardinelli eyelashes. She plucks her pale eyebrows to a fine arc. then shadows them with Almay’s brown brush-on shadow. Her red hair is streaked twice a year and she prefers to wash it, in herbal shampoo, and set it herself. Her lipstick and nail varnish are currently red.

“Not blood-red, Larry hates obvious red lips. It’s idiotic to irritate a man with your make-up or clothes; the whole point is to attract the opposite sex, not repel them.” says Paulene. Like most men, her fella doesn’t notice clothes unless he doesn’t like them. She remembers when they first met he asked why she didn’t own a little black dress. “He even bought me pearls. That was when l wore white mini kilts and Courreges boots!”

Paulene’s been through several styles from the all-white bit, through Chanel suits to hippy gear, and now she’s back to classics. Her walk-in wardrobe holds clothes by the rackful and several furs. A Herbert Johnson hat box holds two swash-buckling hats with sweeping brims and pheasant feathers and the place reeks lushly of Calandre, Paco Rabanne’s scent. The bathroom wall is lined with nicely narcissistic pictures of Paulene with Larry, plus prints and paintings of leopards, a fox, a Thai tiger in brass and other beautiful felines. Paulene, a well-groomed and well-loved feline herself says: “I’m saving up for my first face lift now. I shall not grow old gracefully.”

Scanned from Cosmopolitan, April 1972.

*Curiously, she isn’t actually the cover model for the issue this appeared in!

Of course Larry and Paulene get their own cover a few issues down the line…

Photographed by John Adriaan

Photographed by John Adriaan

 

Alice Pollock – Breaking into the big time

1970s, alice pollock, british boutique movement, ossie clark, petticoat magazine, quorum, radley, Richard Davis

Photograph by Richard Davis

Alice Pollock is twenty-seven. She and Ossie Clark are regarded as one of the most inspired pairs of designers in England. Their Quorum range can uually be counted on for style, originality and incredible appeal. Yet it wasn’t such a long time ago that they’d never even heard of each other and she had never even dreamed about designing clothes.

“Before Quorum I’d done lots of things but I suppose could mainly be called a film assistant. I worked with Tony Richardson and Orson Welles. I had this ambition to own my own company, so I formed one to make chairs. They weren’t very successful so I started designing clothes. I suppose they seemed more lucrative.

“That was when I got my first break. I’ve had several. All of them were terribly important. I couldn’t have done at all well without them. But the first break was getting the first range of clothes photographed by Queen. There were ten garments. It was marvellous publicity. It helped us get established and was tremendous. The next great break was meeting Ossie.

“A friend of a friend suggested we meet one day. He just walked through the door, a quiet, dark little man, nothing like the Ossie Clark we know today. I thought he was too much. We were like twins. That was incredible. But for ages we were living hand to mouth. Though Quorum had a good reputation we weren’t making it financially. But we were really lucky. Last year Ossie made a deal with Radley Fashions who took us over. that was another break. Things have been marvellous since then.”

Scanned from Petticoat, February 1970

Please do check out Vintage-a-Peel for pieces by Alice and Ossie.