
Model is Linda Dagenais.
Make-up by Barbara Daly.
Photographed by Willie Christie.
Scanned from Vogue, December 1974.

Model is Linda Dagenais.
Make-up by Barbara Daly.
Photographed by Willie Christie.
Scanned from Vogue, December 1974.

Entice in clothes of clinging silk and flowing crepe de chine, fragile and provocative. Mata Hari knew the secret … try it for yourself.
Photographed by Mike Berkofsky.
Scanned from Honey, September 1974.





The Twelve Days of Christmas… inspired us to create for you an exciting and dazzling face for each one of the 12 days in the hope that your ‘True Love’ will shower you with gifts, ancient and modern.
Make-up by Barbara Daly.
Photographed by John Bishop.
Scanned from 19 Magazine, December 1973












With the aid of a ballet dancer and delicately hand-coloured pictures, we stepped into the magical world of Russian ballet. recapturing the ethereal beauty and charm of ballet at its greatest … a world so unreal and yet so pleasing to recreate for a special occasion.
Make-up by Kirsty Klimo.
Photographed by James Wedge.
Scanned from 19 Magazine, December 1975.




For much too long now, “dressing up” to go out has been looked upon as simply too uncool for words. Being chic meant arriving at a party in the clothes you got up in that morning and heaven help a girl who attempted anything more extravagant than a lurex halter top and trousers. This year the festive season takes its revenge – and with a vengeance! There is room for all the glamour you can muster and then some. It’s time for every girl to discover her own specially good assets, be it a neat pair of legs, smooth shoulders or an uplifting bust, and then show them off in shimmering satin, coolest crepe n’ dazzling decoration.
Pictures taken at Lindos, Rhodes, where Petticoat’s fashion and beauty team stayed by courtesy of Cosmopolitan Holidays Ltd., 296, Regent Street, W1.
Hair by Christine at Mane Line.
Fashion by Marcia Brackett.
Photographed by Fortuna.
Scanned from Petticoat Magazine, 1st December 1973.




Long-term plan for spring dressing: slither in slim shapes, go sleek in skinny skirts and slink thin in think-slim skintight tops.
Model is Vivienne Lynn.
Styling by Marcia Brackett.
Photographed by Roger Charity.
Scanned from Petticoat, March 23th 1974



Photographed in Ricci Burns’s drawing room. Hair by Mr Ricci of Ricci Burns.
Photographed by Mike Berkofsky.
Scanned from Honey, January 1975.



Every girl, if only once in her life, gets the opportunity to eat out at one of London’s smart restaurants. so when the time comes you may as well make the most of it. The main thing is not to feel intimidated by your surroundings. but to be very cool and nonchalant. as if you do it all the time. (No slumping down in your seat or staring around the room with your mouth open.) If you just don’t understand the menu. ask your escort or the waiter. don’t just point to something and hope for the best. Make sure your hair is clean and shiny. and please don’t have it set and lacquered (very uncool). Wear some-thing soft and romantic in crêpe or voile, that moves well when you walk. or a halter-neck dress with a low back to make the most of the remains of your summer tan. Make sure your dress length isn’t mini (it might be the only one in the room. and then they’ll all know you’re from out of town). Don’t spoil the effect of your midi with the wrong accessories—wear a pair of new Granny shoes with the higher heel and bar strap for added authentic ‘Forties’ glamour.
Ignoring the title (which I have, as always, left for posterity) this editorial is pretty damn perfect. On the cusp of what we more clearly think of as ‘Seventies’, just before platforms and the extremes of Glam, but turning its back very determinedly on the ‘Swinging Sixties’ and looking further back with nostalgic eyes. It’s also a delicious, possibly unique, snapshot of the most fashionable restaurants in London at the time.
Model is Charlotte Martin.
Fashion by Norma Moriceau.
Photographed by John Bishop.
Scanned from 19 Magazine, November 1970.






That’s what you’ll be in the latest Fifties-style suits and dresses.
Photographed by Peccinotti.
Scanned from 19 Magazine, September 1973.






Remember those Joan Crawford, Bette Davis, Hollywood weepies where men were heroes and women were fluttery, feminine creatures who stayed at home, controlling the tremble in their lower lips when the boys went off to war? Well, the best of the Joan Crawford era has finally hit town, and few designers have caught on to the ‘Forties look as successfully as Sheridan Barnett of Tony Berkeley. A talented twenty-three-year-old, he is one of the newest designers to emerge in London. He obviously likes women to be women as his clothes are beautifully cut and styled and are entirely feminine. He has a keen eye for line and simple detail which he carries through in his choice of fabric. All the dresses photographed (available from the Way In at Harrods) are in Tricel and show how important shape has become again. The clothes are seductive with the emphasis on simplicity and style …
Model is Ingrid Boulting.
Photographed by David Tack.
Scanned from 19 Magazine, July 1970.