
For everyone who’s bored with the 30s and outraged by the 40s and 50s, try these nice neat little dresses for size!
Photographed by Patrick Russell.
Scanned from Honey, March 1972.




For everyone who’s bored with the 30s and outraged by the 40s and 50s, try these nice neat little dresses for size!
Photographed by Patrick Russell.
Scanned from Honey, March 1972.



We can cope with the cost of living shooting up, but if the cost of looking good becomes more than we can afford, we’ll despair. It’s not just the hothouse cosmetic brands that are so expensive now, even the middle-of-the-road ones can set you back nearly £1 an item. We asked Boots 17 and Outdoor Girl to create, specially for us, two really cheap New Faces for Spring. Here they are, and they aren’t just cheap, they’re very pretty too.
Boots 17 came up with an expensive-looking browny/beige Face for only 94p. It goes like this: Nearskin Foundation in Beige, 29p. Pearly Cream Shadow in Brown Smudge, 19p. Brown Runproof Mascara, 29p. Try-Size Lipstick in Toffee Apple, 17p.
Outdoor Girl suggested a much paler look. The total cost comes to £1.03 but that includes a blusher —if you can’t afford it, just use lipstick on your cheeks. Silky Touch Foundation in Fair, 25p. Cream Blusher in Cameo, 19p. Black Block Mascara, 20p. Pistachio Green Matte Shadow, 19p. Try Size Lipstick in Star Performer (a lovely soft rusty brown), 20p.
Illustration by Lynn Gray
Scanned from Honey, April 1976.
Italian film star Rossana Podesta returns to the screen, after an absence of two years caused by illness, as Lilia the shapely leading lady of Paolo, il caldo, a study in eroticism written by Vitaliani Brancati. The film, which is set in the Twenties and Thirties, traces the relationship between Lilia and the central character, Paolo – a Sicilian Baron whose main interest in life is women. Before eventually ending her love affair with the sensual Sicilian, Lilia manages to slip through an enticing selection of seductive clothes, until she settles down to a conventional marriage. The clothes, by Tirelli of Rome, one of Italy’s largest theatrical costumiers, are modern interpretations of Twenties and Thirties styles; there are chunky furs, cream coloured foxes, flat berets, apache-type scarves, and saucy old-fashioned lingerie made from satins, laces, ribbons and ostrich fronds.
Photographed by Tazio Secchiaroli.
Scanned from The Sunday Times Magazine, May 13th 1973.

No need, any longer, to be just another bedraggled figure, walking in the rain. Take a long look at the macs we’ve chosen for you – six glamorous shapes to help you look your best. Now you, too, can go singing in the rain!
Illustrations by Andrew Holmes.
Scanned from 19 Magazine, October 1975.


Make-up by Regis at Biba Beauty Parlour.
Hair by Robin at Ricci Burns.
Photographed by Mike Berkofsky.
Scanned from Honey, March 1975.






Long languid shapes, tiny halter necks and easy voluminous trousers. Shades of 30s tea dances and glorious afternoons lounging amongst the hothouse palms in clothes that make you feel every inch a lady while keeping you cool on the hottest day.
Photographed by Richard Selby.
Scanned from Honey, July 1972.






Cotton jackets and blouses, comfortable baggy trousers, skimpy bareback sun tops and neat knee-length shorts. Team them up with saucy felt berets and rope-soled espadrilles —wear them anywhere (or on the prom).
A glorious recreation of 1930s photographs by the late great Mike Berkofsky, but we all know those pups are the real stars of the show!
Photographed by Mike Berkofsky.
Scanned from Honey, May 1974.







If you have never felt silk next to your skin, Berlei recreates that sensuous feel with a new range of bras called Light Touch. They are made in a luxurious material, Qiana. Silkier than silk, Light Touch gives you that ’30’s feeling; soft, saucy and sure. Price’s candles echo that mood beautifully, with their subtle, caressing light shimmering around you.
A stunner of an advertorial, sadly with no photographer credit, for Berlei bras with a stunning Seventies-does-Deco aesthetic. Which, in turn, signposts something rather more familiar from later Seventies into Eighties imagery. Whoever this photographer was, I think they were very ahead of the curve (if you’ll pardon the pun!).
Scanned from Vogue, October 1st 1973.

