
Ski pants, socks and hot tops – a fresh look for the future with a little help from the past.
Photographed by Roger Charity.
Scanned from Honey, May 1975.



Ski pants, socks and hot tops – a fresh look for the future with a little help from the past.
Photographed by Roger Charity.
Scanned from Honey, May 1975.


Slip a shawl over summer and dream the days away in a land of your imagination. There couldn’t be a more beautiful way of letting a long sticky heatwave slip by than with these gentle colours made by a bleaching sun and these homespun clothes in soft country shapes. Whether you make it all the way to a shady plantation or just as far as the nearest cornfield, the scenery around any home this summer should look pretty good. Build up layers of cotton checs, sand suede overslips and warm rainbow knit waistcoats because even the sun can havee tantrums sometimes. Pack a pair of laced sandals and one huge-brimed straw hat.
Fashion by Sue Hone.
Photographed by John Carter.
Scanned from Petticoat, 22nd May 1971.





In wide cotton skirts, stripy little jackets and bright Petrouchka colours.
I’ve scoured and scoured but can’t find a photographer credit. Apologies to them.
Scanned from Harpers and Queen, March 1975.

Brigitte Bardot first glamorised gingham, mixing it with sex and broderie anglaise to set a devastating new trend. It’s back, showing every sign of being the big summer ’76 story, versatile enough to go from ingenue to sophisticate.
Always incredible to see Gina Fratini clothes being worn to their full effect, this time by lovely Vivienne Lynn, and also to see the Hard Rock Cafe in its earlier, less gimmicky life.
Hair by Kerry at Molton Brown.
Photographed by Elisabeth Novick.
Scanned from Over 21, April 1976.

For the final stage in our gingham story we photographed a “real” woman rather than just a model: actress Ruth Rosen. Ruth has recently been edifying and diverting us with her performances at major art exhibitions where she virtually brings the artist to life, presenting a one-woman show based on his life and works. Recent subjects have been Turner at the Tate Gallery and Burne-Jones at the Hayward. The next one will be Constable at the Tate. Look out for it…

Your poor old great grandma used to wear corsets with lots of complicated lacing and back-piercing whale bones! Fortunately for you, such constricting garments are history, and the accent is now on complete and utter freedom. In fact, you could say underwear has become a second skin – and we prove our point with the following…
It’s nice to know that Harri Peccinotti still has the capacity to blow me away with a new-old photoshoot. Of course, insanely high and sparkly platform shoes and silky underwear plays a large part in that, but the mood he captures is second to none. I wonder if I will ever not believe that this aesthetic is the ultimate?
Photographed by Peccinotti.
Scanned from 19 Magazine, April 1973.


I can’t say I’d normally be rushing to lovingly scan a Trevira advertorial, but then not all Trevira adverts were photographed by Eva Sereny!
All man’s accessories from Austin Reed.
Photographed by Eva Sereny.
Scanned from Vogue, March 1978.

In spirit it’s Valentino, Jolson, Talkies and Tea Parties and that outrageous Charleston thing with kinky feather boas and twirly beads. In fact it’s dewey-eyed memories of the twenties matched with today’s sense of cheerful frivolity. It’s fun, it’s gay on a lot of today’s bright young people!
Fashion by Sue Hone.
Photographed by Paul Misso.
Scanned from Petticoat, 13th March 1971.


The incredible swagger is back. We all know you’ve seen it before, hidden away in mother’s wardrobe, but forget the mothball version and look out for bold stripes, zig-zags and checks in bright primary colours. The difference is that these coats have neat tight-fitting shoulders and wide swirling skirts which swing when you walk-surprisingly flattering and easy to wear. So let the wind blow, all you need is a flash of panache and a splash of colour.
Photographed by Denis Peel.
Scanned from Honey, October 1971.

Japanese men are peculiarly affected by a glimpse of the naked nape of a Japanese neck. In Western cultures such excitement is generated by a panorama of bosom (as in this black chiffon dress by Thea Porter), or a smooth swathe of thigh. Here we show some revelations from the London autumn collections… hot numbers for the coolest of winter evenings.
All perfect for lockdowns, I’m sure you’ll agree! It’s also nice to be surprised by Ossie Clark every once in a while – with a corset being so vastly different in tone from what we would usually expect.
Photographed by Sam Haskins.
Fashion Editor: Cherry Twiss.
Hair by Paulene at Michaeljohn.
Scanned from The Telegraph Magazine, 8th November 1974.





Brighter and brighter, the new brand of knits is coming. Bolder than ever, with huge batwing sleeves, flaring kimono arms and rainbow stripes. Piled on top of one another or over a striking shirt – without any doubt the greatest knits ever seen.
I don’t know about you, but clown and circus-influenced editorials are one of my favourite themes and really quite a staple of the late Sixties and early Seventies youth magazine boom.
Photographed at Foire & Cirque de Rancy, France.
Photographed by Alain Walch.
Scanned from Honey, February 1972.


