How’s Your Bed Life?

1970s, alice pollock, Chaslyn, David Anthony, flair magazine, Inspirational Images, laura ashley, quorum, Vintage Editorials

Natural cheesecloth nightie with cap sleeves, plunge neck and white and green appliqué daisy, £10; matching leg o’ mutton sleeve dressing gown, £15, both by Alice Pollock for Quorum.

Doing very nicely, thank you . . . because we’ve discovered the new night time naturals. Less fussy than ruched baby dolls or flighty nylon numbers, these natural nighties are in calico, cheesecloth, cotton and cotton lawn in true Kate Greenaway style, but grown-up, sexier.

Photographed by David Anthony.

Scanned from Flair, August 1972.

Halter neck pink and white cotton gingham nightie, Chaslyn £4.95.

Long cotton lawn nightie in white and purple print with tucked bodice, £4.25; matching mob cap, £1, both by Laura Ashley.

Petticoat nightie in white cotton with pink ribbon and broderie anglaise trim, Chaslyn £7.35.

Self stripe white cotton lawn very full night shirt, Laura Ashley £4.25.

Natural cream calico nightie trimmed with cotton lace, Chaslyn £4.

That old black magic

1970s, alice pollock, alistair cowin, biba, Buckle Under, bus stop, celia birtwell, christian dior, christopher mcdonnell, corocraft, Dolcis, edward mann, Elgee, Elle, Fenwick, flair magazine, George Malyard, gillian richard, Herbert Johnson, Hiroshi, Inspirational Images, janice wainwright, jean muir, John Craig, kangol, Ken Lane, lee bender, leonard, lilley and skinner, Malyard, Marks and Spencer, marrian mcdonnell, mary quant, Miss Impact, ossie clark, quorum, Russell & Bromley, Sheraton, simon massey, stirling cooper, Vintage Editorials, yves saint laurent

The witching hour—smock shirt dress, white birds flying on yards and yards of transparent black georgette, Alice Pollock for Quorum, £36.75. In her hair, crescent moon £3, and a flash of lightning slide £5.25. Both from the House of Leonard.

Black, the old enchanter. Bewitching, mysterious, romantic. In velvet, satin and soft silk jersey. Dramatic alone or shouting with colour. That timeless black magic still weaves its ancient spell.

Hair by Leonard.

Photographed by Hiroshi.

Scanned from Flair, November 1971.

In best black style. Left : tailored single-breasted embossed velvet jacket, £16.75; matching skirt, £12.60; matching velvet hat £3.50. Brown tea rose, £1.05. All from Biba. Black thorn walking stick from a selection at Herbert Johnson. Right : Silver birds on black velvet blazer, £13.95, satin shirt with black cravat, £5.95; ankle length skirt, £4.95. All from Bus Stop. Sweeping ostrich feather hat by Edward Mann, £3.85.

Celia Birtwell printed Marocaine shirt by Ossie Clark for Quorum, £7.50. Red Poppies, 35p each, Fenwick.

Romantic panne velvet dress by Simon Massey, £16. White full-blown rose on black velvet ribbon, both from John Lewis. Black chenille snood, £1.95 Fenwick.

Graceful blouse with elasticated waist, over matching rayon flared skirt, £21.50 by Mary Quant. Silver diamante belt by Ken Lane, £21.50. Quant’s butterfly tights, Farfalla, 95p. Diamante paste clover leaf on black velvet ribbon, £7.90 by St Laurent Rive Gauche. Black ostrich feather, 55p Biba.

Printed shirtdress buttoned up with red hearts. By Gillian Richard, £9.50. Red heart necklace, £19 by Christian Dior. Sweeping black felt hat, by Buckle Under, £8.

For high coloured drama put black with traffic light colours : red, yellow green and strong electric blue.
Wool jersey vest by Sydica at Miss Impact, £4.90. Heart necklace from Elle, £3.75.

Cotton velveteen shirt £9.75, and culottes £7.75. By Alistair Cowin. Jersey wool shirt by John Craig, £4.80. Black leather belt, Fenwick £2.45. Suede boots banded in red, yellow and green, Lilley and Skinner £10.95. Velvet cap by Malyard £5, pinned with red star by Corocraft, 99p.

Warming up to black, in strictly daytime mood, our model wears Guerlains Teint Dore for a real tawny tint, 99p with Juvena’s Sahara Sun Blush Colour Stick as a highlighter, £1.63. Her. eyelids are coloured in Boots No 7 Transparent Eye Tint, 40p, and her lipstick is Chanel Corail, 95p.

Wrap around, tie belted wool jacket. £10.50. Over red Oxford Bags £6.50. Both by Alastair Cowin. Tartan wool man’s scarf, Scotch House £1.25. Black suede beret by Malyard, £16.

The little black dress revamped by Jean Muir in crepe de chine with puffed sleeves, demure bow and flared skirt, £21. Black suede strappy shoes, Russell & Bromley, £19.95. Sheer black tights, Mary Quant, 65p. Rhinestone star, St Laurent Rive Gauche £2.50.

Tie round black wool midi coat, topstitched in white, £22. Matching trousers, £6.25. Both by Elgee. Black and white Orlon tweedy knit tunic jumper, Marks and Spencer £2.95. Herbert Johnson knitted wool cap, £2.50.

Black wool tent coat by Stirling Cooper for Sheraton £16.95. Black wool Kangol beret, 65p. Black and plum suede lace up shoes, Dolcis £8.95. On collar, cupid heart brooch, St Laurent Rive Gauche £14.

Black wool jersey nautical blazer, £15.25, over grey and white knitted wool trouser suit, £28.25. Both by Christopher McDonnell for Marrian-McDonnell. Mock mother of pearl clips, Biba 35p each.

black velvet smoking jacket, £10.50; ankle high skirt in red, yellow and black wool tartan, £5.75. Both from Bus Stop. Cupid heart brooch, Rive Gauche £14. White shetland jumper, £5.50 Scotch House.

Ossie Vamps it Up – But Superbly

1970s, celia birtwell, flair magazine, Inspirational Images, kari ann muller, manolo blahnik, ossie clark, Peter Rand, quorum

Long dress with side pleats and sash tie at back, in black marocain flower print, red poppies at the neck.

OSSIE CLARK, twenty-nine, designs clothes that would be right up the street for the woman whose profession is the oldest in the world. There’s nothing Woman’s Lib. here, thank you. His twelfth collection is outlandishly, gloriously and candidly tarty. But tarty in the ’40s and early ’50s sense of dressing: brazen, glamorous, passion-ately female. The cut of the clothes is masterful. The old black magic is there. Jazzy sequins. Star insets. High wedge heels. Ankle straps. Bias cut crepe. Oodles of pleats. Blowsy tulips and full-blown poppy prints. Plus black, and lots of it. You name it—it’s there, superbly executed.

Fabrics include new prints on marocain by Ossie’s wife, Celia Birtwell. Hairdos evoke memories of Rita Hayworth & Co. And contours are as they should be: breasts (bra-less), waists, hips and bottoms are all back in their rightful place — and proud of it. Ossie’s new clothes are as scarlet womanish as they are beautiful and witty. When you wear them you automatically adopt a Monroe wiggle.

Top price for a frock from his collection is £150, but around a fiver will buy you a printed crepe shirt. You may not be able to take this look seriously — but it will probably influence the way you dress next season. For Ossie’s secret as a designer is that his tarty vamps keep chic and never look cheap, jaded, or just plain common.

Photographed here are a selection of Ossie’s new clothes.

All enquiries for stockists and prices to Quorum Wholesale, 6 Burnsall Street, SW3.

Modelled by Kari-Ann Muller.

Hair by Richard at Maximillian.

Shoes by Manolo Blahnik for Zapata, 49 Old Church Street, SW3, from £17.75.

Photographed by Peter Rand.

Scanned from Flair, August 1971.

Red and green strawberry embroidery on black crepe Oxford bags, matching waistcoat and jacket and red blouse.

A Long, black, marocain dress side pleats, printed with pink and green begonias.

A black marocain multi-coloured flower print dress with suede halter bib trimmed with ric-rac.

Red, blue and green poppy and daisy print on black marocain hour-glass dress.

Red crepe off-the-shoulder dress (with strawberry embroidered 11″ jacket, not shown).

Cornucopia

1970s, Adrian Mann, Badges and Equipment, corocraft, crowthers, flair magazine, Illustrations, philip castle, universal witness

I. Red and white enamel and gilt bumble-bee with pearly eyes/78p. 2. Blue, green and red enamel and gilt dragon-fly/78p. 3. Green and red enamel and gilt dragon-fly/90p, all by Adrien Mann. 4. Red plastic may-bug, Universal Witness/75p. 5. Small green and blue enamel and gilt dragon-fly, Adrien Mann, 57p. 6. Antique nickel plated bumble-bee, Gay Designs/69p. 7. Red plastic bunch of cherries, Adrien Mann/95p. 8. Chrome acorn and oak-leaves badge, Badges and Equipment/45p. 9. Creamy plastic peacock, Universal Witness/75p. 10. Shiny red enamel continental tomato, Corocraft/69p. 11. Small house badge, Crowthers/ 33p. 12. Double daisy with green enamel petals and red enamel centres, Adrien Mann £1.08. 13. Spotty apple badge, Crowthers/ 37p. 44. Green enamel apple/69p. 15. Yellow enamel pear/69p, both by Corocraft.

Pin on a badge like one of these and you’re back to nature in a small way. Picture badges, winged thing pins, discs in the shape of fruit, flowers and plants-all are part of the new, slightly naive look in accessories. And whereabouts on your person, you might ask, do you actually pin a bumble-bee or a pear? Answer is anywhere. On your left sleeve. Let a dragon-fly come to rest at your hemline. Let an oakleaf sprout on a kneesock. Just let the badge be where it falls naturally.

Illustration by Philip Castle.

Scanned from Flair, August 1971.

Look Back in Anger

1970s, Adrian Mann, Angela at London Town, Bermona, Bilbo, bus stop, fifties fashion, flair magazine, john kelly, lee bender, Mr Feed'Em, mr freedom, ravel, Sacha, sheridan barnett, simon massey, stirling cooper, Vintage Editorials

Call it nostalgia, admission of defeat, lack of inventiveness or what you will: the ugly fact is that there is a strong trend among designers to dig up the Fifties for a fashion revival. Those were the days of the A-line, the tulip dress, Lurex and pleated skirts. If you are disturbed at a Fifties revival, so are we. We think it a period in fashion terms best forgotten, with one or two exceptions. If you don’t favour the fashion but fancy the authentic ambiance you’ll get the right idea at Mr Freedom’s restaurant, Feed’em, where we photographed. Here, written about in the Fiftie’s style, are some of the up-dated Fifties fashions on sale now.

At the same time as the Thirties and Forties were being raided by British Boutique designers, so were the Fifties (or Fiftie’s as so spectacularly put here) and it’s pretty hilarious to see the cynicism by the writer here (possibly fashion editor Sarah Drummond) – who had presumably been a young woman then. The cyclical nature of fashion is nothing new and nor is the disbelief when it’s happening in your own timeline!

On another note, it’s always lovely to see some new-to-me shots inside the legendary Mr Feed’em restaurant!

Photographed by John Kelly.

Scanned from Flair, November 1971.

Crepe pencil skirt and pure wool knitted top that you can dress up or down as you please with a clever change of accessories. Button through fastening gives the skirt special new back interest. Skirt £6. Sweater, £4.50 both by Stirling Cooper. Seamed stockings 30p by Aristoc. Black suede and red patent peep toe shoes, Ravel, £5.50.

A flamboyant crepe de chine evening number, in an adventurous chintzy print with snazzy flounced skirt, £10.50 by Sheridan Barnett at Simon Massey. Black suede sandals with ankle straps, Bilbo, £7. Red beaded necklace, Corocraft, 49p. Purple and pink Perspex bangles, Adrien Mann, 30p each.

Smart-as-paint coat that captures all the intriguing fashion points of the season; with a generous fullness at the back. Created in a delightful brown and beige wool blanket fabric. Bus Stop £19.95. Brown leather boots. Sacha £8.99.

Neat ladylike costume in carefree Tricel jersey. The swirling skirt is a-flutter with knife pleats and the short fitted jacket has an optional tie. In an opulent new shade of plum and white, by Angela at London Town £20. Burgundy brimmed felt hat, Bermona, £1.70. Mulberry tights, Mary Quant, 75p. Multi strapped shoes, Mondaine, £11.99.

Flannel as a Platform for Colour

1970s, Adrian Mann, Alan Rodin, bally, Buckle Under, bus stop, christopher mcdonnell, edward mann, Elliott, emcar, Escalade, flair magazine, Frank Murphy, georgina linhart, harold ingram, harriet, John Craig, Joseph, Juliet Dunn, kangol, lee bender, Mark Russell, mary quant, Muira, Mulberry, Pringle, Russell & Bromley, Sacha, Vintage Editorials

Jersey wrap around jacket, Georgina Linhart £15.50. Shirt, Richard Green £5.50. Sleeveless sweater, Harold Ingram £2.20. Prince of Wales skirt, Emcar £22.50. Shoes, Elliott £15.95. Velour hat, Buckle Under £8.50. Clutch bag, £1.60 by Escalade. / Wool tweed jacket £20.50; wool tweed skirt £10.25, both by Christopher McDonnell. Shirt, John Craig £4.50. Wool cardigan, Harold Ingram £3.25. Hat £5.95; cotton scarf 45p, both by Herbert Johnson. Shoes, Russell & Bromley £14.95. Clutch bag, Escalade £10.75.

Bright girls use their grey matter and use flannel as a platform for colour

Photographed at St. Pancras Station, London. Hair by Gerald at Evansky.

Photographed by Frank Murphy.

Scanned from Flair, September 1972.

Wool flannel double breasted jacket and matching bags, John Marks £14.95. Acrilan jersey shirt, 14.49 ; striped V neck sleeveless wool sweater, £3.50, both by John Craig. Angora pull on, Kangol £1.10. Leather knee boots, Sacha £9.99. Canvas striped shoulder bag, Mulberry £3.50. Flower printed wool cardigan jacket with tie belt and matching pleated skirt, Alan Rodin £19. Striped silky shirt, Joseph £7.50. Striped cloche, Marida £2.80. String of pearls, Adrien Mann £1. Patent shoes, Russell & Bromley £17. Leather clutch bag, Mulberry £7. Tights, Mary Quant 75p. Bangles, Paul Stephens 10p each. Telephone wire bangle, Escalade 40p.

Right: Flannel tie belted jacket, £13.50; checked trousers, £5.50, both by Alan Rodin. Spotted silky shirt, Joseph £7.50. Velour cloche, Buckle Under £8.50. Leather knee boots, Sacha £9.99. Pearl choker, Adrien Mann £1. Leather clutch bag, Cingula £9.50. Wool flannel stitched shirt styled jacket with matching pants, Muira £12.50. Long Giselle scarf, Ascher £4.25. Leather knee boots, Sacha £9.99. Leather shoulder bag, Terry Davis £11. Shopping information page 82.

Striped flannel cardigan jacket with matching pleated skirt, Mary Quant £12. Striped silky shirt, Joseph £7.50. Scoop neck long sleeved lambswool jumper, Pringle £9. Tights, Mary Quant 75p. Thin leather belt, Mulberry £2.20. Patent leather shoes, Russell & Bromley £17. Printed pull on hat, Edward Mann £3.20. Telephone wire choker, Escalade £1. Leather clutch bag, Mulberry £7. Bangles, Paul Stephens 10p each. Flannel cape-sleeved wool dress with checked insets, Harriet £9.45. Peachbloom breton style hat, Buckle Under £11. Tights, Mary Quant 75p. Leather clutch bag with perspex buckle, Cingula £9.50. Printed Acri-lan jersey shirt, £4.91; button-through long sleeved matching cardigan, £4.49, both by John Craig. Two-tone patent shoes, Russell & Bromley £19. Long string of pearls, Adrien Mann £2.70

Striped flannel belted jacket, £5.95; matching pants £5.95, both by Bus Stop. Dicel satin waistcoat, £6; matching pink silk spotted shirt, £7.50; white Dicel satin tie, £2, all by Juliet Dunn. Patent and suede lace-up shoes, Bally £7.95. Leather clutch bag, Mulberry £7.Wraparound wool coat with tie belt, Mark Russell £28.50. Tights, Mary Quant 75p. Pearl choker, Adrien Mann £1. Patent leather shoes, Russell & Bromley £17. Long Giselle scarf, Ascher £4.25. Horn bangles, Escalade £2.50 each. Luggage from a selection at Liberty.

A Clutch of Bags

1970s, alistair cowin, Angela at London Town, bags, biba, caroline smith, Elle, flair magazine, gordon king, Herbert Johnson, Illustrations, Pierre Elegante, Sujon, Titfers

From left to right: Black satin Oxford bags, Angela at London Town £5; black satin clutch bag with rhinestone star, Titfers £8. Orange and red blanket check pure wool bags with turn ups, Pierre Elegante £8; yellow felt clutch bag with navy satin trim and flower button, Titfers £4. Wool gaberdine rust Oxford bags with winged pockets and turn ups, Gordon King £7.50; navy felt clutch bag with white anchor and white satin trim, Titfers £4; cotton kerchief square 40p, Herbert Johnson. Rust two toned patterned wool tweed trousers with turn ups, Biba £5.50; Black suede clutch bag with rust suede trim, Biba £7.75. Red acrylic wool Oxford bags, Alistair Cowin £6.50; black blue and beige chevron felt clutch bag, Titfers, £4.20. Rust brown and ochre checked wool tweed bags with turn ups, Sujon £9.50; golden suede clutch bag with tortoiseshell flap, Elle £12.50.

This autumn there are bags everywhere: Oxford ones on your pins and clutch ones in the hand. The return of the straight trouser has brought with it wing lapelled jackets with padded shoulders and neat waistcoats. Underneath, a feminine touch to soften the butch look, blouses with floppy painters’ bows. And don’t forget your clutch bag tucked neatly under your arm.

Illustration by Caroline Smith.

Scanned from Flair, November 1971.

The Long, Lean Look: Smocking

1970s, flair magazine, Inspirational Images, jean varon, jim lee, john bates, Uncategorized

Elegant full length dinner dress in champagne Trevira with a matching tie belt, the yoke and shoulders lavishly oversmocked in bright colours. By John Bates at Jean Varon, £23.

Photographed by Jim Lee.

Scanned by Miss Peelpants from Flair, February 1970

Easy Party Pieces

1970s, annacat, Anne Tyrrell, Baltrik, Courchevel, flair magazine, harriet, Inspirational Images, John Carter, Juliet Dunn, Ken Lane, mary quant, polly peck, Russell & Bromley, thea porter, Vintage Editorials, wallis

Satin crepe de chine tie neck dress and chequered over jacket by Anne Tyrrell at John Marks. Suede shoes by Mondaine.

When it comes to dressing up tonight there’s no such thing as a party line. Redheads come into their own with sleek Garboesque hairdos to set off shiny battledress tops and trousers. Jazzily printed crepe de chine dresses and jackets mix with jersey and velvet, softly innocent or dangerously backless and halternecked. Diamante remains the vital accessory – shining in the hair as well as sprinkled on bodices. The choice is yours and glamour the mood.

Photographed by John Carter.

Scanned by Miss Peelpants from Flair, December 1971