
Illustration by Alan Cracknell.
Scanned by Miss Peelpants from Petticoat, December 1970.

Illustration by Alan Cracknell.
Scanned by Miss Peelpants from Petticoat, December 1970.

Sundress in deep blue rayon crepe with matching shorts by Stirling Cooper. Bikini in hand by Alistair Cowin. Sandals by Ravel.
Simply wizard playsuits. Sundresses with slightly flared shorts. Plenty of straps crossing bare backs. Lots and lots of buttons. Super colours. Cotton, crepe and jersey. Wish you were here and looking like this.
Photographed by Hans Feurer.
Scanned by Miss Peelpants from Vogue, May 1971.

Playsuit in chocolate jersey, ginger edged. By Copper Coin. Straw hat by Buckle Under. Shoes by Ravel.

Sunsuits in Madras patch cotton by Marielle. Sunhats by Titfers. Canvas shoes by Masotti. Right: Playsuit by Bus Stop. Sandals by Ravel.

Playsuit in canary yellow on dark brown cotton by Alistair Cowin. Shoes by Ravel.

Playsuit in Liberty print by John Marks. Liberty flower hat by Titfers Shoes by Ravel.

Playsuit by Toto.

Madras check skirt in Jones Ross cotton, tee shirt and specs by Biba, belt and choker by Ruth Conick.
Whether you’re embarking on an unforgettable journey to the Caribbean islands or making some of these smashing Style summertime separates, you’ll find that it’s just about as easy as flying – when you’ve got the know how!
Photographed by John Carter. Fashion by Sue Hone.
Scanned by Miss Peelpants from Petticoat, May 1971

Left: Snowflake shorts in Herz Trevira, vest by Kadix, clogs by Elliott, choker by Ruth Conick. Right: Butterfly shorts in Herz fabric, blouse in plain Herz, clogs by Ravel.

Pinafore skirt in Herz Trevira, blouse in Madras, hat by Titfers, sandals by Elliott.

Left: Violet pullover from C&A. Black knickers by Erica Budd. Shoes from Sacha. Right: Lilac pllover and matching knickers both by Erica Budd. Blue shoes by Anello and Davide. Leather belt from Medusa. Scarf from Rose Nice in Kensington Market.
Autumnal perfection…
Photographed by John Bishop.
Scanned by Miss Peelpants from 19 Magazine, September 1970

Black crochet hat by Sally Levison. Black jersey shirt by John Craig. Black gaberdine midi skirt by Lee Bender for Bus Stop. Shoes from Anello and Davide. Crochet shawl from Catherine Buckley.

Both knitted outfits by Alice Pollock for Quorum. Boots by Ravel. Scarves by Rosie Nice at Kensington Market.

Left: Dress by Gillian Richard. Hand-knitted Shetland wool shawl by Foale and Tuffin. Shoes by Ravel. Right: Petrol blue jumper from C&A. Rust jersey skirt by Mary Quant’s Ginger Group. Blue lace shawn by Foale and Tuffin. Shoes by Anello and Davide.

Square necked sideless dress by Ginger Group. Gold link belt by Paris House. Black patent shoes by Kurt Geiger. Satin beret by Rudolf.
Try a touch of seasonal sorcery – swop clothes with yourself instead of with your sister or friend. Mix tweed with satin, sweaters with fur; play addition and subtraction with your wardrobe to achieve subtle solutions for every climate, every occasion and every mood.
Photographed by David Anthony.
Scanned by Miss Peelpants from Queen, December 1967

Square necked sideless dress by Ginger Group. White blouse by Eric Hart. Tortoiseshell and gilt link belt by Dior. Brown shoes by Kurt Geiger. Brown knitted beret at Fenwick.

Oxford bags by Gerald McCann in Donegal tweed with detatchable black satin turn-ups. Black satin shirt by Eric Hart. Black patent belt by Mary Quant. Black patent shoes by Kurt Geiger.

Oxford bags by Gerald McCann in Donegal tweed with detatchable black satin turn-ups. Brown and tweed long belted sweater from Browns. Antique Baltic amber beads from Sac Freres. Knitted brown beret at Fenwick. Beige and black ankle boots by Ravel.

Short white fluffy kid coat by Calman Links, with white fox collar and white satin belt. Diamante drop earrings by Dior. Square diamante handbag by Susan Handbags. White grosgrain strap shoes by Russell and Bromley.

Short white fluffy kid coat by Calman Links, with white fox collar. Round-necked chocolate sweater by Laura Jamieson, with long sleeves, buttons down back, and matching ribbed skirt. Tortoiseshell and gilt belt by Dior. Stretch brown leather boots by Kurt Geiger.
Featuring iconic model Charlotte Martin (who had romances with Eric Clapton, George Harrison and Jimmy Page). and some of the sweetest knits I’ve ever seen.
Photographed by Roger Stowell.
Scanned by Miss Peelpants from Petticoat, March 29th 1969



Photographed by John Carter. Scanned by Miss Peelpants from Petticoat, November 1971.
From left to right: She wears a curly fake fur short jacket by Elgee. Suede bib gauchos by 3 AM. Boots from Sacha. Canvas hat from Paradise Garage. He wears a leather flying jacket from Badges and Equipment. McCaul’s pullover. Pants from Take 6. Ravel lace-ups.
She wears: Suede jacket with furry trim by Hidegrade. Waistcoat by Take Six. Plus fours by Gordon King. Crochet hat from Biba. Watch from Paradise Garage. Boots from Russell and Bromley. He wears a suede hooded coat from C&A. John Craig polo jumper. Check pants from Bus Stop. Lace-up boots from Ravel.
Welcome to my fashion brain as it is at the moment, particularly the first and last images. This spread is everything I love about late Sixties/early Seventies style, and more. No change is permanent, I still wake up in a different mood each day, but for the most part I am feeling the need to cover up, tune out and drift around…
“Take the whirl of lace petticoats and the swirl of countrified prints. Add gypsy flowers, baubles, bangles and beads. Find yourself a long, lazy spring afternoon, relax – and think nothing but beautiful…”
Photographed by John Carter. Scanned by Miss Peelpants from Petticoat, March 1970
I couldn’t resist following ‘Tagged!’ with ‘Bagged!’. The art of the carrier bag seems even less appreciated than the art of the hang tag, despite its importance in the history of advertising and consumerism.
On Simon Hendy’s incredible website “My Dad’s Photos“, Simon has scanned a mountain of original photos that his father took across six years of fashionable (and not so fashionable) people on the King’s Road in the late Sixties and early Seventies. It is truly a delight to sift your way through them. They are a true time capsule of ‘real’ people wearing ‘real’ clothes in a period where photo opportunities were frequently engineered and crafted (as brilliant as Frank Habicht’s ‘In The Sixties’ is, it’s a very well-crafted form of ‘candid’ photography). I will definitely post about them again, not least because I recognise so many bits of clothing from designers I love.
However, today’s post is about the carrier bag. For, as I was sifting through and starting to get a bit dizzy with the amazingness of it all, I started to notice the bags people were carrying. Biba, Aristos, Stop the Shop, Crowthers… These are truly ephemeral items. How many people bother to keep a plastic bag? You might, if you were lucky, have wrapped something up in one and plonked it in your loft for the past forty years. But these examples are few and far between. The iconic design of the original Biba bags has ensured that they are the most regularly found on eBay, but few of any other kind have slipped through the net.
I did, however, find a ‘Jean Varon’ bag on eBay very recently, which has now taken its place in my collection of weird and wonderful ephemera.
Simon has kindly allowed me to link to his photos from my blog. I know it’s hard to keep such things under control in this age of tumblr etc, but I would appreciate if you would also ask him if you would like to repost his images somewhere else. He has spent many hours scanning these photos, photos which (unlike magazine scans) would not be available otherwise – from anyone else. Thank you!
I fear I may be thirty-eight years too late to enter this competition, but I definitely wouldn’t say no to a wardrobe full of Irvine Sellars gear! Let me know if any of you are crazy enough to print this out and make actual paper dolls (and please send photos…).