
With the colours and the mood of an open air market are ribbons bordering the prettiest pinnies and the sweetest yokes.
Fashion by Sue Hone
Photographed by David Finch.
Scanned from Petticoat Magazine, 7th August 1971.

With the colours and the mood of an open air market are ribbons bordering the prettiest pinnies and the sweetest yokes.
Fashion by Sue Hone
Photographed by David Finch.
Scanned from Petticoat Magazine, 7th August 1971.
This is what eyebrows used to look like, kids!
Hair by John at Leonard. Make-up by Richard Sharah.
Photographed by Eric Boman.
Scanned from Vogue, April 15th 1975.

Brighter and brighter, the new brand of knits is coming. Bolder than ever, with huge batwing sleeves, flaring kimono arms and rainbow stripes. Piled on top of one another or over a striking shirt – without any doubt the greatest knits ever seen.
I don’t know about you, but clown and circus-influenced editorials are one of my favourite themes and really quite a staple of the late Sixties and early Seventies youth magazine boom.
Photographed at Foire & Cirque de Rancy, France.
Photographed by Alain Walch.
Scanned from Honey, February 1972.




Summer sundresses can go a long way. They’re so versatile – you can wear them for work and then dress them up for the evening with hats, scarves and jewellery. Here are some of our ideas.
Photographed by David Anthony.
Scanned from 19 Magazine, August 1975.




Floral prints are bursting out all over. Add these to crepe de chines, cotton and cotton jerseys and, suddenly, you have the most colourful summer of all.
Photographed by David Anthony.
Scanned from 19 Magazine, June 1977.






The time: mid-morning coffee-break The place: The Post Office Confravision Studios, Euston Tower* The clothes: At last, working gear (you’ll be delighted to see) to cope with both formal and permissive working environments. The fabric: calico, strong and hard-wearing, cotton-based, so it’s comfortable for over-heated offices. Add a dash of towelling, team it with crocheted string vests, scarves, tights and bags for a little wit. The colour: cream—soothing and harmonious for worn executives. Enliven it with a touch of colour here and there (and to pick you out from beige office walls — remove if you need the camouflage).
* One of five office studios provided by the Post Office for its conference-by-TV service. Designed by Kenneth Grange of Pentagram.
An incredibly apposite photoshoot featuring the Post Office’s futuristic ‘Confravision’ studios. To read an original brochure, click here.
Photographed by Andreas Heumann.
Scanned from Over 21 Magazine, April 1976.








Brown and cream should be seen. From top to toe it’s all the go!
Photographed by Harri Peccinotti.
Scanned from 19 Magazine, September 1973




I told you there was a lot of swimwear in this issue, didn’t I? I’m amazed by these Susan Backhouse pieces. I’ve only ever had one piece by her which is an incredible, voluminous cotton skirt in the style of Vivienne Westwood, so I’m boggling at these skimpy, pop-art inspired swimsuits and bikinis.
Photographed by Elizabeth Huxley. Hair and make-up by Colin Booker.
Scanned from 19 Magazine, July 1979.





As it’s my *cough* 40th *cough* birthday next week, I thought I’d theme a few blog posts to celebrate. So this week, they will all be hailing from the July 1979 issue of 19 Magazine. It’s a fascinating period on the cusp between the decades, which I like to think had some kind of immense bearing on the person I am today. Being July I’m afraid it’s a bit swimsuit-heavy, but it’s also one of the greatest, most creative periods for swimwear which, in the case of Swanky Modes, is almost the purest distillation of their aesthetic.
Photographed by Ku Khanh. Hair and make-up by Colin Booker.
Scanned from 19 Magazine, July 1979.






This post is brought to you in two parts. The editorial was, unusually, photographed by two different photographers in two different locations. Tomorrow I will post the photos from Brighton Pier (very exciting for me, as you can guess!). Today’s were photographed in Meeny’s, which was a King’s Road boutique started by Gary Craze in 1972 – specialising in American brands for both adults and children. Clearly showing the same influences as Mr Freedom, this is the first I’ve seen of the interior. The clothes are the very creme de la creme of boutique ‘pop art’ joyfulness.
Photographed by Dick Polak.
Scanned from Honey, May 1973.





