
Make-up by Regis at Biba Beauty Parlour.
Hair by Robin at Ricci Burns.
Photographed by Mike Berkofsky.
Scanned from Honey, March 1975.






Make-up by Regis at Biba Beauty Parlour.
Hair by Robin at Ricci Burns.
Photographed by Mike Berkofsky.
Scanned from Honey, March 1975.






Cotton jackets and blouses, comfortable baggy trousers, skimpy bareback sun tops and neat knee-length shorts. Team them up with saucy felt berets and rope-soled espadrilles —wear them anywhere (or on the prom).
A glorious recreation of 1930s photographs by the late great Mike Berkofsky, but we all know those pups are the real stars of the show!
Photographed by Mike Berkofsky.
Scanned from Honey, May 1974.







Not many of us can afford to don designer outfits, so achieving a totally different look can he a problem. But go and have another look in your man’s wardrobe. Maybe you haven’t quite exhausted it yet! He may have some garments stashed away that would be perfect for you! Mix the fabrics, colours and looks. Take half a suit and team it with something else. The result, as you can see here, can be smart, sharp and clean—and nobody will be able to accuse you of going to the dogs, fashionwise!
Photographed at Walthamstow Greyhound Stadium.
Hair by Rocky at Ricci Burns.
Photographed by Mike Berkofsky.
Scanned from 19 Magazine, September 1978.





If you haven’t got that special natural sweetness that makes people put a protective arm around you, don’t worry; it’s available this spring for under a fiver. Slip into these pastel pretties and discover the joys of being a choc-box dolly.
Photographed by John Carter.
Scanned from 19 Magazine, February 1973.




Photographed in Ricci Burns’s drawing room. Hair by Mr Ricci of Ricci Burns.
Photographed by Mike Berkofsky.
Scanned from Honey, January 1975.



Christmas is coming, so take a good long look at the new you and your clothes. Look for something sexy in black with lots of spangles, for diamonds are a girl’s best friend again.
Just one word from me: Perfection.
Hair by Ricci Burns. Fashion by Norma Moriceau.
Photographed by David Tack.
Scanned from 19 Magazine, December 1971




Add a touch of delicate, soft lace trimming to your clothes and accessories this summer for a really feminine, fragile look.
Hair by Colin at Ricci Burns.
Photographed by Roger Charity.
Scanned from Honey, May 1974.





In this age of mass-production, finding clothes that have an individual look is becoming more and more difficult. But a few enterprising minds in London have got round the problem by buying old clothes, in beautiful prints that one doesn’t see these days, and remaking them in today’s styles. Though the styles are repeated, the materials are different and each garment is quite unique. If you don’t live in London, don’t despair. Look around for a clever seamstress who can copy the styles for you. Then, it’s a matter of combing jumble sales, or looking among granny’s cast-offs, for unusual prints. Don’t, however, cut up clothes in good condition. You’ll get a good price for these in London markets. And if you do come to London, go round the markets instead of the stores and boutiques – there’s a lot to be picked up!
An extraordinarily styled and photographed editorial featuring Van der Fransen, Emmerton and Lambert and Essences, all of whom were trailblazers in the world of vintage and recycled fashion.
This shoot also manages to answer two of my most frequently asked questions: what is your favourite editorial and what do you think the future of fashion will be. The former is probably a moveable feast, although this one is definitely up there with my other favourite, but the latter is still something I believe strongly. Especially in a post-pandemic landscape, I am not sure (and definitely hopeful) that we will ever see the same levels of mass production post-2020. Not for want of desire by the high street shops, but because people have maybe recognised that, actually, they don’t need armfuls of cheap synthetic, single-use garments. Perhaps the aesthetics and principles of these recyclers of the Sixties and Seventies will finally be adopted as our default? We could stop producing new clothes and fabrics right now and probably never reach the end of the piles of recyclable materials. And that’s not even taking wearable vintage garments into account. Do you feel your shopping habits have changed permanently?
Red wig by Robert at Ricci Burns.
Photographed by Christian Larroque.
Scanned from 19 Magazine, July 1972.










Striped top and matching crepe cardigan. Cream crepe trousers, all by Jackie Ross at Jon Elliot. Clutch bag by Biba. Blue and white striped scarf from Essences. Beige straw hat by Diane Logan / Green,, white and black striped cardigan is a 19 Magazine knitting pattern. Long cream gored skirt by Brave New World. Cream strappy straw sandals from Chelsea Cobbler.
back to romance with nostalgia and nostalgic clothes in romantic settings. Long, flowing scarves, mysterious veils and soft, sensuous fabrics for Sunday strolls or super dates — a wardrobe for summer sentimentalists
Hair by Robert at Ricci Burns.
Photographed by Gian Barberis.
Scanned by Miss Peelpants from 19 Magazine, May 1974.

Green straw hat by Diane Logan. Green and cream printed crepe de chine dress by Gillian Richard. Cream knitted cardigan from Essences. Grey suede shoes from Bombacha. / Dark green chip straw ht by Diane Logan. Green and cream printed crepe de chine dress by Gillian Richard. Navy blue shoes from Bombacha.

Cream beret by Kangol. Halter top, matching white and blue silk knitted long cardigan. Matching calf-length knitted skirt all by Lison Bonfils at Joseph. Grey suede shoes from Bombacha. / Salmon pink beret by Kangol. Cream crepe sleeveless top with sequin motif. Matching below-the-knee culottes. Both by Jackie Ross for Jon Elliot. Salmon pink silky cardigan from Essences. Sandals from Chelsea Cobbler.

Brown felt hat from Nostalgia. Black and white crepe de chine dress by Jeff Banks. Cream cardigan by Essences. Shoes from Bombacha. / White suit with black pattern and reverse on cuffs and collar from Essences. Black suede shoes from Bombacha. Black scarf from Bus Stop.

Pink straw hat by Diane Logan. Crepe crepe jacket and matching mid-calf skirt by Bus Stop. Cream straw shoes by Chelsea Cobbler. / Black and tan cloche from Diane Logan. V neck top and matching crepe jacket and skirt all from Bus Stop. Straw shoes by Chelsea Cobbler. Scarf to match suit from Bus Stop.

The no-eyebrow look for the Seventies. You can achieve it, as we did here, by the use of a hair removing cream — I advise against plucking or waxing as this can permanently inhibit regrowth. Or, if you don’t want to be so drastic, you can have your brows bleached so that they are almost invisible. For the pale complexion : English Porcelain Re-Nutriv foundation with Sheer Bisque Re-Nutriv face powder; Neutraled Flesh Under Eye Primer stick ; Aurora Pink and Mint Haze Colour Contour for shaping and shading. For the eyes we used Plum Raisin and Candlelight Pink Pressed Eyelid shadows, and Black Burgundy Lash Lengthening Roll-On mascara. The lipstick is Mulberry See-Through. All by Estee Lauder. Hair style : a Marcel wave brought up to date, by Ricci Burns.
My prediction for 1971 is a swing away from the natural look and the form I believe it will take is the disappearance of eyebrows and the return to a pale, pink and white complexion. As with so many new looks in the past few years, this one has been started by models. I saw two of them, browless, this autumn in St Tropez and it gave a new and exciting perspective to the face. Beauty, like fashion, goes in cycles : after a decade of the natural look, we are due for a return to a more stylised face. The last time this occurred was in the Twenties when women achieved a very stylised type of look with pale faces, dark lips, and eyebrows plucked into pin-thin crescents. It reached its peak in the faces of Garbo, Jean Harlow and Marlene Dietrich. If, this time, it is the no-eyebrow look that catches on, it will not be the first time that brows have been removed in the cause of beauty : fashionable ladies in the 15th century covered their faces with white flour powder and accentuated the egg shape pallor of their complexions by plucking the eyebrows out completely and scraping back their hair under exaggerated head-dresses.
Beauty by Joan Price. Photographed by David Anthony.
Scanned by Miss Peelpants from Harpers and Queen, December 1970