
Joanna Lumley giving me the New Avengers and Celia Birtwell-print Ossie Clark crossover I didn’t know I needed. I would dearly love to know what this smelled like, if anyone can remember please let me know!
Scanned from Vogue, January 1978.

Joanna Lumley giving me the New Avengers and Celia Birtwell-print Ossie Clark crossover I didn’t know I needed. I would dearly love to know what this smelled like, if anyone can remember please let me know!
Scanned from Vogue, January 1978.

Long languid shapes, tiny halter necks and easy voluminous trousers. Shades of 30s tea dances and glorious afternoons lounging amongst the hothouse palms in clothes that make you feel every inch a lady while keeping you cool on the hottest day.
Photographed by Richard Selby.
Scanned from Honey, July 1972.






Short, shiny waves, tight to the head and crowned in a slippery sequin beret add the ritzy touch to oyster satins and champagne silks—daring dresses, glamorous enough for anybody’s Rolls.
Brunette model is Therèse.
Photographed by Brian Downes.
Scanned from Honey, December 1971.




Black, the old enchanter. Bewitching, mysterious, romantic. In velvet, satin and soft silk jersey. Dramatic alone or shouting with colour. That timeless black magic still weaves its ancient spell.
Hair by Leonard.
Photographed by Hiroshi.
Scanned from Flair, November 1971.














Don’t waste dresses like these by taking them someplace quiet. Give them all the freedom they want and a lot of personality and more besides. Just for once take something really special and show off!
Model is Lena Stengard.
Styled by Sue Hone.
Photographed by Jean-Claude Volpeliere.
Scanned from Petticoat, December 1970.




Look at summer through new eyes. Ossie Clark sees you in shepherdess smocks of voile, in long crepe dresses, reed-thin red or printed by Celia Birtwell. Pattie Boyd looks at it her way. All at Quorum.
Photographed by David Bailey.
Scanned from Vogue, June 1969.
I think this editorial might be one of the first I ever scanned, back in even my pre-blog days. I may have posted it on MySpace (don’t judge me, I feel ancient enough as it is). I’ve been meaning to properly rescan for years, but finally the time seemed right. It is the perfect combination of designer, model, photographer and a stunning use of Pre-Raphaelite imagery.


And who better than Maudie James, demonstrating here, exactly how she shapes and colours her face:
1 Starting with shining clean skin (thanks to Pond’s Cold Cream), she dabs on Mary Quant’s Skin Drink and blends it in.
2 Max Factor’s Nouveau Beige Pan Stick goes on with a small damp sponge giving a smooth ‘finish, covering tiny blemishes.
3 Several coats of Boots No 7 Black Block Mascara intensifies but does not cake upper and lower lashes.
4 Blackened lashes are curved to sweep up and out with eyelash curlers (45p from Boots).
5 Each eyelash is separated to look natural.
6 Eyelids coloured with Caran d’Ache purple pencils (Nos 110 and 120) blended up to the brows.
7 Short feathery lines drawn with Caran d’Ache pencil (No 80) outline the cheekbones.
8 And are then blended in towards the nose to make a soft rose-pink blush.
9 Caran d’Ache pencil (No 80) outlines then fills the lips with colour.
10 Elizabeth Arden’s Eight Hour Cream glossed over lips with a brush—for protection and shine.
11 Biba’s Mascara Brush neatens the eyebrows.
12 The look: face dusted with Boots No 7 Nearly Natural compact Powder; hair: shining with Wella’s Shampoo and Lemon Creme Rinse.
Photographed by Patrick Hunt.
Scanned from Beauty in Vogue, Summer 1972.
There was dancing in the aisles when Ossie Clark showed his autumn ’74 collection at the Chelsea Theatre where “The Rocky Horror Show” is drawing the crowds. Pattie Harrison was one of the models. Marianne Faithfull made a finale appearance.
Photographed by Clive Boursnell.
Scanned from Vogue, May 1974.

At last we’ve reached the bottom – the latest erogenous zone to be limelighted by shiny shorts, skin-tight jumpsuits and all kinds of sexy bum-huggers.
Interesting to note the dual pricing as the UK adjusted to decimalisation, and also that the Radley outfit in the photo below is actually an Ossie Clark design (I’ve seen it pop up with the Ossie for Radley label) but wasn’t properly credited as such.
Photographed by Guy Cross.
Scanned from Honey, March 1971.

Another in my irregular series of random Ossie Clark sightings in adverts. This time a wrap around Cuddly dress, made from a crinkle pleated crepe with satin trim.
I think the model is Barbara Miller.
Scanned from Cosmopolitan, March 1975.