
For everyone who’s bored with the 30s and outraged by the 40s and 50s, try these nice neat little dresses for size!
Photographed by Patrick Russell.
Scanned from Honey, March 1972.




For everyone who’s bored with the 30s and outraged by the 40s and 50s, try these nice neat little dresses for size!
Photographed by Patrick Russell.
Scanned from Honey, March 1972.




Don’t waste dresses like these by taking them someplace quiet. Give them all the freedom they want and a lot of personality and more besides. Just for once take something really special and show off!
Model is Lena Stengard.
Styled by Sue Hone.
Photographed by Jean-Claude Volpeliere.
Scanned from Petticoat, December 1970.




Top by Crowthers (although perhaps an uncredited Mr Freedom buy-in?)
Photographed by Frank Horvat.
Scanned from Vanity Fair, December 1970.

. . . or how to wear furs this winter without hurting your pet’s feelings.
There is nothing, absolute nothing quite like wrapping yourself in fur. As a sensuous experience, it is in the same class as a new love, old champagne or fresh truffles. But even the most hedonistic of women are relieved that the threatened species are no longer imported. Snow leopards, tigers and other cats can go their own way and sensibly sybaritic female will look for furs that are farmed, such as fox and mink. This winter, too, the fakes are so wayout and wildly coloured that only a girl without a heart could resist their charms, albeit synthetic. Perhaps that’s why the fur trade have taken the hint and dipped their favourite fox pelts in the dye pot, Furrier Maxwell Croft offers his explanation of the female urge to wear and the male urge to bestow furs: “For many men it is a primitive desire to see his woman in furs.”. Very nice, too.
Plenty to scoff at the end of the copy there, but oh goodness the clothes – the clothes! And the glorious photography of Alice Springs, whose work doesn’t turn up nearly enough for my liking.
Fashion by Deirdre McSharry.
Photographed by Alice Springs.
Scanned from Cosmopolitan, November 1972.









After seasons and seasons of dresses and trousers, suits are back with us again. But the new generation of suits is quite different from any we’ve worn before; sexily elongated with midi skirts and slender waisted jackets, in jacquard jerseys and patterned wools. Suddenly suits are younger, smarter – the newest way to get yourself looking together.
Photographed by Morgan Rank.
Scanned from Honey, November 1970.




Fresh and pretty is the look you should aim for this summer, with maybe an inch or two of knee bravely peeping out from under floral prints on crepe de Chine or crisp cotton. Match your dress with brightly coloured tights and wear straw hats adorned with bunches of fruit and flowers, or a silk scarf and wedge shoes to complete your summer ensemble.
Photographed by Duc.
Scanned from 19 Magazine, June 1971.






Pin on a badge like one of these and you’re back to nature in a small way. Picture badges, winged thing pins, discs in the shape of fruit, flowers and plants-all are part of the new, slightly naive look in accessories. And whereabouts on your person, you might ask, do you actually pin a bumble-bee or a pear? Answer is anywhere. On your left sleeve. Let a dragon-fly come to rest at your hemline. Let an oakleaf sprout on a kneesock. Just let the badge be where it falls naturally.
Illustration by Philip Castle.
Scanned from Flair, August 1971.

With the colours and the mood of an open air market are ribbons bordering the prettiest pinnies and the sweetest yokes.
Fashion by Sue Hone
Photographed by David Finch.
Scanned from Petticoat Magazine, 7th August 1971.

The main attraction of this summer’s printed dress is their little-girl, Sunday-best quality. The star fabric is floral crepe-de-Chine, now beautifully revived, featuring softly shaped skirts, Peter Pan collars and puff sleeves.
Another flawless example of early Seventies nostalgia for the Thirties and Forties, which might seem frivolous or twee if it wasn’t in the talented hands of Mr Peccinotti.
Photographed by Harri Peccinotti.
Scanned from 19 Magazine, March 1971.





Brighter and brighter, the new brand of knits is coming. Bolder than ever, with huge batwing sleeves, flaring kimono arms and rainbow stripes. Piled on top of one another or over a striking shirt – without any doubt the greatest knits ever seen.
I don’t know about you, but clown and circus-influenced editorials are one of my favourite themes and really quite a staple of the late Sixties and early Seventies youth magazine boom.
Photographed at Foire & Cirque de Rancy, France.
Photographed by Alain Walch.
Scanned from Honey, February 1972.


