
An age-old game! However well-dressed you are, you’ll always wonder whether her dress-sense is better. Pretty and pastel; cool and chic. Which one’s you?
Photographed by Didier Duval.
Scanned from 19 Magazine, September 1972.




An age-old game! However well-dressed you are, you’ll always wonder whether her dress-sense is better. Pretty and pastel; cool and chic. Which one’s you?
Photographed by Didier Duval.
Scanned from 19 Magazine, September 1972.




. . . does not always suit a mother’s requirements. Not only is today’s teenager wildly enthusiastic about fashion, pop, hair and makeup, but she also has very firm ideas about what she wants. She is sophisticated, worldly and confident, seeing herself as a femme fatale —while mother sees her more in terms of gymslips. So here we present the perfect compromise, contrived to impress mother and daughter alike. Visual backing comes from members of the group Queen, whose current hit single for EMI is The Seven Seas of Rhye.
Fashion Editor Cherry Twiss.
Hair by Christine at Ricci Burns.
Make-up by Mariella for Yardley.
Stage clothes for Queen by Zandra Rhodes.
Photographed by Geg Germany.
Scanned from The Telegraph Magazine, July 1972.

Dark girl wears red spotted cotton halterneck sundress and matching knickers; £6.35, from Biba. Long cardigan; £15.95, from Ronnie Stirling. Spotted cap; £2.50, by Edward Mann from Simpson, Piccadilly. Blonde girl wears baggy blue denim pants with elasticated waistband; £10.95 by Lee Bender at Bus Stop. Short cotton top; £1.99, all branches Dorothy Perkins. Hat by Edward Mann.

Dark girl wears a yellow and red jersey suit; £12.95 from Mr Freedom, Kings Road, London; SW3. Long red socks by Mary Quant. Red and yellow “Kicker” shoes; £9.50 from Bugatti, Kensington Church Street, London, W8. Blonde girl wears a blue print satin blouson jacket; £15, by Jeff Banks, from Top Shop at Peter Robinson. Blue Trevira gaberdine trousers with two narrow belts; £8.99, by Shelana. Embroidered cap; £2.20, by Edward Mann, from Simpson, Piccadilly, WI.

Dark girl wears a midi-length frilled striped cotton button-through skirt; £9.95, by Judit Ullman for Ronnie Stirling. Green and white striped top; £3.25, from all branches of Dorothy Perkins. Red satin wedge shoes; £7.95, T. Elliott. Socks; Mary Quant. Straw hat; £5, Biba, Kensington High Street, W8. Blonde girl wears a green and navy print cotton top, £4, and frilled skirt, £4.75; from Laura Ashley, 157 Fulham Road, SW3.

Dark girl wears cream cotton gaberdine culottes; £12.50, by Katherine Hamnett for Tuttanbankem. Blouse with short sleeves and elasticated waist; £9.95, by Lee Bender at Bus Stop. Cream hat by Kangol. Cream woven sling-back wedge shoes; £6.99, from Sacha. Orange silk scarf by Ascher. Blonde girl wears a cream cotton skirt; £7.95, by Lee Bender at Bus Stop. Brown check cotton blouson jacket; £4.95, by Riva. Cream hat by Kangol. Multi-striped canvas shoes; £5.99, Russell & Bromley, Cream leather bag; £4.99, Dolcis.

For all those who’ve never seen a Sunday afternoon Marx Brothers repeat, we’ve re-created their happy-go-lucky look so you can see what it was all about—lovely casual easy-to-wear clothes, extra long jackets, loose baggy trousers and happy looking Harpo hats. The total effect is amazing and pretty and guaranteed to bring a smile to the dreariest passer-by. For details of clothes, turn over . . .
Photographed by Franz Gruber.
Scanned from Honey, March 1972.





Long languid shapes, tiny halter necks and easy voluminous trousers. Shades of 30s tea dances and glorious afternoons lounging amongst the hothouse palms in clothes that make you feel every inch a lady while keeping you cool on the hottest day.
Photographed by Richard Selby.
Scanned from Honey, July 1972.






Cotton jackets and blouses, comfortable baggy trousers, skimpy bareback sun tops and neat knee-length shorts. Team them up with saucy felt berets and rope-soled espadrilles —wear them anywhere (or on the prom).
A glorious recreation of 1930s photographs by the late great Mike Berkofsky, but we all know those pups are the real stars of the show!
Photographed by Mike Berkofsky.
Scanned from Honey, May 1974.







Now you can be spot on by wearing corduroy. This material used to be an essential part of every girl’s wardrobe, but for years it’s been a plain Jane fabric and most unfashionable. This spring, however, cord has made a spectacular comeback, particularly in coordinates. Colours are sludgy, shapes are trim, and it’s a nice, casual fabric that wears well and is flattering. Buy a jacket, then choose skirts and trousers to match—and you’ll have a whole new wardrobe that can cope with the vagaries of the English spring.
Photographed by Roger Charity.
Scanned from 19 Magazine, February 1973.







Black, the old enchanter. Bewitching, mysterious, romantic. In velvet, satin and soft silk jersey. Dramatic alone or shouting with colour. That timeless black magic still weaves its ancient spell.
Hair by Leonard.
Photographed by Hiroshi.
Scanned from Flair, November 1971.














Scarves, instead of being dismissed as last year’s fashion gimmick, are being perpetuated as this year’s most important accessory. Still the simplest way to wear a scarf is to flip a long one casually college-style around the neck. As long as it’s not literally a college scarf this somehow adds enough chic to whatever you wear, without making you look fussily overdressed. There are dozens of different ways to tie a scarf. Smart French girls are tying scarves around their waists, twisted in with chain belts or beads. Marc Bohan at Dior makes headscarves tied pirate-style look young and chic, and shows scarves tied like a man’s tie. Although large squares will still be in demand to wear on the head or folded up as cravats, the big fashion in scarves is still for long ones, preferably fringed. Men will have to accept with a good grace that they have lost their long-established monopoly of fringed silk scarves. Until now almost the only places to find them were men’s departments, antique market stalls or somebody’s attic. (Shawls are the latest craze from jumble sales.) But shopping for scarves is easier this spring, with stocks at last in every shape and size. Hair by Valerie at Cheveux, 15 Abingdon Road, London W8.
Fashion by Liz Smith.
Photographed by Steve Hiett.
Scanned from The Observer Magazine, March 1969.








Something like these easy-to-wear, soft crêpe or finely knitted swing-back duster jackets, teamed with wide lounging trousers or slit pencil skirts. They’re cool, casual and chic—easily the most comfortable outfits around.
Photographed by Gilles Ben Simon.
Scanned from Honey, May 1973.







Winceyette steps gently from bedtime to daytime with a magic story to tell about dungarees and smocks, dresses and skirts. The prints are childlike, the colours soft and while they conjure up memories of long-ago nurseries they will make you everything that is adult and feminine.
Photographs taken at Pollock’s Toy Museum, Scala St., W1
Fashion by Marcia Brackett.
Photographed by John Carter.
Scanned from Petticoat, 12th August 1972.


